“It just happened.” Thus David Broncano began what will probably become the most controversial program of ‘La Revuelta’. “Half an hour before departure, they learned in ‘El Hormiguero’ that today the world motorcycling champion, Jorge Martín, who is down here, would arrive,” said Broncano, more serious than usual. The 26-year-old rider from Madrid was going to be a guest of the Pablo Motos space next week “and he dismantled the program for us. What we had prepared today was destroyed,” he says.
“There’s always been a lot of play with this,” clarifies the comedian, who tonight decided to take it a step further and leave the jokes aside. He also confessed that “no one has ever come here before going there, and when they can stop someone from coming, they do it,” he points out. Everything exploded after Jorge Martín uploaded a “story” on his Instagram profile announcing his time in the La 1 program, without knowing what it could unleash. «I don’t have any personal problems. It happened to us all the time and we never talked about it”, says Broncano, who would have liked “them to respond to our jokes with other jokes, not with inferior things”.
Yolanda, member of the ‘La Revuelta’ team, spoke. «I’m very angry because people don’t value the time of us who work here since nine in the morning. “He believes his time is more valuable than ours.” Ultimately, Broncano says that “we decided to talk about this instead of improvising and doing nonsense. I think that’s the best way to make the offense and the attack visible,” he says. the presenter promised to relocate the audience left without an interview on Thursday evening. “See you on Monday,” he said goodbye, before giving way to a documentary about animals.
Both programs have been in a tense television duel since Broncano, Ricardo Castella, Grison and the entire team landed on RTVE with the new ”show”. The tug of war has continued in recent months and the comedian provided the surprise by managing to oust Motos from leadership in his time slot. The most surreal situations were created, like the one in which Ana Mena starred. The woman from Malaga became the impromptu host of ’La Revuelta’ after being on Antena 3 the day before.
Mario Casas also experienced a moment that went down in the history of the program. He received boos from the audience for having already witnessed “El Hormiguero”. The actor tried to explain: “The film is from La 1, but I had already met them and I couldn’t make a bad impression,” he said. The comedian downplayed the issue by assuring that there were no problems. At that moment the actor intervened again: “They don’t care,” he said. Broncano couldn’t hold back his laughter. «We don’t care, this is open. You can come or not come,” he added.
How can television hosts and guests navigate respect and timing in the era of instant celebrity announcements?
Interview Between Time.news Editor and Comedy Expert on Impact of Celebrity Culture on Television
Editor: Welcome to Time.news, where we dissect the world of media and culture. Today, we have a special guest, Dr. Isabella Hart, a renowned expert in communication and celebrity culture. We’re discussing a recent incident involving Spanish comedian David Broncano and motorcycle champion Jorge Martín that has ignited quite a debate. Thank you for joining us, Dr. Hart.
Dr. Hart: Thank you for having me! I’m excited to dive into this situation.
Editor: So, let’s get right into it. David Broncano revealed that his show ‘La Revuelta’ was unexpectedly affected when Jorge Martín, who was supposed to appear on another program, announced his visit on Instagram just thirty minutes before the show aired. How do you see the interplay of social media and live television events in this scenario?
Dr. Hart: It’s a fascinating intersection, isn’t it? This incident highlights how social media has changed the rules of engagement in the television landscape. When Jorge Martín posted on Instagram, it disrupted the carefully choreographed plans of ‘La Revuelta.’ Social media influencers and athletes have this immediacy that traditional media cannot always predict or control.
Editor: Broncano seems to have taken this disruption seriously, calling the situation “destructive.” Do you think this reaction is warranted, or is it overblown given the joking nature of his comedy?
Dr. Hart: I believe it reflects a deeper issue in celebrity culture. Broncano’s comedy relies heavily on the element of surprise and spontaneity. When that is undermined, it can feel like a personal affront to his creative process. However, see it as part of the greater comedic tradition—jokes often arise from conflict. The trick is fostering a creative environment while ensuring that celebrity antics don’t overshadow the comedic intent.
Editor: You mentioned a conflict in creative environments. In what ways do you think the arrival of social media has altered the dynamics between hosts and guests?
Dr. Hart: Social media has democratized fame; now, everyone with a platform can have a voice. This changes the power dynamics significantly. A source of frustration for Broncano was that Martín’s last-minute announcement undermined the respect and planning that goes into a television show. There’s also a shifting expectation that guests must cater to fans on their platforms, adding another layer of complexity to their commitments.
Editor: Broncano expressed that he would have preferred a humorous response to his jokes instead of what he perceives as inferior tactics. How significant is this in the context of professional rivalries and humor among celebrities?
Dr. Hart: It’s crucial. Rivals in the entertainment industry typically engage in light-hearted banter. When that turns into tactics perceived as underhanded or disrespectful, it shifts the tone of the relationship. Humor is a form of connection, and in Broncano’s view, taking the disruptions too seriously undermines the playful nature of the industry. It opens discussions about the acceptable boundaries in professional rivalries, especially in a landscape that thrives on entertainment.
Editor: Yolanda, a member of the ‘La Revuelta’ team, expressed her frustration at the lack of respect for their time. Can you speak to the importance of time and respect in creative endeavors?
Dr. Hart: Absolutely. Time is a critical resource in creative industries, and when it feels disrespected—whether by a guest or through unexpected disruptions—frustrations can escalate. In collaborative environments, there’s a delicate balance of timing, respect, and expectations. This is especially important when presenting a united front in a live format where preparation directly impacts the quality of the output.
Editor: So, in light of this incident, what advice would you give to entertainment professionals navigating this new media landscape?
Dr. Hart: My advice would be to embrace the unpredictability that social media brings, while also setting clear expectations with guests. Maintain an open line of communication to mitigate surprises. Moreover, find ways to create humor out of the chaos; after all, that’s often where the best content is born. Lastly, foster respect for time as a valuable currency among team members and guests alike.
Editor: Thank you, Dr. Hart. This has been an enlightening discussion on the complexities of celebrity culture, social media, and humor in television. We appreciate your insights!
Dr. Hart: Thank you for having me. It’s been a pleasure!