The Cult of Thatcher: How Conservative Obsession with the Iron Lady Has Become devotional
On the day Margaret Thatcher would have celebrated her 100th birthday,a striking divide has emerged: while many reflect on her complex legacy,the Conservative party appears increasingly consumed by a near-religious reverence for the former Prime Minister. This isn’t simply nostalgia; it’s a phenomenon that feels, as one observer noted, “more cultish than escapist.”
The enduring captivation with thatcher is evident in the myriad ways her memory is being invoked. From recollections of her famous pronouncements – “there is no such thing as society” and “I’m not for turning” – to the more controversial aspects of her tenure, like the withdrawal of milk from primary schools, the day prompted a national replay of Thatcher-era moments. Yet, the intensity of this remembrance differs sharply between the general public and within the ranks of the Conservative party.
Last week, an exhibition titled “The Iron Lady: the Legacy Paintings” opened, showcasing the work of artist Lorna May Wadsworth, who was the last artist to paint Thatcher before her death. While Wadsworth has also painted other prominent figures like Tony Blair and David Blunkett, her portraits of Thatcher have resonated deeply with Conservative supporters. One painting sold for £400,000 in 2014 and now hangs in Conservative Campaign Headquarters, described as a “gigantic rebuke” bearing down on the party with memories of past glories. Smaller variations,rendered in Warholian style with colors deemed “quintessentially Thatcherite,” have further elevated the iconography beyond politics and into something akin to faith.
The Conservative conference this year showcased a particularly fervent display of Thatcher worship. Beyond the expected cardboard cutouts and kitsch mugs, delegates participated in a project to create a Thatcher mosaic using their photographs – a move one attendee wryly described as a solution to the question of “How can we make everyone here feel as though they’re a living, breathing part of a project that died 35 years ago?” Display cases held dry-cleaned Thatcher outfits, evoking a “crispy, faded, slightly eerie” aesthetic more reminiscent of Miss havisham than a museum exhibit. Even limited-edition Scotch whisky and a Margaret Thatcher-themed Toby jug were available for purchase.
This passion wasn’t always so overt. Three years ago, during a Conservative leadership contest, attempts to channel Thatcher were more strategic.Kemi Badenoch emphasized her engineering credentials,attempting to embody “Thatcher-the-chemist.” Penny Mordaunt adopted a softer vocal tone – a intentional echo of Thatcher’s own voice coaching – and made controversial remarks. Liz Truss,though,took a different approach,recreating Thatcher’s signature looks,complete with pussy-bow collars and fur hats,in what appeared to be a calculated appeal to emotion rather than policy.
The phenomenon bears a striking resemblance to the 1979 presidential campaign of Ferdinand “Bongbong” Marcos in the Philippines, where voters responded to familiar campaign songs and a sense of nostalgia rather than a critical assessment of his father’s corrupt legacy. Similarly, in 2022, constant references to Margaret Thatcher seemed to make Conservative members “feel young again.”
Now, three years later, the Conservative obsession with Thatcher has evolved beyond
