The only one in its class: Adrian Hates masterfully matures Diary Of Dreams with “Melancholin”.

Young people who immerse themselves in old subcultures such as metal or hip-hop can find a life there: between the core ideas of the scene and their inevitably exaggerated manifestation in clichés, in the pulsation between wild new beginnings and cozy retro waves, there is a vital cycle of outsiderdom, in which experienced old hands and fresh hotheads face off…