Ponnu Pole Art Exhibition: Gold, Indian & Arab Art – Kochi Biennale 2025

by Ahmed Ibrahim World Editor

“Ponnupole” Exhibition Launches at Kochi Biennale, Celebrating India-UAE Artistic and Economic Ties

A new art exhibition, “Ponnupole,” opened in fort Kochi on December 14, 2025, as part of the Kochi Muziris Biennale, spotlighting the past and contemporary influence of gold and the strengthening relationship between India and the United Arab Emirates. The exhibition, spearheaded by Shafeena Yousafali, daughter of Lulu Group Chairman MA Yousafali and founder of the Abu Dhabi-based Risk Art Foundation, features works from over twenty artists from India, the UAE, America, and Germany.

did you know? – The name “Ponnupole” translates to “golden shower” in Malayalam, the local language of Kerala, reflecting the exhibition’s central theme of gold’s abundance and significance.

A Golden Thread: Art Reflecting History and Commerce

The “Ponnupole” exhibition, meaning “golden shower” in Malayalam, is centered around the origin and enduring impact of gold, both as a material and a symbol. The launch event, held at the KM Building on Fort Kochi Kalvathi Road, was inaugurated by UAE Embassy Representative Majeed M. Nekhailavi, and drew prominent figures including Lulu Group Chairman MA Yousafali, Industries Minister P. Rajeev, MP hibi Eden, Kochi Biennale Foundation Chairman V. Venu, Biennale President Boskrishnachari, and Lulu Financial Holdings Managing Director Adeeb Ahmed.

According to a statement from MA Yousafali, the exhibition serves as a powerful representation of the longstanding trade and industrial connections between Arab nations and India. “The ‘Golden Pola’ exhibition marks the trade and industrial relations between Arab countries and India,” he said, emphasizing the significance of the event in fostering cultural exchange.The exhibition is particularly notable for its strong representation of Emirati artists, signaling a growing collaboration within the regional art scene.

pro tip: – Fort Kochi is a historic area of Kochi, known for its colonial architecture and vibrant art scene. plan extra time to explore the surrounding area while visiting the Biennale.

A Curated Exploration of Gold’s Allure

The exhibition’s artistic direction is guided by renowned artist and curator Murtaza Vali, who has assembled a diverse collection of works exploring the multifaceted nature of gold. artists are interpreting the theme through various mediums, offering unique perspectives on its historical, economic, and cultural significance.

Yousafali further highlighted the deep-rooted ties between India and the Arab world, stating that the relationship extends back to prehistoric times.He also shared a personal sentiment,adding,”My daughter loves art and I love my daughter,” underscoring the familial inspiration behind the project. The exhibition is expected to showcase a range of contemporary artistic expressions in the coming days.

reader question: – How do you think the historical trade of gold has shaped the cultural identities of both India and the UAE? Share your thoughts!

Continuing Through the Biennale

The “Ponnupole” exhibition will remain open to the public throughout the duration of the Kochi Muziris Biennale, which runs until April 10, 2026. Organizers anticipate a high volume of visitors, drawn by the exhibition’s unique theme and the prominent artists involved. The exhibition aims to not only showcase artistic talent but also to strengthen the economic and cultural ties between India and the UAE, building upon centuries of shared history and trade. The event concluded with a reception, fostering networking opportunities for artists, collectors, and industry leaders.

Expanded News Report Summary:

Why: The “Ponnupole” exhibition launched to celebrate the historical and contemporary relationship between India and the UAE, focusing on the cultural and economic significance of gold. It also serves as a platform for artistic exchange and collaboration.

Who: The exhibition was spearheaded by Shafeena Yousafali of the Risk

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