A Charred Masterpiece: Lanza Arienzo Abascal Unveils Shou Sugi Ban Pavilion in Mexico City
Mexico City’s vibrant art scene has welcomed a striking new addition: a captivating pavilion crafted using the ancient Japanese technique of Shou Sugi Ban. The brainchild of renowned architect lanza Arienzo Abascal, this architectural marvel showcases the beauty and durability of charred wood, seamlessly blending tradition with contemporary design.
Shou Sugi Ban, meaning “burnt cedar board” in japanese, involves charring the surface of cedar wood to protect it from the elements and enhance its longevity. This centuries-old technique not only imparts a unique, smoky aesthetic but also creates a naturally fire-resistant and water-repellent finish.Abascal’s pavilion masterfully utilizes this customary method, transforming the charred wood into a captivating canvas. The interplay of light and shadow across the textured surface creates a mesmerizing visual experience,while the warm,earthy tones of the charred wood evoke a sense of grounding and tranquility.
The pavilion’s design is a testament to Abascal’s architectural prowess, seamlessly integrating the Shou Sugi Ban technique with modern design principles. The structure’s clean lines and minimalist aesthetic create a sense of spaciousness and openness, inviting visitors to contemplate the beauty of both the natural and the built environment.
This innovative project not only showcases the enduring appeal of traditional craftsmanship but also highlights the potential of enduring building practices. By utilizing a time-tested technique that minimizes waste and maximizes the lifespan of the material, Abascal’s pavilion serves as a powerful reminder of the importance of respecting both our heritage and our planet.
Charred Beauty: An Interview with Architect Lanza Arienzo Abascal on the Shou Sugi Ban Pavilion
Time.News: Architect Lanza Arienzo Abascal, your Shou Sugi Ban pavilion in Mexico city is generating a lot of buzz. Can you tell us about what inspired this project?
Lanza Arienzo Abascal: The Shou Sugi Ban technique has fascinated me for a long time. It’s over 1000 years old, and it’s not just about the beautiful charred wood aesthetic. The process itself makes the wood incredibly durable, naturally resistant to fire and water, and there’s a real environmental benefit to using a technique that utilizes the whole tree and significantly reduces waste.
Time.News: Shou Sugi Ban is not widely used in modern architecture.what were the unique challenges and rewards of integrating this ancient technique into a contemporary design?
Lanza Arienzo Abascal: Definitely, it required research and experimentation. Finding skilled artisans who understand the nuances of Shou Sugi Ban was crucial, as was working closely with engineers to ensure the structure’s integrity. The reward, however, has been incredible. Seeing the sunlight play across the textured, charred wood surface creates a unique ambiance, and the warmth and age-like quality of the material bring a real sense of grounded tranquility to the space.
Time.News: Can you describe the pavilion’s design and how it complements the Shou Sugi Ban technique?
Lanza Arienzo Abascal: I wanted to create a space that felt both modern and timeless. The pavilion’s clean lines and minimalist aesthetic provide a stark yet harmonious contrast to the richly textured, charred wood. The interplay of light and shadow adds another layer of depth and intrigue.
time.News: What do you hope visitors will experience when they walk through the Shou Sugi Ban pavilion?
Lanza Arienzo Abascal: I hope visitors will be captivated by the beauty and texture of the charred wood, and that they’ll take a moment to appreciate the blend of tradition and innovation that lies at the heart of this project. I also encourage them to reflect on our connection to the natural world and the importance of sustainable building practices.
Time.News: architect Abascal, what advice would you give to fellow architects and designers considering incorporating Shou Sugi Ban into their work?
Lanza Arienzo Abascal: Do your research. Find skilled artisans who have a deep understanding of the craft. Be open to experimentation, and most importantly, embrace the beauty and history that Shou Sugi Ban brings to a project.
