2024-05-27 02:01:42
The ensemble Cirk La Putyka conceived the celebration of its semi-rounds magnificently. On the summer time stage, Azyl 78 presents the virtually sold-out efficiency Okamžik and on the identical time publishes the e book Smečka, which maps its historical past so far. On the identical time, principal Rosťa Novák admits that the circus just isn’t all the time all enjoyable. Within the interview, he compares acrobats to prime athletes and doesn’t conceal the truth that they’ve related dangerous professions and the same lifespan.
On the weekend I noticed the efficiency Okamžik, which Cirk La Putyka celebrates its fifteenth birthday, and I’ve to confess that I used to be apprehensive in regards to the actors at some moments. For instance, once they had been leaping somersaults on the weighting swings within the last scene. Do you generally nonetheless fear in regards to the members of your group, or do you’ve gotten extra tolerance as an insider?
After all, the sight of two individuals standing on prime of one another would not contact me that a lot anymore. However even in a present like Okamžik, there are scenes that make me nervous and that convey me to a state of euphoria if they’re profitable. As well as, you caught me at a time when there was a deadly accident at a circus college in France. A 3rd-year pupil died in the course of the rehearsal of the ultimate efficiency, and an acrobat in Germany additionally just lately suffered critical accidents.
Thus, an individual should be capable to work with concern, to bear in mind that each day he intentionally pushes himself to the sting of his prospects, and on the identical time attempt to stop any misfortune. Much like excessive, adrenaline sports activities, it’s a must to keep humble. That is why we do not underestimate common coaching, physique care or communication with docs. Understanding that you’re actually taking a danger is extraordinarily vital within the circus.
It’s mentioned that you just generally nonetheless leap on the trampoline your self, however in any other case you permit room for youthful colleagues. How lengthy can an actor commit himself to circus artwork earlier than retiring?
At Slaughterhouse 78 subsequent 12 months, we are going to current a present that includes acrobats aged 65 and over. So some can clearly commit themselves to the occupation longer. However for essentially the most half, we have now the same lifespan to prime athletes.
You prefer to say that the brand new circus is the freest inventive style that you’ve had the chance to know. How far have you ever managed to push its boundaries within the 15 years of La Putyka’s existence?
What pleases me essentially the most is that I do not see any boundaries even after 15 years. The one limits one encounters are one’s personal fantasy and creativeness. After we handle to attach, respect and belief one another, I all the time really feel like an explorer and I really feel like we have solely explored a fraction of all of the attainable paths up to now.
Is naming present social issues one in all them? Your presentation of Runners resonated with me quite a bit, reflecting the frenzy, strain to carry out and workaholism.
Sure, I actually belong to the creators for whom the subject is vital. In our very first efficiency of La Putyka, for instance, I labored with the motif of a pub as a spot of creativity and freedom in communist instances. I actually remembered it like that from my childhood, I noticed how individuals like Havel or Hrabal met there. For me personally, the manufacturing of ADHD was about hyperactivity syndrome and delicate mind dysfunction, which I’ve struggled with all my life. Or I did the present Hit, Inform the Distinction with acrobats who stay as homeless individuals in Rwanda. Now I’m once more getting ready a challenge about elite sports activities.
On the identical time, I attempt to open the ensemble to different approaches by visitor administrators. Maksim Komaro, who directed Okamžik, is maybe not in search of a narrative. Fairly, he places collectively his personal universe, by which his inner logic works, and the viewer both accepts it or not. Up to now, we additionally collaborated with Mirek Krobot, Jozef Fruček, Linda Kapetenea or Jirka Havelka, and everybody conceived the brand new circus in their very own means. Nevertheless, I actually search for matters that awaken some inside pressure in me, and I’ve a must share them with each the actors and the viewers. For me, Runners was about the truth that you’ll be able to’t cease time and you may’t seize any second. That we all the time attempt to be the quickest, however that we must also be capable to decelerate.
Which I assume can even be interspersed with the upcoming efficiency about prime sports activities.
Precisely. For instance, I discover it creepy that subsequent 12 months, for the primary time, competitions much like the Olympic Video games, by which doping is to be allowed, are to be held. They’re financed by some group of millionaires who promise athletes a tempting money reward for breaking the world document.
What moments ignited your love for the circus within the first place?
On the event of the celebration of 15 years of Circus La Putyka, we managed to write down the e book Smečka, the place, amongst different issues, I return to the very impulses that introduced me to the circus. So I have been recapping quite a bit currently and needed to go all the way in which again to childhood. I grew up in a household the place totally different inventive worlds got here collectively. Dad performed in Studio Ypsilon for 25 years, grandfather and mother performed within the puppet theater. I used to be born because the eighth technology of a puppeteer household, my great-grandfather was Matěj Kopecký. Grandma’s siblings carried out within the Arko and Praga circuses. My brother and I’ve been fascinated by acrobats since childhood and we performed with them at residence.
The important thing spark got here on the flip of the millennium, when, due to my senior 12 months at DAMU, Josef Kroft, I noticed a efficiency of a brand new circus for the primary time. This opened the way in which for me to inventive multidisciplinarity, which has all the time been near me due to my roots. Round 2005, underneath the steering of the present inventive administrators of the Nationwide Theater Drama, Martin Kukučka and Lukáš Trpišovský, I rehearsed my solo efficiency on the Archa Theatre. There I first began mixing acrobatics, dance, puppetry, multimedia and monologues. And since it appeared to me that I may not transfer alongside my very own axis, I began placing collectively La Putyka in 2008.
“We aren’t certain that we are going to keep in Slaughterhouse 78. After 15 years of existence, we might anticipate that the Capital Metropolis of Prague would deal with us a bit of in another way,” admits Novák. | Picture: Lukáš Bíba
The efficiency Okamžik depicts with exaggeration the audition throughout which you had been in search of the primary members of the ensemble. What did the recruitment truly appear like?
The unique concept was that I’d convey collectively actors who’ve nice motion potential. For instance, Hanka Vagnerová, Anička Schmidtmajerová or Kuba Gottwalda. On the Archa Theater I began organizing workshops for them in acrobatics, dance and leaping on a trampoline. We had a few 12 months to organize, however we came upon that not all of the actors may commit themselves absolutely to the coaching as a result of that they had a number of different commitments. I subsequently approached their lecturers in the event that they wish to carry out alone within the efficiency. For instance, Jirka Weissmann turned one of many first members of La Putyka. In the long run, three of the unique actors remained – the already talked about Anička Schmidtmajerová, Jirka Kohout and Vojta Fülep. So no audition truly occurred in 2008.
In any other case, auditions are an integral a part of our work and I personally get pleasure from them enormously. On the identical time, they don’t appear like an individual got here with a quantity, mentioned his identify and demonstrated his expertise. I must spend extra time with the contributors to get to know who they’re and why they apply to us. Selecting an appropriate candidate is a call that may have an effect on us for a number of years. Round 550 individuals from 34 international locations utilized for the final audition. I invited 100 of them to Prague and ultimately I selected eight actors from them, who at the moment are a part of the Relaxation In Euphoria efficiency. Though we can’t provide international artists the monetary situations they’re used to, we give them the chance to be not solely performers, but in addition co-authors of initiatives, one thing they usually lack overseas.
On the identical time, after the outbreak of struggle in Ukraine, you helped the scholars of the Kyiv Academy of Theater and Circus Arts. You supplied lodging for them and in addition rehearsed the Growth present collectively. How is it with younger Ukrainian actors now?
Covid has already taught us to react rapidly to present occasions. So when the Russian invasion got here, there was nothing to debate. We had been simply in search of an appropriate means to assist Ukrainians. Anybody may ship cash, so we tried to contribute as a lot as we may. Inside every week of the outbreak of the struggle, we already had 34 youngsters right here, the youngest was then 14 years previous. We supplied them with asylum, housing, schooling and all bureaucratic steps. My spouse and I signed guardianship papers for them, we took full accountability for the minors, so our household has defacto grown.
For the time being, 4 youngsters stick with us, three of them carry out in Okamžik and one works in manufacturing. The remainder of these younger Ukrainians are already scattered all over the world – some ended up in Italy, some in Germany, and a few even in Brazil. Nevertheless, we’re nonetheless involved with everybody, we name or write each week, so we have now an outline of how they’re doing. Furthermore, a few of them nonetheless return right here from overseas and contemplate Prague their second residence.
Picture creator: Lukáš Bíba
Rostislav Novák Jr. (44)
- The older son of Anna and Rostislav Novák had been drawn to the circus and appearing since childhood due to household roots. On the identical time, he was born with a prognosis of ADHD, and with a view to relieve his hyperactivity with motion, he joined a sports activities gymnasium after elementary college, the place he devoted himself to the decathlon.
- Subsequently, he studied on the Division of Various and Puppet Theater of DAMU. He obtained his first engagement on the West Bohemian Theater in Cheb, one other on the Minor Theater in Prague. Spectators may additionally see him on the phases of the Archa Theater and the Nationwide Theater or within the TV collection Very Fragile Relationships and Ulice.
- In 2008, collectively along with his youthful brother Vítek, he based the brand new circus troupe Cirk La Putyka, by which he nonetheless works because the inventive director. Over the previous 15 years, his firm has staged greater than three dozen exhibits and carried out in additional than two dozen international locations.
Your mom additionally seems within the efficiency Okamžik and in a single scene mentions that the circus is a merry distress. How usually do you repeat these phrases to your self?
After all, the situations for tradition within the Czech Republic aren’t splendid, so we have now to make up for them with our enthusiasm and power. Nevertheless, I don’t deny that after 15 years one generally will get bored with it, particularly when the Prague municipality treats us the way in which it treats us. Generally it is not even a contented distress anymore, however moderately a tragic distress. For instance, we have now been working within the space of Jatka 78 for ten years, and through that point we had three architectural research drawn up for its reconstruction, which was initially supposed to start out in January 2021. Since this main reconstruction continues to be shifting away, we requested the municipality to not less than reconstruct the bathrooms, which our viewers just isn’t happy with in the long run. It will have price about 400 thousand crowns, however it was rejected by us.
The very subsequent day, we additionally obtained a doc outlining the imaginative and prescient of the Holešovice Marketplace for the following 15 years, and it turned out that the Slaughterhouse is to lose one in all its halls, as a retail retailer is to be constructed there. We preserve listening to that there is no such thing as a cash for our reconstruction, however on the identical time, Mr. Zábranský, the councilor for property, boasts on social networks that he invested 19 million crowns in corridor quantity 11 and 70 million crowns within the inventory alternate constructing. The cash is clearly there, however maybe the need is missing to maintain the theater within the place the place it’s at present positioned.
So the interview doesn’t finish very optimistically for us.
As I say, we do not lack enthusiasm. For instance, 97 p.c of tickets for Okamžik are already bought out, which exhibits that we’re undoubtedly not doing our present only for ourselves. Within the new type of the Holešovice market, tradition was presupposed to signify about 30 p.c, and now it makes up solely 4 and a half p.c of the built-up space, which exhibits what tradition in all probability means to the municipality. We obtained assist from him till 2028, however on the identical time we’re not certain that we are going to keep in Slaughterhouse 78. After 15 years of existence, we might anticipate that the Capital Metropolis of Prague would deal with us a bit of in another way.
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