Four years after redefining independent cinema with the kaleidoscopic adventure of Everything Everywhere All at Once, Daniel Kwan and Daniel Scheinert – collectively known as The Daniels – are preparing to return to the substantial screen with a new, currently untitled science fiction project. The duo, who quickly became known for their innovative storytelling and blend of genres, are aiming for a November 2027 release, marking a significant return to feature filmmaking after a period of exploring other creative avenues. This new film promises to be another ambitious undertaking, leaning into action, comedy, and the kind of existential themes that resonated so deeply with audiences in their previous operate.
The Daniels’ journey since their breakout success has included directing an episode of the Disney+ Star Wars series Skeleton Crew, a project that allowed them to play in a different, yet still creatively expansive, sandbox. Beyond that, they’ve remained involved in producing other projects, but their focus is now firmly back on original storytelling. The decision to embark on a new sci-fi action comedy represents a continuation of their artistic exploration, building on the foundation laid by Everything Everywhere All at Once even as charting new territory. Understanding the Daniels’ creative process is key to anticipating what’s to come; they’ve consistently demonstrated a willingness to push boundaries and challenge conventional narrative structures.
A Deliberate Pause and a Shift in Focus
The path to this new project wasn’t without a detour. Originally slated for a June 12, 2026 release, the film was strategically delayed to avoid clashing with Steven Spielberg’s highly anticipated UFO-themed film, Disclosure Day. As reported in early 2026, this decision wasn’t about competition, but rather about allowing both films the space to connect with audiences without being overshadowed. Kwan explained in a recent interview with Collider that the extra time has been invaluable, allowing them to “reconcile all those [complex and really nuanced] things and put them into one movie.”
This period of reflection appears to be central to the development of the new film. Kwan emphasized that The Daniels approach filmmaking by deeply observing the world around them and internalizing current events. “We’re going to strive doing what we’ve always done: listen very deeply to what is happening in the world and try to internalize that and make something really fun and entertaining,” he said. This suggests the film will likely grapple with contemporary anxieties and themes, presented through the lens of a fast-paced, visually dynamic sci-fi adventure. The Daniels’ ability to blend profound philosophical questions with exhilarating action sequences is what set Everything Everywhere All at Once apart, and they aim to replicate that balance in their next project.
IMAX and the Cinematic Experience
The Daniels are intentionally designing this film for a communal viewing experience. They plan to shoot extensively in IMAX format, aiming to create a truly immersive and spectacular cinematic event. “It’s going to be fun sci-fi, action comedy with a big heart. Very existential,” Kwan stated, adding that they want to “bring people together and provide them a big event.” This commitment to the IMAX format underscores their desire to create a film that demands to be seen on the largest possible screen, emphasizing the power of shared experiences in a world increasingly dominated by streaming and home entertainment.
What We Know So Far About the Story
Details about the plot remain tightly under wraps, but Kwan’s description hints at a story that will be both intellectually stimulating and emotionally resonant. The “existential” nature of the film suggests it will explore themes of meaning, purpose, and the human condition, potentially mirroring the philosophical undercurrents of Everything Everywhere All at Once. The “action comedy” element promises a thrilling and humorous ride, likely featuring the inventive fight choreography and visual gags that have become hallmarks of The Daniels’ work. Fans of their previous film can anticipate a similar level of creativity and willingness to subvert expectations.
The production is scheduled to initiate this summer, giving the team approximately 16 months to complete the film before its November 2027 release. This timeline suggests a significant amount of post-production work, potentially involving extensive visual effects and sound design, given the ambitious scope of the project. The Daniels have proven adept at managing complex productions, and their experience on Everything Everywhere All at Once will undoubtedly inform their approach to this new challenge. The film’s title remains unknown, adding to the anticipation and speculation surrounding its release.
The Daniels’ next film represents a significant moment for both the filmmakers and the broader landscape of science fiction cinema. Their unique vision and commitment to pushing creative boundaries have established them as a force to be reckoned with, and their return to the genre promises a fresh and innovative take on familiar tropes. As production ramps up this summer, expect a steady stream of updates and glimpses into the world they are building. The November 2027 release date is the next confirmed checkpoint for this highly anticipated project, and fans will be eagerly awaiting further news.
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