“The Bite Disease”, Cellcom TV
A new strain of Corona is developing in New York, which turns its patients into aggressive zombies. A good American series without recorded laughs
New York City, first wave of Corona, Manhattan under lockdown. On the first floor, the doctor Rachel treats her patients via zoom, and also manages her married life with her husband, also a doctor, who is in Washington on the disease management team at the White House. Rachel and her husband are trying to overcome a crisis in their married life, during which they separated and each had an affair with a different partner.
On the third floor of the same building in Manhattan lives Lily, a beautiful and sexy young woman who earns a living by conducting conversations and bd shows through the computer for customers interested in such a service. A client asks to meet with Lily face to face and is willing to pay her 20 thousand dollars for one night where she will abuse him properly. After a night’s deliberation you agree.
From here things start to deteriorate. Rachel discovers that one of her patients is sick with a type of corona, contracted from the bite of another patient, his blood pressure drops towards zero and he turns into a zombie. Lily’s client also turns out to have the same type of corona, and he too becomes a zombie. It quickly becomes clear to America that it is under attack from zombies and the country must defend itself against them.
- Entry and exit times for the Tisha B’Av fast
“The Bite” (originally “The Bite”) is an unusual series in terms of American series that come to us. It walks the seam between a comedy and a zombie series with the precision of a ballet dancer. his hand to free himself from the handcuffs. She does it without recorded laughs, without used scenes that have been seen or heard on the screens a billion times so far. “The Bite Disease” is a series without a line. It is like fresh crackers at their best freshness time point. “The Bite Disease” is simply a great series.
To see or to give up: to see. Light laughter and rejection and forget after a moment.
“Haish Hafur”, Netflix
Mentions “dual identity” but only barely mentions. A gray annihilator, in a gray film, which is all a waste of many greens
A summary of the plot can be shortened here, telling about Kurt, a prisoner who is recruited to be an exterminator in a program called “Sierra” of the CIA, and this is how he spends his years until it becomes clear to him that the program also intends to eliminate him for all kinds of reasons. But for mostly humane reasons I will spare the reader the details of the plot and the share of shamelessly obvious similarities to Jason Bourne in “Double Identity”.
So there are plenty of beatings, and chases, and jumping between countries in Europe, and none of it is sewn to anyone or anything that can really bring identification or generate real tension. And one big question hovers over this film, in which no less than 200 million dollars were invested, and that is – why did they make it. After all, anyone in the industry with eyes in their head would have noticed already at the stage of the script that this business is limping along grossly, and you need to shout that it has to stop. Cat. return all the equipment to the warehouses and rewrite everything. Or donate the money to charity. That way it will be more useful to the world. Oh Netflix, Netflix. Give me back two hours of my life.
To see or to give up: not to see. man in gray Gray tape. Waste of time.