Drastic decline in the cultural budget in the Pays de la Loire: the Julien-Gracq house on the verge of collapse

by Laura Richards – Editor-in-Chief

In Saint-Florent-le-Vieil (Maine-et-Loire),the Cateano storm no longer raises waves on the Loire but ⁣an evil wind blows on the‌ Julien-Gracq house. Like all local cultural institutions, it is affected by the radical reduction ​in funding for⁣ the Pays de la loire region that the elected representatives should adopt on the initiative⁤ of president Christelle Morançais (Horizons), on 19 and 20⁢ December.

“In 2025 we will lose 50% of our endowment, or almost 77,000 euros ⁣out of an annual budget of 350,000 euros”, complains Jérémy Fabre, director of the structure. For 2026 there is talk of total disengagement. »

“Its disappearance would be terrible, especially for small towns”

The council meeting on 21 November, chaired by Armel Pécheul⁢ (DVD), regional councilor of the majority, heightened fears. “A month before the new season, ​it’s irrational,” says⁤ Jérémy Fabre. the house was created in 2012, after⁢ the ⁤great writer ‌Julien Gracq bequeathed his property to the city so that it could​ host authors in residence. At the time the Region‌ had invested ⁢two million euros in the project. »

Since then, the institution has welcomed 120 creators, organizes an annual festival and stands out in the Pays de la Loire and beyond. “tourist guides mention us,” observes Jérémy Fabre. ⁢“Should we fire people, reduce the number‌ of⁢ residencies, reduce the scope of the festival? » he asks.

Michèle Pedinielli, ‍rising star of crime fiction,‍ who completed her next novel here, “A Single Eye” (L’Aube, January 2025), judges that “this blow to culture⁣ is a choice”: “I fell out of the closet. ⁢Home is a big bubble but we go out for exchanges in schools, ⁢in retirement ⁢homes. Its disappearance would be terrible, especially for small towns. »

On thursday ​28 November, almost‌ 600 cultural actors from Maine-et-loire demonstrated their anger in Angers.Slogan: “Let’s ⁢not bury culture. »

How⁤ can communities ⁣advocate for increased funding and⁢ support for⁢ local cultural institutions amidst budget cuts?

Interview: The‌ Future of Cultural Institutions in Maine-et-Loire

Editor of Time.news (ET): ⁣Today,we are joined​ by Jérémy Fabre,the ⁤director ⁤of the Julien-gracq house in Saint-Florent-le-Vieil,to discuss the ⁤recent cuts in funding for cultural institutions in the Pays de la Loire region. Thank you for being here, Jérémy.

Jérémy ‍Fabre (JF): ​ Thank you for having me.

ET: The news of‌ a potential 50% reduction ​in your funding by 2025 is alarming.Could you ​elaborate on how this will affect the Julien-Gracq house and⁣ its events?

JF: absolutely.⁤ Losing 50% of ⁣our annual ⁣budget, which amounts to about 77,000 euros, will have severe consequences.We face difficult decisions regarding ​staffing, the number of residencies ⁢we can⁤ support, and even the scale of our annual festival. The Julien-Gracq house was ‍established in 2012 with considerable ‌initial funding from the region, and this cut essentially threatens our very existence.

ET: It sounds ⁣like⁢ a challenging situation. what do you think this reduction in funding says about the value placed on culture ‌in your region?

JF: This situation illustrates​ a troubling trend.⁢ By drastically reducing support for cultural institutions, we ⁣risk ⁢sidelining the importance of cultural advancement in our communities. The house has nurtured over 120 creators and provided vital platforms for artistic⁢ expression. Without this support,we may see diminished cultural vibrancy,especially in​ small ​towns.

ET: Michèle Pedinielli, a notable crime fiction author‍ who ​completed her⁣ upcoming novel at your institution, mentioned this funding‌ cut⁤ as a ⁣“choice.” What ⁣does this mean for cultural engagement in your area?

JF: Michèle’s sentiment ​resonates deeply within our community. Cultural engagement is a collective responsibility, and it’s essential​ for ‍ongoing dialogues ⁢across different societal segments—schools, retirement homes, and beyond. The⁣ idea that local governments might choose to lessen their‌ investment in culture is ⁣disheartening, notably as it ‌impacts smaller towns where cultural institutions may ⁢be the lifeblood of community engagement.

ET: There was a significant demonstration by⁢ 600 cultural actors in Angers recently,with⁢ the slogan “Let’s not⁣ bury culture.” how did this event impact local ​sentiment regarding funding cuts?

JF: The demonstration was a powerful display of⁣ unity among cultural actors⁤ in maine-et-Loire. It has‌ sparked conversations regarding⁤ the future of our cultural landscape,⁤ making it clear that⁤ residents value these institutions and the opportunities​ they provide. Such⁤ grassroots movements ‌can ⁤pressure local authorities to⁤ reconsider these drastic cuts⁣ and prioritize cultural​ funding.

ET: Given these‍ developments, what advice ‌would you ⁣give to other cultural institutions facing‍ similar funding challenges?

JF: collaboration is key. Partner with other local organizations⁤ to amplify your voice. Engage audiences and stakeholders about the importance ‌of the culture sector. Also, consider⁣ diversifying funding sources; explore grants, sponsorships, ⁣and community fundraising⁢ to build resilience against budget cuts. eye areas for innovative programming‌ that​ engages the community ⁣and showcases the ⁢importance of cultural endeavors.

ET: Thank you,Jérémy,for shedding light on this‍ vital ‌issue. The‌ sustainability of cultural institutions like the Julien-Gracq house undoubtedly plays a crucial role in community ​identity and ‌enrichment.

JF: ⁣Thank you for having me.It’s essential‍ we‍ keep the dialog open and advocate for the value of culture in our ⁢society.

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