Gothenburg’s Makthaverskan isn’t just a band; they’re a force. Their music, a compelling blend of post-punk energy and shimmering indie-pop, has always felt larger than life, but with the release of their fifth album, Glass and Bones, this Friday, the band elevates that feeling to something truly extraordinary. At the heart of this sonic power lies Maja Milner, whose vocals aren’t simply sung—they’re unleashed, a captivating and almost superhuman expression of emotion. The album, five years in the making, isn’t a reinvention, but a refinement, a distillation of everything that makes Makthaverskan so compelling.
To describe Milner’s voice is to attempt to capture lightning in a bottle. It’s a raw, emotive instrument capable of both delicate vulnerability and explosive power. Listening to her sing feels less like experiencing a performance and more like being swept up in a current of pure feeling. It’s a quality that’s drawn comparisons to artists like Siouxsie Sioux, but Milner’s delivery is uniquely her own, a captivating blend of intensity and melodic grace. This isn’t just about technical skill; it’s about a visceral connection to the music, a willingness to lay bare her soul with every note. The band themselves described the recording process as incredibly fun and bonding, and that energy is palpable throughout Glass and Bones.
A Fully Distilled Sound
Makthaverskan has always excelled at crafting a specific atmosphere, a sonic landscape that’s both melancholic and exhilarating. They’ve consistently walked the line between the angularity of post-punk and the dreaminess of indie-pop, and Glass and Bones sees them leaning even further into that sweet spot. As the band stated in promotional materials, the aim was to create “a fully distilled version of the Makthaverskan sound.” They succeed admirably. The album is filled with tracks that experience instantly familiar yet surprisingly fresh, a testament to their ability to evolve without sacrificing their core identity. Think of The Sundays infused with the raw energy of Love Is All, or Alvvays haunted by the spirit of Siouxsie and the Banshees – a potent combination that defines their signature style.
Beyond the Core: Experimentation and Nuance
While consistency is a strength, Glass and Bones isn’t afraid to venture outside of Makthaverskan’s established formula. “Louie,” for example, is a surprising departure, a festive track that draws inspiration from the upbeat energy of The New Radicals’ “Get What You Give” and Madonna’s “Holiday.” Despite Milner’s lyrics hinting at inner turmoil, the song’s infectious rhythm and shimmering synths create a captivating contrast. Similarly, “Black Waters” and “Anytime” strip back the band’s signature sound to its bare essentials, showcasing Milner’s vocal prowess in a more intimate setting. These quieter moments aren’t a departure from the band’s identity, but rather a demonstration of their versatility and willingness to explore new sonic territories.
The instrumental function on Glass and Bones is equally impressive. Drummer Andreas Palle Wettmark provides a driving rhythmic foundation, particularly on tracks like “Shatter” and “Öken,” while Irma Krook’s bass lines are the band’s steady heartbeat, anchoring the songs with a powerful groove. Guitarists Per Svensson and Hugo Randulv channel the spirit of 1980s Manchester, evoking the jangly riffs of Johnny Marr and the atmospheric textures of New Order. But it’s Milner who consistently steals the display.
A Cathartic Release
The album opener, “Pity Party,” is a perfect example of Milner’s captivating vocal delivery. It’s an effervescent breakup song that belies the pain beneath the surface. “What happened to us, honey?” she asks with a tender vulnerability, before launching into a soaring chorus that’s both cathartic and empowering. The song builds to a crescendo of swirling guitars and driving drums, creating a sense of controlled chaos that’s characteristic of Makthaverskan’s sound. The closing track continues this emotional arc, with Milner lamenting lost love amidst a backdrop of explosive instrumentation. It’s a powerful and moving conclusion to an album that’s unafraid to confront difficult emotions.
Glass and Bones is more than just a collection of songs; it’s an experience. It’s an album that demands to be listened to from beginning to finish, allowing the listener to fully immerse themselves in Makthaverskan’s sonic world. It’s a testament to the power of collaboration, the importance of vulnerability, and the enduring appeal of a band that’s unafraid to push boundaries. The album is set for release on April 3 via Welfare Sounds & Records.
Beyond Makthaverskan’s release, this week sees a wealth of new music arriving, including albums from Thundercat (Distracted), SUNN O))) (SUNN O)))), Earl Sweatshirt, MIKE, & Surf Gang (POMPEII / UTILITY), and many more. A full list of notable releases can be found here.
Makthaverskan has created an album that is both deeply personal and universally relatable. It’s a reminder that even in the darkest of times, there is always hope, and that sometimes, the most powerful thing we can do is to simply let our voices be heard. The band is currently scheduled to tour Europe this spring, with dates and locations available on their official website. Fans can expect a dynamic and emotionally charged live performance that will undoubtedly leave a lasting impression.
Glass and Bones is available April 3rd. What are your initial thoughts on the new album? Share your reactions in the comments below.
