“The Man Who Lived with the King” Aims to Revitalize Korean Cinema with Historical Drama
Table of Contents
A new historical drama, “The Man Who Lived with the King,” premiered in South Korean theaters on February 4th, with director Jang Hang-jun expressing hope the film will inject fresh energy into the nation’s film industry. A press preview was held at Megabox COEX in Seoul on January 21st, featuring director Jang alongside cast members Yoo Hae-jin, Park Ji-hoon, Yoo Ji-tae, Jeon Mi-do, and Kim Min, who shared insights into the production.
“The Man Who Lived with the King” centers on a compelling narrative: the story of a village chief who voluntarily enters exile in 1457 to restore Cheongnyeongpo village, intertwined with the fate of a young king deposed and forced into exile. The film distinguishes itself as the first Korean production to specifically explore the largely untold story of King Danjong, sparking anticipation for a well-crafted narrative from the acclaimed director.
Meticulous Research and Imaginative Storytelling
Director Jang emphasized a commitment to historical accuracy, stating, “I constantly questioned my history advisor and checked how much was recorded and how much was true.” However, he also acknowledged the necessity of creative interpretation, adding, “I desperately needed imagination to figure out which of the many theories surrounding King Danjong’s death to choose and how to continue them.”
The director specifically highlighted his focus on the character of Eom Heung-do, whose brief mention in historical records prompted extensive research. “I focused on filling in the gaps in the short record of Prince Nosan (Danjong) mourning when he passed away and collecting his body,” Jang explained, demonstrating a dedication to enriching the historical context.
Box Office Hopes and Industry Impact
Director Jang addressed the crucial matter of box office success, acknowledging the financial stakes involved. He stated he wished to “reassure those who trusted us, such as investors and actors, that we did a good job with this work,” and expressed a sincere desire to surpass the break-even point. He envisions the film as a catalyst for growth, hoping “’The Man Who Lives with the King’ will be a grain of wheat for a leap forward this year in the Korean film industry, which is currently in a recession.”
A Question of Justice and Remembrance
Beyond commercial aspirations, the film carries a significant social message. Director Jang underscored the film’s central theme, stating, “I wanted to ask the question of whether justice that was not realized should be forgotten.” He expressed a hope that audiences would reflect on the tragic fate of King Danjong and the unwavering loyalty of those who supported him.
The film’s release comes as the Korean film industry navigates a challenging period, and “The Man Who Lived with the King” represents a bold attempt to both entertain and provoke meaningful reflection.
