The season has just begun and we are already dealing with the lowest content expected from reality shows like “Big Brother”, exteriority and sexual attraction. The most beautiful of the house’s tenants, Diane, gets the initial spot of the season when she is given the opportunity to choose the three hottest men of the house, from whom viewers will choose the knight on the white horse.
Let someone remind me where the days of political debates, inter-ethnic gaps, war for animals, have gone, along with tenants like Saar Scheinfein and Eliraz Sadeh, Tal Gilboa, Eldad Gilad, or Menachem Ben.
After all, from season to season, reality becomes a replica of a paste for a youth series that is broadcast on the children’s channel. Even in those youth series my kids watch, there are more important social messages than we watched last night on screen. So remind me why it’s airing on a Prime Time slot on one of the main channels?
The current season is a prominent hallmark of single men and women. The success of the “Wedding at First Sight” format on the rival channel seems to have made the reality captain realize that without love and intimacy and its complexity, there is no success to the script. And if love and intimacy, which are pleasant content to watch for all opinions, why rely on internality and intelligence, when you can be content with externality, because the audience in the eyes of the production has such a low taste, then why invest in it beyond?
Diane the model of the house is an example of how much the externality index is a shallow and inappropriate parameter. For the most beautiful tenant of all, it might be worthwhile and desirable to keep quiet until the end of the season, because all the beauty disappears as if it were releasing some puzzling flicker into the air: “I do not want him, he is a model.” What would we do without Dina Arami, the most colorful tenant in the house, who gave a triumphant answer to the girls: “But you are also a model.” “It’s different,” Diane continues. “A model woman is not like a model man.” Another embarrassing sentence that belongs to the “beautiful and nerdy” reality that sent the world statements like: “Chicken is not a bird.”
It is also worthwhile and advisable for Diane to stop giggling like a shy kindergartener because it does not flatter her in any way, and the beauty queen of the class becomes an anti-heroine in a children’s cartoon. And speaking of children, even the sexual glances that Diane stabs at any tenant who enters the house, which she does not like, may even deter innocent children. To me those looks were hard to digest and watch.
Bar Cohen, on the other hand, is a single mother, beautiful to me no less than Diane if not more, because she radiates power and life experience that outweighs the appearance, and it seems to me that during the season all the men’s attention will focus on the bar. .
Let’s go back to Dina Omri, who is known to us “from a family on a shuttle”, so far she is the only tenant who at least made me laugh. She is popular and simple and loves to hear the siren of the Israel Railways “Tu Tu Tu” and is proud of her work. She only asks in every language of request, from those who want to end their lives, that although she respects their desire to die, that they kindly do so, not on the train tracks, so as not to disrupt the train schedule and poke an entire country. Its simplicity is captivating, its intentions are good, and the way is beautiful, even if it is not brilliant in discourse on worldly things. It should not be forgotten that she came up with important social agendas when used in her real life as a foster family for at-risk youth.
As for the twist conceived by the big brother from his fevered mind, which was supposed to be the surprise of the season, the surprise of all seasons whatsoever, a surprise nowhere in the world thought of, with an emphasis on: nowhere in the world that presenters have obsessively emphasized, .
No surprise and no shoes. To me, as to many of the viewers, when they fished Sharon, the tenant who spent time with his parents at Shimon Busquila’s show, and was chosen by the production from the thousands of people who attended the show, it sounded and looked so staged. Many surfers responded and asked where a microphone suddenly came from Sharon’s hand, and how could a man his age spend time with his parents on an evening when the surprise of the century was supposed to come true. Other surfers even wondered how the production knew his name.
Disregard for intelligence? Hell yeah. I just hope there were not a few innocent and innocent, who really took the production’s initiative to fall for them casually, and did not waste money on a fancy prom dress or elegant tuxedo, to look their best, if by chance someone from the production would emerge and lead them respectfully into the most Published.