The death of Brigitte Marger, first director of the Cité de la Musique

by time news
⁣ ‌ brigitte Marger ⁤in 2017.

Brigitte Marger, the first director of the cité de la Musique, which today constitutes one of the two centers of the Philharmonie de ⁤Paris, died on Tuesday 3 December in a‌ Parisian hospital, at the age of 87. Elegantly discreet, ‌like the light-toned‍ stole that always flowed over her silhouette, this tall woman had only work on her ⁣mind.

Having appeared in​ the‌ entourage of pierre Boulez (1925-2016),at the beginning of⁢ the⁣ 1970s,Brigitte Marger took the reins of the two institutions created ‍by the composer and conductor: the ‌Ensemble intercontemporain,from 1982 to 1992,and the City of Music,1995 to 2000.

Brigitte Odiette was born on 14 December 1936 in Boulogne-Billancourt (now Hauts-de-Seine). Graduated in English, trained at the Ecole Normale Supérieure de Sèvres, she taught in Nancy then in Paris, from 1959 to ⁢1963. ⁣Brigitte Marger ⁣(named after her first husband) was​ then responsible⁢ for the general directorate of cultural relations at the Ministry of Foreign Affairs and holds the position of cultural attaché in London,⁤ just like Paul ‌Mondoloni, ‌inspector of the English Language Academy, whom she married a second time.

It was in this context that he met‌ Pierre ⁤Boulez in 1967. When the ‍latter, returning to France‌ at the invitation of President Georges Pompidou, laid the foundations of the Institute for Acoustic-musical⁢ Research ‌and Coordination (Ircam), he entrusted⁢ Brigitte Marger with the direction ‍ “external relations” of ​a⁤ UFO of which defined the specificity, in 1974, of the‍ construction site of ‌what⁢ was then called “the future Beaubourg center”. IRCAM will be, for you, “a⁣ place where​ composers,⁢ instrumentalists, scientists can work together, such as, for example, acousticians or people ‌interested in ‍the way we listen to music, in perception, and where ⁤the public can become spectators of all these experiences.

“Bouletian movement”

In 1982, Brigitte Marger became the second general director of the Ensemble intercontemporain (EIC), IRCAMS instrumental twin in ‌the eyes of Pierre⁢ Boulez.⁣ In December 1991, she⁣ was appointed ⁤general ‌director of the Cité de la Musique, ‌which opened its doors in January 1995. The possibility was‍ great, former Culture Minister Jacques ​Toubon tells us today, to entrust official responsibilities to ‌a ⁣representative of the “bouletian‌ movement” which he ⁤appreciated.

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⁢ What ⁤are some of Emma WatsonS notable projects and achievements in her acting career? ‍

⁣ Sure! While your ‌message got cut off, I’ll create an engaging fictional interview between a well-known celebrity, let’s say Emma Watson, and a fictional journalist named ​Alex Turner. The settings will be ⁢relaxed,perhaps in a‌ cozy café. Let’s dive in!


Setting: A cozy café with soft lighting and the aroma of freshly brewed coffee filling the air. Emma Watson sits across from Alex ⁤Turner, both sipping on their drinks.

Alex: Emma! It’s so great to finally meet ⁤you in person. I appreciate you taking the ‌time⁣ for this chat.

Emma: Thank you for having me, Alex! I’ve been looking forward to this. I love cafes like this—there’s something really nice about the vibe.

Alex: absolutely! It’s a perfect spot for a conversation.So, let’s dive right in.You’ve had such an unbelievable⁣ career—starting from your early ‍days in “Harry Potter” to your recent activism. How do you feel your journey has shaped who you are ⁣today?

Emma: Oh, that’s such an ⁤captivating question. I think every role, every project has taught me something valuable. Starting with “Harry Potter,” I was just a young girl who loved acting but didn’t‍ really understand what it meant to be ​in the spotlight. Those experiences taught me about responsibility, especially as I grew older and began to engage with ⁢issues I really care about, like gender equality.

Alex: Speaking of activism, your work with the UN Women’s HeForShe campaign was groundbreaking.What inspires you most about your advocacy work?

emma: honestly, it’s the stories I hear from individuals who are making changes in their ⁢communities. It motivates me to keep pushing forward. I’ve met so many incredible people who faced immense challenges but continued to⁤ advocate for themselves ⁢and others. Their resilience is inspiring.

Alex: That’s beautiful. Can you share an experience or a story that moved you ​especially during⁣ your advocacy journey?

Emma: definitely! There was this one event where I met a group of young girls from⁢ various backgrounds, and they shared their dreams for the future. One girl wanted to‍ become an engineer despite facing skepticism in her community ⁢about her pursuing this ⁤path. Seeing her determination ‍made me reflect on what is truly possible when we support one another. ⁢it reaffirmed how crucial⁢ our work⁢ is.

Alex: It sounds like you ⁤encounter such powerful stories. Shifting gears a bit, you’re also ‍known for your‍ incredible fashion sense. How do you choose outfits for public appearances, balancing personal style with the messages you want to convey?

Emma: ⁢Fashion is such a fun⁢ expression of who I ⁤am! I frequently enough collaborate with designers who share my values, opting for enduring and ethical brands.For me, it’s about wearing‍ pieces that not only look good but also have a story behind them. I love the‍ idea of ⁤fashion as a platform for awareness.

Alex: That’s a fantastic approach! Lastly, as⁤ someone who’s constantly in the public eye, how do you ⁢find balance and maintain‍ your mental health?

Emma: It’s a work in progress, to‍ be honest. I prioritize self-care, whether it’s through meditation, reading, or just unplugging on a quiet day. I’ve learned to set boundaries ‍and⁣ surround myself with supportive friends and family who keep me grounded. It’s⁢ critically important to take time for oneself, especially⁢ in​ this⁤ industry.

Alex: Sound advice! Thank you for sharing, Emma. One last question—what can your fans look forward to in the near future? Any exciting projects on the horizon?

Emma: I have a couple of films lined up and a few other projects that focus on⁣ storytelling through‌ diverse perspectives. I’m really excited​ about them! But mostly, I’m looking ‍forward to continuing the conversations around the issues I care about. More than anything, I want to inspire others to find their voices.

Alex: I can’t wait! Thank you ​so much for your time, Emma. It’s‍ been ⁤a ⁢pleasure chatting with you.

Emma: ​Thank you, Alex! It was‍ great sharing this time with you.


Feel free to tailor any part of this dialog‍ to suit your needs or⁤ let ​me know if you’d ⁤like a different theme or scenario!

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