2024-05-04 20:17:52
A new outburst by the singer-songwriter Cándido Fabré has remained for posterity, as a sign of the sheepish thinking of this character.
The video, shared on our official Instagram account, reveals the unprecedented carnerism that Fabré demonstrates.
The King of Repentismo in dance music appears dressed in a shirt with the logo of the New York Mets, and underneath another garment with the image of the Tyrant in Chief, Fidel Castro Ruz.
The announcer who interviewed him dared to say that the son of Sixta and Papa Neto “loved” (in the past tense) the Cuban dictator and he corrected her by citing a composition by the Spanish Manolo Galván.
“I wanted it, I want it and I will love it.”said Fabré “visibly excited” (common place in press releases from where you know).
Regarding the blackouts, the artist assured that “in a blackout one learns” and that when these power outages occur, in that “little while”he “does things.”
One of those “things” he did was compose a song titled “Between blackout and light”, which promises to be a success on the slopes and popular festivals throughout the Island.
The very candid Fabré did not refer to the moment when his electricity was cut off, during his concert, last April.
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And, to top it off, as if it were UnPenco López or another spokesperson for that sinister and genocidal dictatorship, Fabré assured that in Cuba there is freedom of expression.
“In my language, in my heart, in my feelings, in my firmness, there is freedom of expression,” he said, in what appears to be the booth of some media outlet in Jobabo, in the eastern province of Las Tunas.
Cándido Fabré confirms that he is one of the parrots and pawns of the dictatorship of Raúl Castro and his puppet Díaz-Canel, since his speech summarizes that “creative resistance” that the Havana leadership calls for.
Blackouts, creative resistance, freedom of expression, cult of the personality of the tyrant who plunged Cuba into absolute misery and false patriotism are the topics that, in brief words, the native of San Luis has mentioned.
When that door closes, when the radio show launches the farewell song and Fabré picks up his tools, there, in the silence of his room, he knows that he was talking shit and between his shit and his complicity, he will have to survive.
Alexander Otaola has it predicted: he is going to end up like Juana Bacallao, abandoned and forgotten to his fate.
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