When Heidegger, a German philosopher (not from seville), spoke of poetic silence, he was referring to what happens in poetry when the poet with his writing “brings into the presence” what the poem tells us about ”without naming it”. That silence so close to revelation, so to speak, is the closest a human being can be to what is genuine, to what matters, to being itself. “original thought and poetry are essentially close, becuase their common homeland is the silent saying of being”adds Heidegger because he adds doubt to doubt itself. It seems complex, perhaps terrible, and in truth it is just silence.
Sandra Romero isn’t exactly a director’Heideggerian‘,but that could also be the case. Even if it’s not intentional; even if he is silent. The title of his directorial debut, ‘Where silence passes’, it doesn’t refer so much to the thinker of «Being and time‘ like that procession of pain which, every Thursday, in his native Écija, stages the tradition and torment of a Machadian good man. Theirs is rather a silence of respect and devotion, but also, and in its own way, of discovery and abyss.What cannot yet be named, or even seen, lives in the antechamber of a tense and somewhat painful, but also enlightened and happy silence.
The film,already the brightest film debut of the year,tells the story of a reunion. The brother (Antonio Araque) returns, having gone to the city fleeing from everything that makes a city a place to escape from. There is still the brother (Javier araque) left for all that makes a city the best refuge from fear. They are twins. Almost identical. Sometimes it seems like they could be the same person. Yet, nothing unites them except all their resentments, their defeats, their fears and even their feelings of guilt. The second of the brothers, the one who hid from himself in the place where he was born, is seriously ill. And, for this and for everything that surrounds him, he suffers. The other looks and in his silent gaze, always silent, it hurts.
With this story which was previously a entirely different short film, Romero composes a family drama built entirely on everything that is silent, on the echo of silence itself, as we were saying. It was Godard, always him, who said that what is seen is one thing and what is there is another. And the director demonstrates an unusual and entirely new mastery of carving with the camera each of those notable and outrageously loud silences that bring the narrative closer to everything that matters; which “bring into presence”, as the philosopher would say, that which does not yet have a name.
Romero delves into a grammar of mirrors where fiction and reality are not only confused but told; They scratch while petting each other. The whole film is steadfast to underline each of its limitations, it is to always feel different, always other and always on the verge of giving oneself a name without actually doing so. ‘Where the silence passes She knows she is hurt and happy on the threshold of that silence which, in effect and like the wind, passes wherever it wants. The silent saying of being, what the poet said.
Address: Sandra Romero. Interpreters: Antonio Araque, Mona Martínez, Javier Araque, María araque, Nicolás Montoya. Duration: 98 minutes.Nationality: Spain.
What is the meaning of “poetic silence” in contemporary poetry according to Dr.Elena Fischer?
Time.news interview: The Poetic Silence of Heidegger
Editor: Welcome to Time.news! Today, we have the pleasure of speaking with Dr. elena Fischer, a renowned scholar in philosophy and literature. Dr. Fischer, thank you for joining us.
Dr. Fischer: Thank you for having me! It’s a pleasure to be here.
Editor: Let’s dive right in. We recently came across an intriguing passage from Heidegger regarding “poetic silence.” Can you explain what he means by this concept?
Dr.Fischer: Absolutely. When Heidegger refers to “poetic silence,” he’s exploring the profound moments in poetry where language transcends its ordinary use. It’s not just the absence of sound; rather,it’s a deep,resonant space that allows for reflection and insight. In poetry, the poet’s craft creates an atmosphere where meaning can emerge in unexpected ways.
Editor: That’s captivating! So,is this silence something that enhances the reader’s experience?
Dr. Fischer: Very much so. Heidegger believes that this poetic silence allows readers to engage with the text on a deeper level. It invites them to pause, to think, and to reflect on the meaning behind the words. In that silence, readers can find new interpretations and connect with the essence of the poem. It’s almost as if the silence speaks in its own right.
Editor: It’s interesting how silence can convey meaning. Can you give an example of poetry that embodies this concept?
Dr. Fischer: One classic example is the work of Rainer Maria Rilke. His poetry frequently enough employs pauses and vivid imagery, creating spaces where silence governs the emotion. In his poem “The Duino Elegies,” for instance, moments of silence allow for weighty themes of existence and beauty to unfold fully. The reader is not just consuming data; rather, they are invited to dwell in the silence and contemplate.
Editor: So, in a way, that silence acts as a conduit for deeper understanding?
Dr. Fischer: Precisely! It’s a vessel that carries the reader toward a more intense and reflective experience. Heidegger posits that language, when manipulated skillfully by the poet, can unveil truths that are typically hidden in the noise of everyday life. It’s a reminder that what is unsaid can be just as powerful as what is articulated.
Editor: How dose this idea of poetic silence relate to contemporary poetry or literature? Do you see parallels in today’s work?
Dr. Fischer: Yes, certainly! Contemporary poets like Mary oliver or even spoken-word artists use silence effectively. They often play with pacing, line breaks, and pauses to create an emotional weight that resonates. This trend underscores a growing gratitude for quiet moments in literature where readers can reflect personally on the larger themes presented.
Editor: That’s a stunning connection. Lastly, how can aspiring poets harness this concept of poetic silence in their own writing?
Dr. Fischer: I encourage them to experiment with structure and rhythm. embrace line breaks, create moments of stillness in their work, and consider what is left unsaid. Engaging with silence can lead to powerful breakthroughs in creativity. It’s about finding balance in expression; sometimes, what’s not writen is as impactful as what is.
Editor: Thank you, Dr. Fisher, for this enlightening discussion on Heidegger and the art of poetic silence. Your insights not only illuminate these philosophical concepts but also inspire us to approach poetry with fresh eyes.
Dr. Fischer: Thank you for the conversation! it’s been a joy exploring these ideas with you.
Editor: And thank you to our readers for joining us today. Until next time, keep reflecting on poetry and the spaces between words.