Melissa McGill, art for nature between the Po and the constellations – Libero Quotidiano

2024-11-06 17:41:00

Turin, November 6 (askanews) – A kind of sentimental cartography of ‌our relationship with⁤ rivers and nature, but above all with the stars. The Mazzoleni Gallery in Turin is hosting a solo show by Melissa McGill, an American artist who works a lot in our country, ‌dedicated to mapping⁢ the Po river,‍ in relation to the constellations and our lives, of course. They are powerful works, ‌which in many cases redefine the very idea of ​​space ‌and surface. “I came to this topic – McGill ‍told askanews – and I use different materials to talk about it, because I believe it is necessary to reflect on the way we consider the relationship with water and nature in the world‌ we live in”.

The exhibition “Eridanus: Constellation of the River” shows biological forms that are beyond human. Which highlights how maps can ⁢be a tool that goes beyond their⁢ simple purpose of measuring territory. “It’s all​ a dialogue between maps, perspectives, the way we look at things – the ‌artist added‌ -. I⁢ want to ask new questions and suggest other ways of looking at things”.

The theme of the works is clearly the threat that affects our most important river even due to climate change, but then the eye widens, aiming to​ be universal⁤ and highly emotional. “I heard the voice of the river a lot, how ‌it shows its creativity – concluded​ Melissa McGill -. When I looked ​at the maps I found a very human representation: measurements, names, territory. So, I was to introduce, with ⁢the organic materials and in conjunction ⁣with water, I wanted to propose another way to go towards the future”.

In a certain sense it is as‍ if the art that ‍deals⁤ with nature itself turns nature into a subject through the artist’s choices and, above all, through the freedom of interpretation left to the viewer, another subject who plays a role in the powerful⁤ narrative of‌ the McGill.

Interview ‌Transcript: Time.news Editor & Melissa McGill

Time.news​ Editor (TNE): Good ⁣afternoon, Melissa. We’re thrilled ⁤to have you⁤ here​ at Time.news to discuss your captivating⁤ solo exhibition at the ​Mazzoleni Gallery in Turin. Your work seems to weave together complex⁢ themes of nature, rivers, and ‌even our relationship with the​ cosmos. Can ⁤you tell us about the inspiration behind mapping⁢ the Po River?

Melissa McGill‍ (MM): Thank you for ⁤having me! The ‍Po River is not just a physical ⁢entity; it embodies the historical and cultural narratives ⁢of the ⁤region.⁢ My inspiration comes from the idea‌ of creating a sentimental cartography—a way to connect people emotionally to the landscape ‌and its stories. By mapping the Po, I aim to highlight how intimately intertwined⁢ our lives are with natural ‍water systems and how‌ they have shaped our view of the world.

TNE: That’s⁣ a beautiful way to describe it. Your exhibition is titled “Sentimental Cartography.” How ⁢do you incorporate feelings and emotional connections into ⁣your art, particularly in relation to the river?

MM: My approach is very much ⁢about the intersection of art and emotion. I research various historical documents, personal stories, and folklore associated with the ⁣Po River.‍ This research then informs⁣ my artistic practice, which often includes visual and‍ auditory elements that evoke the sensations one might experience when ​near⁤ the river. The idea is to provoke a‍ deeper⁣ introspection about our ecological footprint and to​ kindle a sense ‍of⁤ responsibility towards nature.

TNE: ‌Fascinating!‍ I understand you ​have also connected ⁢your work to the stars.⁢ How does this celestial aspect relate to your⁣ mapping of the Po River?

MM: The stars‌ represent our aspirations and the ideas of navigation—both⁢ literal and⁢ metaphorical. The river has been a guide for countless generations, acting as a lifeline for ⁣trade, culture, and‌ nature. By incorporating celestial ⁤elements, I invite viewers to reflect on both their earthly and cosmic connections. It’s about looking up and considering how our life along ‍the river mirrors our journey through the universe.

TNE: That’s an ‍intriguing ⁤duality. In this digital age, where many people have lost​ touch with nature, how do you hope⁢ your exhibition will impact visitors’ perceptions of the⁤ Po River and the environment?

MM: I hope to instill ⁤a sense of wonder and ⁢curiosity. It’s easy to forget our connection to nature with‍ modern distractions. By engaging visitors visually and emotionally, I want them to rediscover the importance of rivers and natural ecosystems. This⁢ exhibition serves as a reminder that these ​bodies of water are alive and ⁢hold stories that shape our identities. I want visitors‍ to leave with ⁢a​ renewed⁣ appreciation ‌for our environment and ‍a stronger desire⁤ to protect it.

TNE: ‍That’s such an important message. As an artist who spends considerable ⁣time in ‌Italy, what can you say about the cultural significance of the Po River in the contexts of both art ​and local communities?

MM: ‌The Po River has⁢ been a critical influence in Italian history, ⁤literature, and art. It embodies the essence of the land and has nurtured cultural practices for centuries. In the⁢ local communities, the river represents a deep-seated relationship that goes beyond mere⁤ geography. It has inspired poets and‍ artists ‍like Dante and Manzoni, and it continues to be a vital resource for those living along its banks.​ I want my work to honor this legacy while‌ also acting as a catalyst for contemporary dialogues on ‌environmental stewardship.

TNE: That’s incredibly ⁢insightful, ​Melissa. Before we wrap up, can ⁣you ⁢share what you hope the future⁤ holds for your ‌work, especially in light of our evolving relationship with nature?

MM: I envision expanding this idea of sentimental cartography to other environments ‌around the world. Each river has its own ⁢story, and every place has its unique challenges ⁢regarding nature preservation. I ⁢hope to⁣ collaborate with local communities to create a platform for storytelling that resonates on a global scale, encouraging collective action ⁢towards environmental sustainability.

TNE: Thank you, Melissa, for‍ sharing your thoughts and insights. Your work is not only artistically compelling but also socially and ecologically significant. We wish you the best ⁣of luck with your exhibition at the Mazzoleni Gallery!

MM: Thank you! It’s been ‍a pleasure to discuss these⁣ themes​ with you. I hope to see many visitors engage ​with the exhibition and explore ​their own connections to nature.

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