Independent journalist Marine Vlahovic died at the age of 39, in Marseille. His sound documentaries, especially on the West Bank, were noted for their humanity.
From 2016 to 2019,Marine Vlahovic was a correspondent in Ramallah (West Bank) for French-speaking public radio stations. She also produced podcasts for Arte Radio. Photo ARTE Radio
Published on November 28, 2024 at 5:11 pm
Updated November 28, 2024 at 5:28 pm
NHe knows marine Vlahovic for her sound documentaries, journalistic treasures that stood out a little more than the others as of the pure, clear authenticity of their author.The lifeless body of the 39-year-old freelance reporter was found on the roof terrace of her marseille home on Monday morning, November 25. An autopsy ordered by the Marseille prosecutor’s office will determine the circumstances of his death.
After an extensive investigation into the death of the environmental activist Rémi Fraisse (he was killed by an offensive
In the latest episode titled Gaza is calling, posted online this year, she recounts her desperate efforts to reach the Gaza Strip, where her journalist friends and their families are at risk of death under Israeli fire. She was stuck in Cairo for many weeks, and kept in touch with them constantly, sending them comforting words and packages of professional or medical equipment. These thousands of messages, hundreds of hours of calls put on the air gave rare visibility to the work of his Gazan colleagues. “It’s very difficult to do a podcast about people who could die at any moment,” she told us. Recently, she had gone out of her way to help one of them and his wife see a more secure future.
we lose, journalism loses, the world loses an amazing and sincere person.
I text published on Wednesday 27 Novemberthe Arte Radio team remembers “his enthusiasm and his generosity” et “her big ugly smile”. Sometimes some people gave her a nickname “Kill the machine”, in honor of her hard work, but Marine Vlahovic was nothing but a machine. I Gaza is calling, she knew how, masterfully, to intertwine professionalism and friendship, offering to the microphone the tremors of her voice, the heart as well as intensity, the extra soul that did not always allow her the needs of the radio newspapers that she nurtured when she was. correspondent. Benoît Bouscarel, who commissioned reports for France Culture as editor-in-chief of the station’s weekends, still stands out for his colleague’s loyalty and sensitivity. “It was pure journalism, human purity too. We lose, journalism loses, the world loses an amazing and sincere person.» This week, he was playing with the students of Clermont-Ferrand while introducing him to the basics of intelligence Gaza is calling – “a demonstration of everything I explain to them about the importance of field journalism”.
For the first time in fifteen years in the profession, and particularly embarrassed by the way the media in France treated Gaza, Marine Vlahovic did not ask for her press card to be renewed. But she didn’t stop“Listen to the world”, as she said. “Between two cigarettes, two laughs, two outbursts, she had a very clear vision of journalism, which she looked at critically but kindly, she emphasizes Benoît Bouscarel, who has continued to work with her in recent years. For her, it was a human profession, not a technical one.»
Also read:
Podcast: on Arte Radio, shocking evidence of “retirement of crime”
How did Marine VlahovicS approach to sound documentaries influence modern journalism?
Interview between Time.news Editor and an Expert on Journalistic Integrity and Sound Documentaries
Time.news Editor: Welcome! Today,we’re honored to discuss the impactful work of autonomous journalist Marine Vlahovic,who recently passed away at the age of 39. Her contributions, especially to sound documentaries focusing on the West Bank, have been deeply moving. Can you share your thoughts on what made her work stand out?
Expert: Thank you for having me. Marine Vlahovic’s documentaries were remarkable not just for their informative content but for their profound humanity. In an era where sensationalism frequently enough overshadows empathy in reporting,she truly excelled at humanizing her subjects. Her ability to let the voices and stories of the people emerge made her work resonate on a personal level.
Time.news Editor: That’s such an significant aspect of journalism, especially in conflict regions like the West Bank. Vlahovic was a correspondent in Ramallah from 2016 to 2019 for French-speaking public radio stations. What do you think she brought to the narrative during her time there?
Expert: Marine’s time in Ramallah gave her a unique vantage point. She approached her stories with sensitivity and an understanding of the complex social and political dynamics at play. By focusing on sound as a medium, she was able to capture the raw emotions and subtleties of the community, allowing audiences to hear what many don’t get to see. This approach fosters a deeper connection to the subject matter.
Time.news Editor: Undoubtedly, the power of sound can evoke such strong feelings. Her podcasts for Arte Radio also contributed to her reputation as a compelling storyteller. How does audio journalism differ from customary written journalism in your opinion?
Expert: Audio journalism, especially in the hands of someone as skilled as Vlahovic, creates a different intimacy with the audience. Unlike text, sound allows listeners to engage their imagination—every subtle noise, every inflection in a voice tells a story. This creates a multi-layered experience that can frequently enough capture the emotional weight of a situation more effectively than written words alone.
Time.news Editor: That’s a engaging viewpoint. Vlahovic’s work on the West Bank has been recognized for its depth and insight. What can young journalists today learn from her legacy?
Expert: Young journalists can take a page out of Vlahovic’s book by tapping into their intrinsic curiosity and prioritizing the voices of those often overlooked in mainstream narratives. Her commitment to ethical journalism, characterized by respect and compassion, serves as a guiding principle for all aspiring reporters. It’s about going beyond the surface and fostering understanding and dialog.
time.news editor: As we reflect on her contribution to journalism, what do you believe is the central message she leaves behind?
Expert: The central message that Marine Vlahovic leaves us with is the importance of humanity in storytelling. In a world filled with chaos and conflict, she reminds us that at the heart of every story are real people with lives, dreams, and struggles. Her work encourages us to listen more, see more, and understand better, which is largely what journalism should aspire to achieve.
Time.news Editor: Thank you for sharing your insights on the impactful work of Marine Vlahovic. Her legacy will undoubtedly inspire many future journalists to approach their craft with the same care and respect.
Expert: Thank you for the opportunity to honor her memory and discuss her invaluable contributions.