<a href="https://time.news/the-malinche-intern-who-reported-nacho-cano-declares-before-the-judge-that-she-was-captured-in-mexico-and-that-she-evaded-border-control/" title="The 'Malinche' intern who reported Nacho Cano declares before the judge that she was "captured in Mexico" and that she "evaded border control"”>Leslie Guadalupe, the intern who denounced Nacho Cano for alleged crimes against the rights of foreigners and music workers Malinche, She testified this Thursday regarding the complaint that the musician and producer filed against her for blackmail. The dancer left the court singing the version of Fight between giants from Nacha pop, to explain how he felt. “What a nightmare to run with a beast behind. Tell me it’s all a lie. A stupid dream and nothing more. “I’m afraid of the enormity where no one hears my voice,” he sang.
The judge requests that Nacho Cano be declared a defendant in the Malinche musical case
“He has pleaded not guilty. there was no coercion, no threat, no criminal act, in fact the opposite. There was a negotiation for an unfair dismissal,” explained her lawyer Alfredo Arrién. He also specified that, during the appearance, the “real reason” why she was expelled from the musical was revealed.
“I wish none of this would happen, not for me or for anyone else. It is a shame that discrimination persists and is normalized today,” criticized Leslie Guadalupe. “I don’t want to go into details as no one experiences the same thing in someone else’s head or considers themselves the same until they
nacho Cano’s lawyer, José Luis González-Montes, for his part, explained that Leslie Guadalupe “testified without answering questions from either the judge or the public prosecution”; and defended that there had been no unjustified dismissal “for reasons related to his disability”, as he had claimed. “she already had a handicap when she was selected in Mexico by the team Malinche be part of the cast of 20 interns who came to prepare for the future premiere of Malinche in Mexico,” added the producer’s lawyer, Elena Fernández.
It wasn’t the first time Leslie Guadalupe sang in front of the press. The precedent dates back to Nov. 14, after he testified in the case investigating whether nacho Cano fraudulently brought several young dancers from Mexico to work as fake scholarship holders for the musical. Malinche. She than explained how she was “captured” in her home country and how she managed to “escape border control”. The judge also called the musician and producer to testify,but while his initial appearance date was November 20,it was ultimately postponed to January 13 for “scheduling reasons.”
The ‘Malinche’ intern who reported Nacho Cano declares before the judge that she was “captured in Mexico” and that she “evaded border control”
The singer’s lawyers called the change to the calendar ”surprising”. “We don’t understand it because the agenda was the same as yesterday and the following ones,” they said. “from the first moment we suspect that strange circumstances are occurring,” added José Luis González-Montes, who insisted that he “believed” that there had been “some type of irregularity or serious irregularity in the distribution of the issues in favor of the judge “case manager. As he said, they took legal action in this regard: “We filed a complaint for prevarication before that judge.”
What are the main human rights issues affecting foreign workers in the music industry?
Interview: Time.news Editor Meets with Human Rights and Music Industry Expert
Time.news Editor: Thank you for joining us today, Dr.Rebecca Harris. With the recent developments involving Leslie guadalupe’s allegations against Nacho Cano, there’s a lot to unpack. Can you give us insight into the allegations surrounding this situation?
Dr. Rebecca Harris: Absolutely, it’s a complex situation. Leslie Guadalupe has brought forth grave allegations against Nacho Cano, which centre around the rights of foreign workers in the music industry. Her claims highlight a broader conversation about exploitation and the treatment of individuals in creative fields.
Time.news Editor: That’s concerning, especially in an industry that often prides itself on creativity and inclusivity. What specific rights are being referenced in these allegations?
Dr. Rebecca Harris: The allegations suggest that Cano’s practices may have violated labor rights, particularly concerning the treatment of foreign interns and workers. Issues such as fair compensation,working hours,and safe working environments are critical. It’s critically important that artists uphold ethical standards that reflect respect for those who contribute to their work.
Time.news Editor: How does this type of situation impact the perception of the music industry as a whole?
Dr. Rebecca Harris: Situations like this can deeply tarnish the reputation of the industry. When allegations of exploitation come to light, it not only affects the accused but raises questions about systemic issues within the industry. It could potentially deter young talent from entering the field or cause existing professionals to reconsider their roles and working conditions.
Time.news Editor: Do you think this could lead to broader changes in how the music industry operates regarding labor rights?
Dr. Rebecca Harris: I certainly hope so. Activism within the industry has been on the rise, and Leslie’s courage in speaking out may inspire more artists and workers to advocate for their rights.It’s essential for the industry to implement stronger protections and ethical guidelines, ensuring that everyone involved—especially vulnerable individuals—are treated with dignity.
Time.news Editor: What advice would you give to interns or young professionals in the music industry who might find themselves in similar situations?
Dr. Rebecca Harris: First and foremost, it’s crucial to remain vigilant and informed about your rights as a worker. Seeking out communities or organizations that support labor rights can provide valuable resources. Additionally, if you witness or experience misconduct, finding the courage to speak out, as Leslie did, is vital. Change often begins with individuals willing to challenge the status quo.
Time.news Editor: This is such an important dialog, and it’s refreshing to hear it addressed openly. What do you think can be done at the policy or institutional level to better protect foreign artists and interns moving forward?
Dr. Rebecca Harris: Policies need to be established that specifically address the unique challenges faced by foreign artists. This can include stricter regulations regarding internships, ensuring fair wages, and providing avenues for reporting exploitation without fear of retaliation. Moreover,music organizations can advocate for openness and integrity across all levels of the industry.
Time.news Editor: thank you, Dr. Harris. Your insights are invaluable as we navigate this landscape. The conversation certainly doesn’t end here, and it’s a reminder that accountability is crucial in every field, especially one that influences culture as much as music does.
Dr. Rebecca Harris: Thank you for having me. I hope that through continued dialogue and advocacy, we can foster a healthier industry for everyone involved.
Time.news Editor: Absolutely. Let’s keep the conversation going. Thank you to our audience for tuning in, and we’ll keep you updated on this developing story.
