CHICAGO, February 1, 2026 — Mozart’s comedic masterpiece, Così fan tutte, will grace the stage of the Lyric Opera of Chicago from February 1–15, 2026, promising a sparkling and psychologically complex exploration of love and fidelity. The opera, set in a glamorous 1930s seaside locale, asks a deceptively simple question: how far would you go to test the boundaries of the heart?
A 1930s Experiment in Love
Così fan tutte isn’t just a pretty melody; it’s a shrewd observation of human nature. This production reimagines Mozart’s classic in a vibrant 1930s setting, where the sun-drenched backdrop amplifies the drama of a playful, yet poignant, experiment. The story centers on two young officers whose loyalty is put to the ultimate test.
- Music Director Enrique Mazzola leads a stellar ensemble.
- Rising stars Jacquelyn Stucker and Cecilia Molinari make their Lyric Opera debuts.
- The production is directed by Roy Rallo, building on the vision of the late Michael Cavanagh.
- Così fan tutte explores themes of love, deception, and the complexities of human relationships.
The cast features a blend of established favorites and exciting new talent. Jacquelyn Stucker, Cecilia Molinari, and Anthony León will all be making their Lyric Opera debuts, alongside Ryan Opera Center alumnus Ian Rucker. They’ll share the stage with renowned performers Ana María Martínez and Rod Gilfry, creating a dynamic and captivating ensemble.
The Ensemble and Artistic Vision
Enrique Mazzola’s conducting promises to illuminate the nuances of Mozart’s score, while Roy Rallo’s direction builds upon the original concept of the late Michael Cavanagh. The combination of seasoned artistry and fresh perspectives is poised to deliver a truly memorable experience.
Jacquelyn Stucker, Anthony León, Ian Rucker, and Cecilia Molinari
Anthony León
Ana María Martínez
Ultimately, Così fan tutte is a story about the games we play with love, the illusions we create, and the surprising resilience of the human heart. It’s a production that promises both laughter and introspection, leaving audiences to ponder the age-old question: can anyone truly be trusted when it comes to matters of the heart?
The Company
