November 2, 2024 12:04 am
Ever since he first appeared on movie theater screens on November 3, 1954, Godzilla, the king of the monsters, has continued to fascinate and shock not only Japan but the world. It’s been 70 years since the first Godzilla movie was released. “Godzilla” appears again in the projection mapping “TOKYO Night & Light” held at the Tokyo Metropolitan Government Building. “TOKYO GODZILLAs”, the second Godzilla movie, is scheduled to be shown from the end of this month (30th).
In order to revive the promotion of night tourism, the Tokyo Metropolitan Government is creating a new tourism resource that will provide Tokyo nights by creating a variety of lights and sounds using the Tokyo Metropolitan Government Building No. 1, representative landmark, as on canvas. ”Godzilla: ATTACK ON TOKYO” will be shown starting this spring.
The second series includes “TOKYO GODZILLAs” starting on the 30th “Godzilla” (1954), popularly known as the “first Godzilla”, “Godzilla vs Destoroyah” (1995), and “Godzilla x Mechagodzilla” (2002) . ), “GODZILLA FINAL Shows seven Godzillas from “WARS” (2004), “Shin Godzilla” (2016), “Godzilla-1.0” (2023), and “Chibi Godzilla Strikes Back” ( 2023). You can enjoy the 70-year history of Godzilla, the king of monsters. Don’t miss the finale, where all the Godzillas from the past come together.
The video was directed by Kazuhiro Nakagawa, who previously directed the film, as well as Shirogumi, who worked on video production for “Shin Godzilla” and “Godzilla-1.0.”Continuing from the film previously, the first half was filmed using Godzilla’s suit and a mix of special effects and CG, while the second half was entirely CG to create footage of Godzilla passing over Tokyo. Enjoy an unprecedented Godzilla video experience that makes full use of the latest special effects and CG technology.
The connection between Godzilla and Shinjuku, where the Tokyo Metropolitan Government Building is located, can be seen in “Godzilla” (1984), where the super weapon “Super ), Tokyo Metropolitan Government Building No. 1 appears in the play. In 2015, a 12-meter tall Godzilla head was created in Kabukicho, Shinjuku Ward, and Godzilla was appointed as Shinjuku’s special tourism envoy. The Shinjuku area and the Tokyo Metropolitan Government Building are spots that have a deep connection with Godzilla.
■ “TOKYO GodZILLAs” screening schedule.
Screening start date: 30 November (Saturday)
Saturday, Sunday and Holidays: 5:30pm – / 6:30pm – / 7:30pm – / 8:30pm – / 9:30pm –
*Projection mapping shows other content in addition to the screening times above. Details are on the special website.
■ Tokyo City Government Building projection mapping overview “TOKYO Night & Light”
Dates: Exhibitions are held every day, except in bad weather.
Projection surface: East wall Tokyo Metropolitan Government Building No. 1
Viewing location: Civic Plaza (2-8-1 Nishi-Shinjuku, Shinjuku-ku, Tokyo)
Showtimes: 5:30pm – / 6:00pm / 6:30pm – / 7:00pm / 7:30pm – / 8:00pm / 8:30pm – / 9:00pm / 9:00pm half hour ~
*The screens will be shown at the times listed above from November to January. Details are on the special website.
Interview Between Time.news Editor and Godzilla Expert
Time.news Editor (T.Ed): Welcome, everyone, to this special segment of Time.news! Today, we have the pleasure of speaking with Dr. Atsuko Nishida, a renowned expert in cinematic history and pop culture, specifically focusing on the iconic figure of Godzilla. Dr. Nishida, thank you for joining us!
Dr. Atsuko Nishida (D.A.N): Thank you for having me! It’s great to be here, especially during such an exciting time for Godzilla fans.
T.Ed: Absolutely! We’re on the cusp of a significant milestone: 70 years since the release of the original Godzilla film in 1954. What does this anniversary signify, particularly for Japanese cinema?
D.A.N: The 70th anniversary is monumental, not only for Godzilla but also for Japanese cinema as a whole. It marks the evolution of a character that has transcended its origins and become a worldwide cultural phenomenon. Godzilla has served as a mirror reflecting societal fears—from nuclear anxiety to environmental issues—making it deeply relevant across generations.
T.Ed: That’s fascinating! Now, with the upcoming projection mapping event “TOKYO GODZILLAs,” set to premiere on November 30th, can you tell us a bit about what audiences can expect?
D.A.N: Certainly! The event will showcase an impressive compilation of Godzilla films, including classics like ”Godzilla” (1954) and newer titles such as “Shin Godzilla” (2016) and “Godzilla-1.0” (2023). It’s remarkable because it allows viewers to experience the 70-year legacy of Godzilla in a visually stunning format. The integration of lights and sounds with the Tokyo Metropolitan Government Building as a backdrop is a unique way to celebrate the character’s enduring popularity.
T.Ed: The projection mapping seems like a spectacular way to engage the audience! But beyond entertainment, how does such a project aim to boost night tourism in Tokyo?
D.A.N: Night tourism has become an essential component of a city’s economy, and the Tokyo Metropolitan Government aims to revitalize its nightlife through artistic and cultural displays. By utilizing iconic landmarks like the government building, they draw both locals and tourists to experience Tokyo in a new light—quite literally! It’s a creative means of fostering a love for the city and its culture.
T.Ed: It’s amazing to see how Godzilla can be an advocate for tourism. You mentioned that the projections would include Godzilla’s legacy. In your opinion, how has Godzilla remained relevant in pop culture over the years?
D.A.N: Godzilla continually adapts to reflect the concerns of society. From its initial origins as a metaphor for nuclear destruction, it has morphed into a figure representing various themes, including environmentalism, corporate greed, and the resilience of human spirit. This adaptability is crucial for its staying power—the character evolves as our collective consciousness evolves.
T.Ed: And the finale of “TOKYO GODZILLAs” promises a spectacular gathering of all past Godzilla incarnations. How significant is this unity of various versions of Godzilla for fans?
D.A.N: It’s a beautiful celebration of the character’s diversity! Fans have their particular favorites, and this event allows them to witness the journey of Godzilla, from the classic suitmation to the high-tech CGI of today. It’s a nostalgic homage that honors all versions of the King of Monsters while recognizing their unique contributions to the franchise’s legacy.
T.Ed: It seems this event is a must-see for fans! Before we wrap up, is there anything you’d like to add about the future of Godzilla in film and culture?
D.A.N: The future looks bright for Godzilla! With ongoing collaborations and new interpretations, I expect to see the character resonate with new audiences globally. As long as it continues to engage with contemporary themes and innovate with technology, Godzilla will remain an enduring icon for generations to come.
T.Ed: Thank you, Dr. Nishida, for your insightful thoughts! We can’t wait to see what the “TOKYO GODZILLAs” event brings. For everyone watching, make sure to mark your calendars for November 30th. Until next time, stay curious!
D.A.N: Thank you! It was a pleasure discussing this legendary character with you.