Content but resounding, the Slovak creator at the Tàpies Foundation in Barcelona, where he plays with our perception of space and time
‘Our Son Watching His Parents’ de 1998R. then
The revision of the conceptual tendencies, of the ‘performance’ and the ‘ready made’ is what the Slovak proposes Roman Ondak in the rooms of the in the exhibition ‘Infinitum’, curated by Nuria Homs.
An exhibition that transcends the …
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