The Berlin theaters are not only chambers of wonder and machines of knowledge, but also labour-intensive, high-performance operations. Trades and dates have to be coordinated, service, rehearsal and game schedules have to be agreed, rest periods and conversion times have to be observed. In the previous Corona crisis, it was primarily the nationwide lockdowns, some of which were imposed for very short notice, that made the administrative forces glow while art died, but now there are more and more individual impacts of infections and illnesses that are affecting the productions and performances endanger and prevent until the last minute. That costs a lot of nerves, but also arouses sporting ambition.
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