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The art of the formula has taken possession of the chair and soon the microphone In G Major. He says it with an accent (really? But an accent according to what criteria?), he says: “ I am a Cadet from Gascony from Indian Flanders ».
Welcome to the planet of Carles Diaz. On my little file, it says writer, Franco-Chilean poet of French expression, doctor in History of art, researcher in the field of culture and European art specific to the second half of the XIXth century. But my little file does not say that Carles Diaz trots (he often straddles) on issues related to the identity of the contemporary world and the last sighs of indigenous languages. Nor does it say that this child from the southern lands chose to write in a language that is not native. A series of “whys” awaits us, with the reading of Its the talvera / In marge (released in French and Occitan c/o Abordo) & The Tree Facing the World, Lives and Destiny by Carl Alexander Simonto read in the forest at Poésis editions.
The musical choices of Carles Diaz
Marc Ogeret Valparaiso
Balaguèra the tilholsèrs