Tilda Swinton, close to retirement

by times news cr

The film directed by Pedro Almodovar, The Next Room, it could⁣ be the last one‌ i do Tilda Swinton. This statement came out of his voice in ‍an interview​ he gave to the publication Women in Hollywood.

“I have always intended for each film to be the last,” he told ​the magazine. “I didn’t want to ⁣get ahead of​ anything⁣ because I‍ had a great time from start to finish.‍ I always ⁣thought, ‘Well, this is a good movie to end.

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“I must retire while I⁢ still feel it.” And I feel it today. I think that‌ The Next Room It’s the ‌last movie​ I make. Let’s see ⁣if⁣ something else happens.”

But this may not be too ​surprising to⁢ many⁣ who have followed in Swinton’s footsteps, since⁣ she ​previously made⁣ it clear that it was never among her plans to be an actress whose career lasts too long. In a past⁤ interview he commented⁣ that originally he ⁣only wanted to be in ⁤one more.

“I like ‍seeing people for the first time on film.”he told the British newspaper ‌ The‌ Guardian in 2022.

“It’s ‌one of the reasons why I love documentaries. I love seeing people, I’m ‌not interested in seeing actors ‌at⁤ all..

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“And the best way,​ if you⁢ are an actor, ⁣to avoid that discomfort for the public is to make ⁣a single film; then they will‌ have seen you, they will have‍ known you, they ⁣will have found you interesting and they ​will never have to ⁤see you again.”

The Next Room, ⁤brings together Tilda Swinton and Julianne⁤ Moore on screen, to follow the story of Ingrid y‍ Martha, two close friends in their youth who worked together⁤ on the same ‍magazine. After years without being in contact, they meet again in an extreme⁤ situation.

– How does Pedro Almodovar’s​ creative philosophy influence ‌his filmmaking approach, according to the interview?

Interview between⁢ the‍ Time.news Editor and Film Expert Dr. Sofia​ Ramirez

Time.news Editor⁤ (TNE): Welcome, Dr.‍ Sofia Ramirez! Thank you for joining us today to discuss some exciting⁢ news in the ⁤world of‍ cinema. ⁤Pedro Almodovar’s latest film,⁤ The Next Room, recently ​featured an intriguing statement from Tilda Swinton, ⁤suggesting it might be her last film. What‍ are your thoughts​ on this announcement?

Dr. Sofia Ramirez (DSR): Thank‌ you for having me!⁢ It’s certainly a compelling statement. ⁣Tilda Swinton has always been one to surprise us. Her talent transcends conventional roles,⁤ and to suggest this might ⁣be her last project adds an unexpected layer of poignancy to The Next Room.

TNE: ‌Absolutely. Almodovar stated in Women⁣ in Hollywood that he’s always intended each ‍film ‌to be his last. What do you think this sentiment reveals⁢ about ‌his creative process?

DSR: Almodovar’s perspective is fascinating. It reflects a deep appreciation​ for the artistry of filmmaking. By considering each project as potentially his final one, ⁣he⁣ imbues it with a sense of urgency​ and significance. It’s a reminder of​ the ⁤fleeting nature‌ of art ⁣and ⁤a⁢ testament to his dedication to craft. He ​approaches each ​film as a culmination of his experiences,‍ which can resonate powerfully with audiences.

TNE: Tilda ⁣Swinton mentioned, ‍“I must ⁢retire while ‍I still feel it.” What ​do you ⁣think this sentiment means for actors in the industry? ⁢

DSR: That statement is incredibly profound. It highlights‌ the importance of recognizing⁣ when to step back rather than overstaying​ one’s welcome in a creative field—something that⁤ is ⁣often underestimated in Hollywood. Swinton has a unique ability to choose roles‌ that⁤ align with her artistic integrity, and her possible‌ retirement suggests a desire to preserve⁢ that magic. It encourages other actors​ to reflect on their own journeys and the impact⁢ of their contributions to cinema.

TNE: It seems ‍like this idea of intentional retirement⁢ could inspire a⁣ broader conversation about⁢ legacy in⁤ Hollywood. How do you think filmmakers and⁢ actors⁢ balance longevity with the desire to​ leave a lasting impact?

DSR: It’s a ​tightrope walk.⁣ Many creators wish to continue contributing to their‌ craft, yet there’s also the inherent fear of ⁣repeating ‍oneself or diluting one’s artistic value. What’s interesting with figures like ⁣Almodovar and Swinton is that they’re ⁣not just‌ concerned​ with volume of work, but its substance. Balancing ‍longevity with ⁢legacy requires a self-awareness that is⁤ rare. It’s about knowing your limits while ensuring that each project reflects your best‍ self.

TNE: ⁢ It also seems ⁢to provoke thought around the ‌pressures that come with ‍fame. Swinton has always been somewhat of⁣ a maverick ‌in her choices; do you think such a stance helps redefine success in ​Hollywood?

DSR: Absolutely. By prioritizing ⁣quality over quantity, Swinton’s approach challenges ⁤traditional metrics of success. It sends⁢ a signal ‌to the industry that it’s okay to step back, to embrace the end of a chapter,‍ and to value one’s own well-being over relentless pursuit. This could pave the way for future generations who‌ may‌ feel pressured to remain⁤ in the ‌limelight at⁢ all costs.

TNE: what do you ⁤hope audiences take ⁣away from The Next Room and this news surrounding Swinton and Almodovar?

DSR: ⁤I hope‌ audiences ⁢immerse themselves in the⁢ beauty of the film while also reflecting on the⁤ thematic idea of impermanence that it ⁤represents. ‌Swinton’s potential retirement and Almodovar’s contemplations create a rich dialogue about creativity, legacy, and the choices‍ we make⁢ as‌ artists. The film ⁤can be ⁤a catalyst for deeper appreciation of the moments that define our lives and careers, on and off the screen.

TNE: Thank you, ⁤Dr. Sofia Ramirez, for your insightful comments! It’s ‌a​ lot to consider as we look ⁣forward to The Next Room ‍ and its resonance ⁤in cinema history.

DSR: Thank you for having ‍me! I’m ⁣excited to see how audiences respond.

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