between Bruno Debrandt and Eric Cantona, a rather delicate handover

by Laura Richards – Editor-in-Chief

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​ ⁣ TV PROGRAM | FRANCE 15 – 9.05pm The traveler returns to France 3 with Bruno Debrandt who almost made Eric Cantona​ forget. Yet it was not won… ‍

France⁢ 3 ​has scheduled a ​new episode of its series The travellerentitled “The Glass Dancer”, Thursday 23⁢ November. In this episode of the second season, renewed from last year with​ a new hero, Yann Kandinsky ​recharges his batteries in ‌a forest located deep in the Allier, ⁤wanting to take ‌a step back⁢ after having faced ⁣the worst criminals.

But his peace of mind is short-lived: the policeman is contacted by a​ man who calls him without revealing his ⁣identity. The latter links three disappearances of women which occurred in‍ the⁣ same geographical area, around Brest. The unknown person constantly feeds Kandinsky’s inbox with press articles ‌regarding these affairs. Kandinsky then sets off ​for Brittany ⁣when he discovers ‌that the ⁢mother ⁤of one of the disappeared, Madeleine Guyot, is ⁤starting the third week of a hunger strike so that the police are interested in what she considers to be a kidnapping⁣ and not a ⁣voluntary abduction. disappearance. The⁣ traveler will⁤ establish his headquarters at Madeleine’s house…

The traveller changed heroes and main actor in 2020, as after playing the police officer Bareski in the first season, Eric Cantona gave way to Bruno Debrandt. The⁤ latter, however, does‌ not take on the role ​of the main character, instead ⁤taking on the features of a new protagonist: Yann Kandinsky, an ‌investigator‍ determined⁤ to give a new meaning ⁣to his career ⁤by​ closing unfinished business.

Bruno Debrandt didn’t want the role of ⁢Eric Cantona

If Bruno Debrandt now seems cut‍ out for the role,⁣ he has almost never worn the traveler’s costume since Eric Cantona. Flattered but ⁢not ‌enthusiastic about the‍ offer to resume a series after ​”The King”, as ‍he ⁣nicknames⁣ it,‍ the actor initially ‌rejected the offer out of respect for his predecessor whom he greatly⁣ admires.

“I was very flattered, but initially‌ I refused ⁣because⁣ I ⁣didn’t want to resume a series, especially after “The King”. For me he was the traveler. He is a sublime actor, a beast⁣ that I respect a lot. … But ‌I still wanted to know what it was about”⁣ , ⁣the⁢ actor told Télé ​Loisirs. It⁢ was after watching the‍ first ⁣season‍ that he was​ finally convinced by the “brilliant” idea of ​​the series.

Bruno Debrandt still wanted‍ to get ‌Eric Cantona’s blessing⁤ before ‍finally accepting. The latter, who knew and appreciated⁤ the ‍work of his ‍successor, placed ⁤his trust in him by comparing him with​ his⁣ responsibilities,⁢ inspiring the ‌concept of the series ‌to the story of his‍ great-uncle.

After this delicate⁢ handover, fans greeted Bruno Debrandt’s impeccable performance. ‌His refined portrayal of this new traveler, determined to close the backlog of ⁤files, should allow viewers to adopt this new ⁢detective as ⁤easily as ‌his​ dog and his van, inherited from the ⁣old Bareski.

What are the​ significant changes ​in character dynamics due to the casting of Bruno Debrandt in “The Traveler”? ‍

Interview between Time.news ⁢Editor and TV Expert on “The Traveler”

Time.news ‍Editor: Good afternoon, and thank ⁣you for joining us⁢ today. We are thrilled to have a special guest who is an expert in television series and their impact on culture. Today, we’ll be discussing the much-anticipated ⁤return of France 3’s ⁢series The Traveler. The new episode, titled “The Glass Dancer,” promises to bring a fresh twist to the show. What can you tell us about this upcoming episode?

TV Expert: Good afternoon, and⁣ thank you for having me! I’m excited to talk about The Traveler. The new episode features our protagonist,‌ Yann Kandinsky, stepping away from the chaos of his past to recharge in the serene setting of a forest in Allier. However, as is common in this genre,⁣ peace is short-lived.⁤ Kandinsky is thrust back into a tense ‌investigation involving the mysterious disappearances of women, which adds a layer of ⁤suspense that fans of the show have come‌ to expect.

Time.news Editor: Absolutely!⁢ The transition from Eric Cantona to Bruno Debrandt in the lead role marked a significant shift for the series. How do you ‌think this change has affected⁢ the show’s dynamic and⁢ its ⁣reception among viewers?

TV Expert: Changing ‌the lead actor is always a risk, but in this case, it was quite successful. Bruno Debrandt brings a⁤ different energy and⁣ depth to the character of Kandinsky, allowing for a more ⁤nuanced exploration of his psyche. While Cantona’s portrayal was charismatic, Debrandt’s approach adds‌ a layer of vulnerability and resilience, which resonates with audiences. It’s also worth noting that⁢ the change has opened up​ new narrative possibilities, allowing the writers to explore different themes​ and challenges faced by the protagonist.

Time.news Editor: The backdrop of the investigation is quite intriguing, ⁤especially with the ⁢mother of one of the missing women initiating a hunger strike. How does this element enhance the storytelling?

TV Expert: The hunger strike introduces a powerful⁣ emotional component to the narrative. It highlights the desperation and urgency of the situation, showing the lengths to which families will go to seek justice. This⁢ sub-plot not only deepens the main storyline but also allows for social commentary on issues like victim advocacy and‍ the ‍responsibilities of⁢ law enforcement.⁢ When audiences see a mother fighting ⁤so passionately for ‍her child, it creates an ⁤emotional ‌anchor that enhances their investment in the story.

Time.news Editor: The⁢ concept of a mysterious anonymous caller ​feeding Kandinsky⁣ crucial information adds​ an interesting twist ‍as ​well. How do such narrative devices contribute⁢ to the tension and ‍suspense in ​crime dramas?

TV Expert: Mysterious figures providing cryptic guidance can significantly heighten ‍tension in a story. ‌They create a sense of unpredictability and intrigue, compelling the protagonist—and the audience—to ⁢piece‍ together clues. This kind of dynamic⁤ keeps viewers engaged, constantly guessing about the caller’s⁣ motives and identity while heightening ‌the ‍stakes of the investigation. It’s a classic device that evokes suspense and drives the plot forward effectively.

Time.news Editor: with the ‍second season already underway, what do you‍ think lies ahead for⁤ The Traveler? Can we expect⁣ more character development and plot twists?

TV Expert: I believe viewers can look forward to a deeper exploration of Kandinsky’s character ‍as he navigates his moral dilemmas while ​dealing with the repercussions of his past investigations.‍ The introduction of new characters, such as Madeleine Guyot and her tenacious quest for justice, will also likely create opportunities for rich storytelling.‍ Given the show’s track record, ⁢I wouldn’t be surprised ‍to see more unexpected twists that challenge‌ our understanding of ​right and wrong, keeping audiences on the edge of their seats.

Time.news Editor: Thank you so much for your insights! It’s fascinating to see how The Traveler continues to evolve and captivate its audience. We can’t wait to tune in ‍on November 23rd for “The Glass Dancer.”

TV Expert: Thank you for having me! It’s always a pleasure to discuss compelling storytelling in television. I’m looking forward to ​seeing how this episode unfolds!

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