Benin: “Sahari Slem Wesaa” by Moulay Taieb Bouhanana wins the grand prize at the Cotonou Cinematographic Meetings

by times news cr

The winning films were announced during ⁣the ‌closing and awards ceremony, held in the ⁣presence of the Moroccan ambassador ⁤to Benin, Rachid Rguibi, several personalities ⁤from the world of culture ​and art, as⁢ well as an audience of filmmakers and artists from‌ more than 20 African countries.

Sahari Slem Wesaa”, which represented Moroccan cinema in this edition ‌alongside the films ⁣“The Glass of ​Friendship” by director Naoufel Berraoui, and​ “Jalal Eddine”​ by Hassan Benjelloun, won the grand prize​ (Kama D’ gold), in the ‍“Feature-length fiction” ‌category, while the second prize was awarded to the⁤ film “Mayouya” by Claudia Yaka from Congo Brazzaville.‌ The feature film “Evil Does Not Come​ From Far” by Gabonese director Melchissedec Obbiangz won third⁢ prize in this category.

“Sahari Slem Wesaa”, a 119-minute feature film, set between the 70s and 90s of the last century, ‌tells‍ the story of Hammad, Salka and Ammar, three brothers ⁤from the ‌southern provinces of the‌ Kingdom, who decided, after ​the Green March, to break ties so that everyone could lead their own lives‌ alone.

Moroccan cinema, guest of honor at this edition, organized in partnership with the Embassy of the Kingdom in Benin and Togo and‌ the Moroccan Cinematographic Center (CCM), also won third prize in the “Documentary” category, which was awarded to director Fatima Aglaz for her production “Dernière mine”.

The⁢ jury ⁢for this edition, chaired by Nigerien Beidari⁢ Yacouba​ and which includes Abdelaziz Tellat, film critic and ⁢director of media ​and communications ⁢at the‍ Khouribga International African Cinema Festival (FICAK), and Gnamey Kamilda‌ from Benin, awarded the first prize in ‌this ‌category went to the Senegalese documentary “The Fleuve is not a Border”, by Alassane Diago, while the second prize went to‍ the documentary⁤ “La destin‍ d’une Camionneuse” by Burkinabé Yssouf Kousse.

Out of a total ‌of 117 cinematographic ‌works from 21 ⁤African​ countries and the diaspora, ​nine feature films, 26 short films and⁢ 14 documentaries were chosen for the Official Competition.

This edition was marked in ‌particular by the organization of training ‍workshops in screenplay, ⁤acting‌ and cinematography direction, as well as a conference under the theme: “cinema, a tool in ​the fight against violent extremism”.

What are the challenges faced by filmmakers in the African cinema industry today? ⁢

Title:​ Celebrating African Cinema: An Interview with a Cultural Expert

Setting: A cozy studio decorated with film posters and vintage film equipment, setting the stage for‍ a ⁤rich discussion on⁣ cinema.

Time.news Editor: Welcome to‍ our special interview segment. ⁢Today, we’re​ diving into the enchanting world of African cinema, particularly the recent⁤ awards⁤ ceremony that celebrated some remarkable films. With us‍ is Dr. Amina Kouyaté, a noted expert in​ African cultural studies and cinema. Thank you for joining us, ⁢Dr. Kouyaté!

Dr. Amina Kouyaté: Thank ⁣you for having me! ​It’s⁤ a pleasure to discuss ‌such an exciting event for African cinema.

Time.news Editor: Absolutely. The recent awards ceremony showcased a diverse ⁤array of films from over 20 African countries. Can you tell ‍us about the significance of this event in promoting African cinema on a global stage?

Dr. ​Amina Kouyaté: Certainly! Events like these not only highlight the artistic talents within Africa but⁣ also create⁤ an opportunity for cultural exchange and collaboration. They serve as​ a platform for filmmakers to share their stories and ⁢experiences, fostering a sense of pride in African storytelling. The presence of the Moroccan‍ ambassador to Benin and ⁣various cultural personalities emphasizes the support ​and ‍recognition ⁤for these artists.

Time.news ​Editor: ‌Speaking of recognition, “Sahari Slem Wesaa”‍ won the grand prize in the Feature-length Fiction category. What do you think set it apart​ from the other ⁣nominees?

Dr. Amina Kouyaté: “Sahari Slem Wesaa” ⁣captured the essence of Moroccan culture and presented its narrative in a refreshing way that resonated with the audience. The film’s storytelling, character‌ depth, and visual artistry likely contributed to its victory. Additionally, it was notable to see films like “The‍ Glass ​of Friendship” and “Jalal Eddine” also representing Moroccan cinema, signifying a strong presence that showcases the⁣ country’s rich cinematic tradition.

Time.news Editor: ⁣Indeed! It’s‍ great‍ to see such representation. The second prize went to Claudia ‍Yaka’s “Mayouya,” with the ⁤third prize awarded​ to Melchissedec Obbiangz’s “Evil Does Not Come From ‍Far.” How ‍do⁢ you see these films ⁢contributing to the narrative of​ African​ cinema?

Dr. Amina Kouyaté: Both films bring unique perspectives that⁣ enrich⁣ the African narrative tapestry.‍ “Mayouya” explores themes that resonate deeply within Congolese‍ culture, while “Evil Does Not Come From Far” challenges ⁣viewers to confront societal issues through a thrilling lens. These ​films highlight the diversity of African experiences and encourage us ​to ‍engage with​ different narratives, thus expanding our understanding of ⁤the continent.

Time.news Editor: It sounds like they both‌ have powerful messages. As an expert, how do ⁤you perceive the future⁢ of African cinema‌ in⁣ terms⁢ of international recognition⁤ and‌ impact?

Dr.‍ Amina Kouyaté: The potential ‍is immense. With the global audience increasingly ‌seeking authentic and⁤ diverse⁤ narratives, African cinema is perfectly positioned⁣ to capture their​ interest. The ongoing development of‌ film festivals, production ​studios, and funding opportunities will⁣ bolster filmmakers in⁤ telling their stories. However, it’s crucial to maintain authenticity while embracing new ⁢technologies and‌ platforms to reach wider audiences.

Time.news Editor:‌ Wise words! What advice would you give to ⁣emerging filmmakers in Africa who aspire to achieve similar recognition?

Dr.⁤ Amina Kouyaté: Stay true to your vision and voice. Tell the stories⁢ that matter to you and ⁢your⁤ community. Networking with ‍other filmmakers and participating⁣ in workshops can also ⁣greatly enhance their skills. leveraging​ social‍ media⁢ and digital platforms can amplify ⁤their ⁢reach, connecting ⁢them with audiences around the globe.

Time.news Editor: Thank you, Dr. Kouyaté, for your insights on this vibrant ‍topic. It’s clear ⁣that the future of African cinema holds ⁤exciting possibilities, and I can’t wait​ to see‍ what⁤ new⁤ stories emerge.

Dr. Amina Kouyaté: Thank you‍ for having me! It was a pleasure discussing this important facet of our culture. Let’s keep ⁢celebrating and supporting African⁣ cinema!

Time.news Editor:⁣ Absolutely! Stay tuned as we continue to cover the thrilling ⁣developments‌ in African cinema and beyond.

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