‘Escape room 2’: chasing the wake of success

by time news

2023-12-19 20:20:26

Theater Condal Until February 4

200,000 spectators and the box office that accompanies them. Productions in other countries. And even a movie. The success of the first installment ofEscape room it is unquestionable and surely a weighty argument to relapse. Here it is necessary to add the demand of the public, according to Joel Joan and Hèctor Claramunt, architects of the issue. They couldn’t resist it, of course. But the second times – we won’t call it a sequel – have the danger of repeating a scheme without contributing almost anything new, to the point that, at the risk of falling into the spoiler, we will say that you don’t need to be a fortune teller to find out who is responsible of the dangerous game that the two protagonist couples face, again.

This Escape room 2 it makes up for the lack of consistency of the gags with a shocking scenography (Enric Planas) and magic tricks, in a text that revisits the same themes that reared their heads in the first installment. It is clear that this is worth it, because in this theatrical game what matters is the rhythm of the debauchery and nailing the gags above the schematic argument and the plot. All of this goes by avoiding, for example, the use without any explanation of a freight elevator that at the beginning we were told, both actively and passively, that it was damaged.

The big spout and an uncontrollable warbler

In this second installment, which even gives a nod to a possible third, Edu (Joel Joan) and Marina (Paula Vives) climb up to the bar on the top floor of a building where they invited to dinner Vicky (Agnès Busquets) and Rai (Borja Espinosa) will be found there. After a too long introduction they will be dumped in a basement – ​​by way of a big scene change – where a comic book villain will play with them under penalty of death.

In the show, the big mouth and an uncontrollable swagger prevail, all the while exploiting the contradictions of the characters, whether of the feminist Vicky, the cupbearer Marina, the hypochondriac Edu and the failed Rai. And, as it could not be otherwise, with ironic allusions to the Process. There are fewer laughs, or so it seemed to us, but it is likely that the proposal will follow the path of its predecessor.

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