Actress, businesswoman, producer, TV presenter and even a politicianPinal, born in 1931 in Guaymas, in the northern state of sonora, leaves a legacy of more than 60 years.
Pinal was a tireless artist who worked in cinema, theater, television and cabaret and palenque shows.
His path to fame went through movies were he shared the bill with other giants of the golden race such as Mario Moreno “Cantinflas” in young door (1949), and German Valdés Tan Tan in the king of the neighborhood (1950) y you take me on a wing (1952).
And with Pedro Infante,the “idol of Mexico”,split screen on The innocent (1956).
She achieved international fame upon her arrival muse of the Spanish director Luis Buñuelhis immortality i Viridiana (1961).
With the Spanish filmmaker He also starred in other classics as The angel of destruction (1962) y Simon of the desert (1964).
The artist strengthened his career con The crows are crying (1965), The soldier(1967), San Sebastián cannons (1968), where it shares the bill with Anthony Quinn“Sharks” (1969), con Burt Reynoldsand i Twenty-four hours of pleasure (1969), together with Mauricio Garces.
Pinal became a figure close to a whole new generation of Mexicans when he produced and hosted the anthology series Woman, real life situations (1986-2007) on open television.
The program, like a soap opera, every day he presented a woman’s story which came into the hands of the producers to be played by actors.
The material used to focus on cases of violence, marginalization or discrimination.
Woman, real life situationsy Pinal as your presenterwhich gave rise to a phrase that to this day is part of Mexican retranca: “Come with me to see this sad story,” said the actor in his role as host.
Personal life
Her personal life was not simple, she was married to the Cuban actor Rafael Banquells (1947-1952), with the businessman Gustavo Alatriste (1961-1967), with the Mexican-Venezuelan singer Enrique Guzman (1967-1976) and with the politician Tulio Hernandez Gomez (1982-1995).
From these marriages were born the actress Silvia Pasquel,the singer Alejandra Guzmán and hers Luis Enrique’s brothery Alatriste Viridianawho died in a car accident at a young age.
Last April, the model Frida Sofía, daughter of Alejandra, publicly accused her grandfather Enrique Guzmán sexually abused her when he was only five years old and he also met Pinal.
After Guzmán was accused of psychiatric problems,Pinal came out defending her granddaughter with a letter.
Guzmán’s violence is reflected in the bioseries Silvia Pinal, in front of you (2018), based on his autobiographical book This is me: silvia Pinalwhere The rock singer appears under the name Felipe roman.
Policy?
It was thanks to her last marriage that Pinal gave jump to Mexican politics.
It was Tulio Hernández Gómez governor of the state of Tlaxcala between 1981 and 1987 by the Institutional Revolutionary Party (PRI), which dominated Mexican politics at that time alone.
In that period, the actor showed the skills to be a public servant who would go beyond her duties as the first lady.
And also being in charge during that period as president of the DIF (public childcare organisation),Pinal impact of the state’s cultural projects,such as the restoration of theaters and the archaeological zone of Cacaxtla.
He later joined the PRI to serve as stepfather (1991-1994), representative of the extent Federal District Assembly (1994-1998) y a senator (1998-2000).
this This was not the first time there had been a health scare of Silvia Pinal,already during the covid-19 pandemic,her life was in great danger although the actress finally came out.
On November 21, however, she was hospitalized again after a new medical complex and, as his relatives reported the news, the fatal outcome became clearer.
until a week later, at the age of 93, one of the great people in the history of Mexican culture and cinema leaves permanently. leaving an eternal legacy behind.
What were some of Silvia Pinal’s most important contributions to Mexican cinema?
Time.news Editor: Welcome to Time.news! Today, we have the pleasure of talking with Dr. Lucia Martinez, a renowned film historian adn expert in Latin American cinema.We’re here to discuss the remarkable legacy of actress and filmmaker Silvia Pinal,who has been a significant figure in the entertainment industry for over six decades. Dr. Martinez, thank you for joining us!
Dr. Lucia Martinez: Thank you for having me! It’s a pleasure to discuss such an iconic figure in cinema.
Time.news Editor: Silvia Pinal’s career spans various roles—from actress to producer,and even politician. How do you think her versatility contributed to her long-lasting impact on the industry?
Dr. Lucia Martinez: Silvia Pinal is a testament to the power of versatility in the arts. She started her career in films and quickly transitioned to theater and television, showcasing her range as a performer. This adaptability allowed her to remain relevant through different eras of Mexican cinema, especially during the Golden Age, where she starred alongside legends like Mario Moreno “Cantinflas” and Pedro Infante.
Time.news Editor: That’s fascinating! Her collaboration with Luis Buñuel, particularly in Viridiana, marked a pivotal moment in her career. Can you elaborate on how that film influenced her international fame?
Dr.Lucia Martinez: Absolutely! Viridiana is ofen regarded as one of Buñuel’s masterpieces, and Pinal’s role as the titular character is unforgettable. The film won the Palme d’or at Cannes and brought international attention not only to Buñuel but also to Pinal. It showcased her ability to tackle complex, provocative roles, setting her apart as a serious actress on the global stage. This film elevated her status and opened doors for her in Europe as well.
Time.news Editor: Beyond her work in film, Pinal also performed in theater and cabaret—a true multifaceted artist. How did thes different platforms enhance her storytelling abilities?
Dr. Lucia Martinez: Each platform requires a unique approach to performance. In theater,as an example,Pinal had the chance to engage directly with live audiences,honing her skills in emotional expression and timing. Cabaret, with its blend of humor and music, allowed her to showcase her charisma and stage presence. These experiences enriched her storytelling, making her performances deeply resonant across various mediums.
Time.news Editor: She undeniably left an indelible mark. Can you tell us about some of her othre notable film works beyond Viridiana that shaped her legacy?
Dr. Lucia Martinez: Certainly! Pinal starred in other classics like The Angel of Destruction and Simon of the Desert—both of wich further solidified her partnership with Buñuel. Additionally,her performances in films like The innocent and The Crows Are Crying helped cement her status as a leading lady in Mexican cinema. Working with prominent actors like Anthony Quinn and Burt Reynolds in Twenty-four hours of Pleasure showcased her remarkable ability to stand out alongside such talent.
Time.news Editor: It’s remarkable how her career spanned so many genres and styles. Lastly, what do you think is the biggest takeaway from Silvia Pinal’s legacy for future generations of artists?
Dr. Lucia Martinez: I believe the most significant takeaway is the importance of reinvention and resilience. Pinal’s willingness to explore new roles and mediums, even stepping into politics later in her career, shows aspiring artists that growth is essential. Embracing change can lead to new opportunities and greater impact. Her journey teaches us to be fearless in our artistic expressions,and to continually look for ways to evolve while staying true to oneself.
Time.news Editor: Thank you, dr. Martinez, for sharing your insights on the unbelievable legacy of Silvia Pinal.It’s clear that her contributions to cinema and the arts will be cherished for generations to come.
Dr. Lucia Martinez: Thank you! It’s been a pleasure to discuss such an inspiring figure.