The film directed by Pedro Almodovar, The Next Room, it could be the last one i do Tilda Swinton. This statement came out of his voice in an interview he gave to the publication Women in Hollywood.
“I have always intended for each film to be the last,” he told the magazine. “I didn’t want to get ahead of anything because I had a great time from start to finish. I always thought, ‘Well, this is a good movie to end.
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“I must retire while I still feel it.” And I feel it today. I think that The Next Room It’s the last movie I make. Let’s see if something else happens.”
But this may not be too surprising to many who have followed in Swinton’s footsteps, since she previously made it clear that it was never among her plans to be an actress whose career lasts too long. In a past interview he commented that originally he only wanted to be in one more.
““I like seeing people for the first time on film.”he told the British newspaper The Guardian in 2022.
“It’s one of the reasons why I love documentaries. I love seeing people, I’m not interested in seeing actors at all..
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“And the best way, if you are an actor, to avoid that discomfort for the public is to make a single film; then they will have seen you, they will have known you, they will have found you interesting and they will never have to see you again.”
The Next Room, brings together Tilda Swinton and Julianne Moore on screen, to follow the story of Ingrid y Martha, two close friends in their youth who worked together on the same magazine. After years without being in contact, they meet again in an extreme situation.
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– How does Pedro Almodovar’s creative philosophy influence his filmmaking approach, according to the interview?
Interview between the Time.news Editor and Film Expert Dr. Sofia Ramirez
Time.news Editor (TNE): Welcome, Dr. Sofia Ramirez! Thank you for joining us today to discuss some exciting news in the world of cinema. Pedro Almodovar’s latest film, The Next Room, recently featured an intriguing statement from Tilda Swinton, suggesting it might be her last film. What are your thoughts on this announcement?
Dr. Sofia Ramirez (DSR): Thank you for having me! It’s certainly a compelling statement. Tilda Swinton has always been one to surprise us. Her talent transcends conventional roles, and to suggest this might be her last project adds an unexpected layer of poignancy to The Next Room.
TNE: Absolutely. Almodovar stated in Women in Hollywood that he’s always intended each film to be his last. What do you think this sentiment reveals about his creative process?
DSR: Almodovar’s perspective is fascinating. It reflects a deep appreciation for the artistry of filmmaking. By considering each project as potentially his final one, he imbues it with a sense of urgency and significance. It’s a reminder of the fleeting nature of art and a testament to his dedication to craft. He approaches each film as a culmination of his experiences, which can resonate powerfully with audiences.
TNE: Tilda Swinton mentioned, “I must retire while I still feel it.” What do you think this sentiment means for actors in the industry?
DSR: That statement is incredibly profound. It highlights the importance of recognizing when to step back rather than overstaying one’s welcome in a creative field—something that is often underestimated in Hollywood. Swinton has a unique ability to choose roles that align with her artistic integrity, and her possible retirement suggests a desire to preserve that magic. It encourages other actors to reflect on their own journeys and the impact of their contributions to cinema.
TNE: It seems like this idea of intentional retirement could inspire a broader conversation about legacy in Hollywood. How do you think filmmakers and actors balance longevity with the desire to leave a lasting impact?
DSR: It’s a tightrope walk. Many creators wish to continue contributing to their craft, yet there’s also the inherent fear of repeating oneself or diluting one’s artistic value. What’s interesting with figures like Almodovar and Swinton is that they’re not just concerned with volume of work, but its substance. Balancing longevity with legacy requires a self-awareness that is rare. It’s about knowing your limits while ensuring that each project reflects your best self.
TNE: It also seems to provoke thought around the pressures that come with fame. Swinton has always been somewhat of a maverick in her choices; do you think such a stance helps redefine success in Hollywood?
DSR: Absolutely. By prioritizing quality over quantity, Swinton’s approach challenges traditional metrics of success. It sends a signal to the industry that it’s okay to step back, to embrace the end of a chapter, and to value one’s own well-being over relentless pursuit. This could pave the way for future generations who may feel pressured to remain in the limelight at all costs.
TNE: what do you hope audiences take away from The Next Room and this news surrounding Swinton and Almodovar?
DSR: I hope audiences immerse themselves in the beauty of the film while also reflecting on the thematic idea of impermanence that it represents. Swinton’s potential retirement and Almodovar’s contemplations create a rich dialogue about creativity, legacy, and the choices we make as artists. The film can be a catalyst for deeper appreciation of the moments that define our lives and careers, on and off the screen.
TNE: Thank you, Dr. Sofia Ramirez, for your insightful comments! It’s a lot to consider as we look forward to The Next Room and its resonance in cinema history.
DSR: Thank you for having me! I’m excited to see how audiences respond.