In a powerful reflection on the stories behind impactful photography,PÚBLICO’s photo editor Miguel Manso emphasizes the importance of images in conveying narratives that resonate with viewers.Highlighting the struggles of individuals like Sónia, who lives without water in an illegal settlement in Penajóia, and the poignant moments captured during significant political events, Manso’s selection of 65 photographs offers a glimpse into the human experience in 2024. Notable images include a striking moment from the electoral campaign when a climate activist splashed green paint on politician Luís Montenegro, and the emotional farewell between António Costa and Marcelo Rebelo de Sousa, marking the end of a political era. Thes images not only document events but also invite viewers to engage with the deeper stories they tell.
In 2024, the challenges facing journalism in Portugal and globally have become increasingly evident, highlighting a growing media crisis that threatens democratic values. Photojournalists like Adriano Miranda and Rui Gaudêncio capture poignant moments that reflect societal struggles,from the despair of wildfire victims to the harsh realities of housing insecurity faced by individuals like Sónia,who juggles early morning commutes and inadequate living conditions. Meanwhile, the evocative imagery from Victor Hugo Pontes’ performance piece, “Há Qualquer Coisa Prestes a Acontecer,” symbolizes the enduring fight for freedom and expression in a world where the importance of quality journalism is often overlooked. This year, the lens of PÚBLICO’s photojournalists reveals the resilience and challenges of a society grappling with its identity and values.
Q&A with Miguel Manso: The Power of Photojournalism in Conveying Human Narratives
Time.news Editor: Miguel, your recent collection of 65 photographs has drawn important attention. Can you share what inspired your selection,particularly the stories of individuals such as Sónia living in precarious conditions?
Miguel Manso: The inspiration came from a strong desire to highlight the human experience in 2024,especially amidst the socio-political turbulence we are witnessing. Sónia’s story is emblematic of many who live on society’s margins. Her struggle for basic necessities like water in Penajóia speaks volumes about systemic issues that often remain unaddressed.Each photograph in my selection is intended to resonate emotionally with viewers, prompting them to not only see but feel the weight of these narratives.
time.news Editor: Notable moments, such as the climate activist’s act during the electoral campaign and the political farewell between António Costa and Marcelo Rebelo de Sousa, stood out in your work. What do these events signify in the broader context of journalism and society today?
Miguel Manso: These moments reflect the profound intersections of activism and politics.The act of splashing paint was not merely a stunt; it represents the urgent call for climate action and accountability from our leaders. Political farewells, like that of Costa and Rebelo de Sousa, mark the end of an era and encapsulate the evolution of public sentiment. They highlight the role of journalism as a storytelling medium that captures pivotal ancient moments, fueling public discourse and reflection.
Time.news Editor: The article mentions a growing media crisis that threatens democratic values. How do you see the role of photojournalists changing in this context?
Miguel Manso: The role of photojournalists is evolving rapidly as they navigate a landscape filled with misinformation and declining trust in media.As photojournalists, we have a duty to present truths through a lens of integrity and compassion. We can illuminate societal struggles, from the effects of wildfires to housing insecurity, showcasing resilience through our visuals. In doing so, we foster a deeper understanding of these challenges while reinforcing the importance of quality journalism as an essential vehicle for democracy.
time.news Editor: Can you delve into the implications of showcasing evocative works like Victor Hugo Pontes’ performance piece “Há Qualquer Coisa Prestes a Acontecer”?
Miguel Manso: Pontes’ performance embodies the ongoing fight for freedom and expression. It’s a poignant reminder that while we wrestle with challenges locally and globally, the arts—particularly photography and performance—serve as powerful tools for raising awareness and sparking necessary conversations. Such works invite audiences to reflect on their roles in society, urging a collective engagement with themes of justice, equality, and the pursuit of truth.
Time.news Editor: For budding photojournalists wanting to leave a mark in today’s media landscape, what practical advice would you offer?
Miguel Manso: My advice centers on authenticity and empathy. Understand the stories behind your subjects; it’s crucial to build relationships based on trust. Also,don’t shy away from tackling difficult subjects. The impact of your narratives can inspire change and foster compassion.Stay adaptable and leverage new technologies while remaining true to your artistic vision.Remember, great photography is not just about aesthetics but the stories it tells and the emotions it evokes.
Time.news Editor: Thank you, Miguel, for this insightful discussion. Your work serves as a vital reminder of the role of photojournalism in capturing the complexities of our time.
Miguel Manso: Thank you for having me. I hope our conversation ignites more people to engage with photojournalism and the stories it reveals.