The upcoming “Supergirl” film, slated for release on June 26th, is undergoing further refinement with at least three different endings reportedly tested with audiences, a process that’s become more extensive than typical for a blockbuster of this scale. Directed by Craig Gillespie and starring Milly Alcock in the title role, the film is navigating a complex post-production phase as Warner Bros. Pictures seeks to land on the most impactful conclusion, according to reports.
The unusual number of test screenings – at least eight, as reported by World of Reel – suggests a significant degree of experimentation and a willingness to reshape the narrative based on audience feedback. The latest cut, shown during a screening in California last week, is the most recent iteration in a series of adjustments aimed at maximizing the film’s appeal.
Adding to the intrigue, scoopers MTTSH and Cryptic4KQual indicate that the newest ending includes a cameo appearance designed to set up a future installment focused on a “Man of Tomorrow.” This echoes a similar approach taken with Milly Alcock’s Supergirl cameo in last year’s “Superman,” hinting at a broader interconnected universe for DC films.
A ‘Space Western’ Vibe and Strong Performances
Early reactions from test screenings suggest the film is leaning into a distinctive aesthetic, described as a “space western” with a soundtrack reminiscent of “Guardians of the Galaxy.” This tonal shift points to a more character-driven and visually dynamic approach than some might expect from a traditional superhero film. The film’s direction appears to be prioritizing a darker, more nuanced exploration of Supergirl’s origins and powers.
Alcock’s performance as Kara Zor-El has been consistently praised, with reports indicating she’s capturing the essence of the character in a way that resonates with audiences. Jason Momoa’s brief appearance as Lobo has too been well-received, adding a layer of established DC lore and potential for future storylines. Momoa previously portrayed Aquaman in the DC Extended Universe.
The cast also includes Eve Ridley, David Krumholtz, Emily Beecham, Ferdinand Kingsley and David Corenswet, though Corenswet’s role is understood to be a cameo mirroring Alcock’s appearance in “Superman.”
Challenges with the Villain and a Shifting Score
Despite the positive feedback surrounding the lead performances and overall tone, the film has faced some hurdles. Matthias Schoenaerts’ portrayal of Krem of the Yellow Hills, the film’s primary antagonist, has reportedly generated less enthusiasm among test audiences. This suggests that further adjustments to the villain’s characterization or storyline may be considered.
The film’s score has also undergone significant changes. Initially, Ramin Djawadi (“Game of Thrones,” “The Mandalorian”) was attached to compose the music, but he was later replaced by Junkie XL (Tom Holkenborg), known for his work on “Mad Max: Fury Road” and “Zack Snyder’s Justice League.” Most recently, Claudia Sarne has taken over composing duties, indicating a continued search for the right sonic landscape to complement the film’s visuals and narrative.
The revolving door of composers isn’t necessarily uncommon in large-scale productions, but it does highlight the level of scrutiny and refinement the film is undergoing as it nears its release date. A film’s score is often one of the last elements to be finalized, and changes can be made to better align with the overall vision.
The Broader DC Universe and Future Prospects
The “Supergirl” film is positioned as a key component of the developing DC Universe under the leadership of James Gunn and Peter Safran. The cameo appearances and potential setup for future characters suggest a deliberate effort to create a cohesive and interconnected cinematic world. The success of “Superman” in 2025, which introduced Alcock’s Supergirl, has raised expectations for this follow-up.
The emphasis on a “space western” aesthetic also differentiates “Supergirl” from other superhero films, potentially attracting a wider audience. The blend of action, character development, and a unique visual style could position the film as a standout entry in the genre. The film’s ability to successfully balance these elements will likely be crucial to its success.
As of now, Warner Bros. Pictures has not commented on the multiple test screenings or the evolving nature of the film’s ending. The studio is expected to finalize the cut and release a marketing campaign closer to the June 26th release date.
The continued refinement of “Supergirl” underscores the high stakes involved in launching a fresh franchise within a competitive superhero landscape. The next major milestone will be the official unveiling of the final cut and the commencement of the film’s marketing campaign, offering a clearer indication of the direction the filmmakers have ultimately chosen. Share your thoughts on the upcoming film and its potential impact on the DC Universe in the comments below.
