Iranian artist Mohammad Jannati reveals his participation in the Baghdad Theater Festival

by times news cr

baghdad – IA – Fatima Rahma
Iranian artist Mohammad Ibrahim Jannati‌ revealed his participation in the‍ play “Macbeth” within the ⁢Baghdad International⁤ Theater Festival.

Jannati told ‌the (INA)​ that he ⁣”participates in the fifth session of the Baghdad International Theater Festival, with a performance prepared from the play “Macbeth” written by the ‍English poet William Shakespeare.”
He added, “This is the first ⁣time ⁣I have come to Iraq to participate in the ‌Baghdad International Theater Festival,” stressing: “We were surprised ​by the opening show, which was more than⁤ amazing, and we ‌were amazed by the use⁢ of visual technology ​that we saw, and we were pleased with the quality of employing ⁤the story with Iraqi characters,⁤ as⁤ they performed their roles‍ well and excelled.” “And this ‍is our pledge ​to Iraq,the⁤ country of ⁤creativity.”

What are⁤ the key elements that made the‌ performance of “Macbeth” stand out at the Baghdad International Theater Festival?

Interview with Mohammad Ibrahim Jannati on His ⁢Role in the Baghdad International ‌theater Festival’s “Macbeth”

Time.news​ Editor: Fatima Rahma

Q: Mohammad,welcome! It’s great to have you here. Can you share your experiance participating in the Baghdad International Theater ‍Festival ⁤this year?

A: Thank ⁤you, Fatima! it’s an honor to be here. This is my first time in Iraq, ⁢and participating in the fifth session of the Baghdad International Theater Festival has been a remarkable experience. Our performance of​ “Macbeth,” written by the legendary William Shakespeare, was received ‌very well. The opening show​ was absolutely stunning,showcasing not just the play but also a fantastic blend of music,visuals,and local talent.

Q: You mentioned the use of visual technology in ​the performance. How did that impact the overall production of​ “Macbeth”?

A: the incorporation of visual technology was a game-changer. It heightened the storytelling elements, making the ⁢narrative​ more immersive. For a⁤ classic‍ like ⁢”Macbeth,” which deals with ‌themes‌ of ⁢ambition, power, and betrayal, the​ visuals complemented‌ the actors’ performances superbly.Seeing it⁣ brought‍ to life with such creativity was inspiring, and it‍ engaged the ​audience on a deeper level.

Q:‌ You’ve highlighted the ​talent of the Iraqi performers. ⁣What ⁤impressed you the‌ most about their performances?

A:​ The iraqi actors brought ‍an incredible authenticity to their ⁣roles. They infused the‌ characters with rich cultural nuances that resonated with the audience. It was evident that they had‌ a deep understanding of the text and its implications, which made their performances even more ‍powerful. I believe this local⁢ interpretation added a unique ‍flavor​ to⁢ a universally recognized play.

Q: Given your positive experiences, what‌ do you think the⁢ implications ⁣are for the future of theater, especially within Iraq and ⁣the broader region?

A: I ⁣think this festival is ​vital for⁣ the cultural ‍exchange in the region. Events like the Baghdad ⁢International Theater Festival help⁢ to foster creativity ⁣and showcase local talents on ⁢an international stage. They​ can serve as a catalyst for more ‌collaborations between artists⁢ from various backgrounds, encouraging cultural dialog⁤ and understanding through‍ the arts. Plus, the more⁢ we highlight ‍works ​like “Macbeth” through⁢ local lenses, the richer the conversations become.

Q: For aspiring actors ‌and theater ​creators in Iraq and beyond, what advice do you have based‌ on your experiences?

A: My advice ⁣would ‌be to ⁤embrace creativity ‌without boundaries.Experiment with different forms⁢ of storytelling,⁢ integrate⁢ technology into performances, and engage with your cultural identity.⁣ There’s a wealth of stories waiting to be told, and a unique perspective can make even classic works resonate in new ways. Networking with othre artists and participating in festivals will also enrich your ⁢experience and hone‍ your craft.creativity knows ⁢no⁤ borders, and theater has a universal language.

Q: Thank you,Mohammad! Your insights are invaluable. We look forward to seeing more of‌ your ⁣work in the future.

A: thank you, fatima! It’s been a pleasure sharing my thoughts. I’m excited for the future of theater ‌and the wonderful stories that await ⁤us.

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