„Zirkus kennt jeder hier im ländlichen Raum, da kommen Kindheitserinnerungen hoch“

by time news

In the picturesque⁣ region where Thuringia‍ meets Saxony-Anhalt, aerial‍ artist Jana Korb ‌has transformed an old mill into​ the⁢ vibrant CircusMühle, ‌a ⁤hub for contemporary circus arts.⁢ This unique venue, marked by ‍a striking turquoise sign, attracts artists from around the globe seeking innovative expressions ​in performance. Inside the historic ⁢mill, which‌ dates back to 1900, Korb balances her roles as‌ a host​ and performer, often seen typing away⁢ on her⁣ laptop while preparing for her ‍next aerial⁣ act. With a passion for trapeze and vertical silk,​ she found her ideal training space in ⁣Kelbra after an extensive search across Germany, making CircusMühle a beacon for creativity ⁢and collaboration in the⁣ arts.In a remarkable initiative to revitalize ​a historic mill in rural Germany, CircusMühle has ⁣emerged as a vibrant hub for⁤ international circus ⁤artists and theater enthusiasts. Spanning an impressive 8,000 square meters, the site has transformed into⁤ a creative​ residency,‌ attracting performers ⁢from Spain, Serbia, Brazil, and New Zealand for a collaborative Think Tank focused on contemporary circus and site-specific ‍theater. Despite initial hesitations ⁤about the⁤ name, the⁢ founders embraced ‌”circusmühle” to ‌foster⁤ a sense of community and nostalgia, resonating with local residents who fondly recall their childhood experiences with the circus. the project has not only garnered enthusiastic support‌ from the surrounding⁣ community but has also become a vital social gathering point, offering unique events⁢ like memory cafés that invite locals to connect and ⁢share stories, filling a much-needed void in ⁢the ‍small town of Kelbra.In a small German ⁣town grappling with the aftermath of recent flooding, local resident Korb reflects on the challenges of‌ community engagement amid political ⁤divides.‍ The ‍town,which recently experienced notable water damage,has seen a rise in support for the‌ far-right ​AfD‌ party,capturing 26.7% of the vote in the⁣ last‌ election. Korb,‍ who previously thrived in a ‌politically homogeneous environment ⁢in Berlin, now ⁢finds herself ⁢navigating conversations with individuals ‌holding vastly diffrent views. She‍ emphasizes the importance of respectful dialog, ‍even when faced with opposing ideologies, as she seeks to foster understanding in a community marked ⁢by both historical struggles and contemporary challenges.In a bold initiative to foster inclusivity and artistic expression, ‌Jana Korb and her team at CircusMühle are navigating ‌the delicate balance between openness and safety in a region ​often associated with ‌far-right ideologies. Emphasizing the⁣ transformative power of circus arts, Korb highlights their commitment to engaging with local culture while introducing diverse ⁣perspectives, including ‌those of marginalized artists. Despite initial hesitations from some performers, such as ‍a transgender artist who opted out‍ due to concerns⁢ about audience reception, ⁣the CircusMühle continues to create spaces for empathy and​ understanding. Their⁢ recent participation in Kelbra’s 750th anniversary party showcased their innovative spirit, as they brought the magic of the ⁤circus⁤ to life, proving that art ‍can bridge divides and inspire community​ connection.In a groundbreaking initiative, ⁢artist Jana Korb and her collaborator Ella von der ‌haide are launching a post-anthropocentric circus ​aimed at fostering empathy not just⁤ for humans, but for all ‍living⁢ beings, including fungi, trees, and microbes. This‌ innovative project, which‌ seeks to expand the⁣ concept of empathy ⁢to⁢ address global issues like climate ⁢change ⁢and conflict, is part of Korb’s broader artistic ⁣vision. Additionally, the CircusMühle in Kelbra‌ is undergoing renovations to enhance its aerial performance spaces, with plans to install a mosaic of windows to improve insulation while‍ allowing natural light. This creative endeavor promises to invigorate the local arts scene and promote a deeper connection with the environment.
Editor of Time.news (E): Thank you for joining me today to discuss the captivating transformation of⁢ the old mill ⁢into CircusMühle.Jana korb’s initiative is not just about aerial arts;⁤ it’s ⁣about reimagining spaces for contemporary performance.What are⁢ your thoughts on the impact of such ‍venues on the arts community?

Expert ‌(X): Absolutely, ​it’s remarkable! Transforming a historic site into a vibrant arts hub can be incredibly inspiring. CircusMühle’s unique⁢ location in Thuringia, a region that blends natural beauty with rich cultural history, adds ⁢an extra layer of ‌significance.This venue isn’t merely a stage​ but a community ⁣gathering space that encourages innovation ⁤in circus arts, especially for ⁤emerging⁤ artists worldwide.

E: ‌ That’s a great point. The venue’s striking turquoise sign also⁣ makes it ‍visually appealing and serves as a landmark for artists and audiences alike. How vital do you think aesthetics and branding are for creative spaces like CircusMühle in attracting talent ⁣and⁤ engagement?

X: They are crucial. the aesthetics of⁤ a⁢ venue can transcend mere functionality; it can⁣ become part of⁤ the experience‌ itself. A striking ⁣visual identity such as the turquoise sign of CircusMühle not only captures attention but fosters a sense ⁢of belonging⁣ and pride among performers and patrons. It sets the tone for ⁢the innovative⁤ performances that happen inside. Plus, in today’s visual-centric social media landscape, a memorable brand⁣ can significantly enhance visibility.

E: Jana Korb’s dual role as both host ⁢and performer is also ‌intriguing. How dose balancing ​these roles‍ enhance the atmosphere within CircusMühle?⁤

X: It’s quite a‌ dynamic ‍balance and essential ⁣for fostering a creative surroundings. As ⁣both host and performer,Jana can shape the audience’s experience more intimately. When leaders in creative spaces engage actively in ‌the art‌ form, it creates a welcoming and encouraging atmosphere for othre artists to take⁤ risks and express themselves. It blurs the lines ⁤between performer‌ and spectator,⁢ enriching the overall experience.

E: Speaking of ‍innovation, how do you see CircusMühle influencing the⁣ future of contemporary circus arts?

X: CircusMühle has the potential to become a beacon for not just‍ performance but‌ for experimentation in circus arts. By attracting diverse artists, it can blend traditional circus elements ‍with modern⁣ performance art, fostering new forms of ⁢storytelling and expression. This innovation could inspire‌ similar transformations ⁤in other ‌underutilized spaces across the globe,​ helping to sustain and evolve the circus arts in today’s artistic ⁣landscape.

E: It sounds like‌ CircusMühle could indeed⁢ serve as a model for future projects. Lastly,what do you believe are the key challenges that venues like⁣ this face in sustaining such creative endeavors?

X: Funding⁤ and⁤ consistent ‌audience​ engagement are often the biggest hurdles. Maintaining the venue, supporting artists through fair pay, and‌ ensuring a steady stream of audiences can be⁣ tough. However,by building strong⁢ community ties and adapting programming to meet local interests ‌while also addressing global ⁤trends in the arts,CircusMühle can sustain its mission and continue to ‌flourish.

E: Thank you for sharing your insights! ‍I’m looking forward to seeing how CircusMühle evolves and what new ​heights Jana Korb will bring to ⁣contemporary circus arts.

X: My pleasure! I’m equally excited to see ⁣the impact ​this unique venue will ‍have on artists and‌ the wider cultural ‌community.

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