Fundamentally fantasies for resistance it’s a comedy. And it is not. Alfredo Sanzol tries everything in this show. Renew the most popular and oldest comedy of the national theatre, take a position on the complex war conflict between Russia and Ukraine, clarify the concomitance between tragedy and comedy, and even give Pirandello a new twist to advance contemporary metatheatricality. Too many things. In the end, there is an unbalanced comedy of more than two and a half hours that, moreover, in certain moments of alleged theatrical hooliganism, falls excessively into the crude and the house brush.