Do you want to know which war movie maker “Oppenheimer” and “Dunkirk” maker Christopher Nolan is the toughest to date? Now you have the chance (again) to experience the ultimate version of the classic in your home theater.
Christopher Nolan is famous for blockbusters like “Inception”, “Interstellar” and the “Dark Knight” trilogy, but the exceptional director is also interested in stories related to the World War – he proved this with “Dunkirk” and with his famous biography “Oppenheimer.” But If Christopher Nolan has his way, a classic war movie is still number 1 in terms of intensity…
…and that’s exactly what you can take home from November 14 – in a special edition that leaves nothing to be desired. It collects all relevant versions of the film on a total of five discs. We are talking (of course) about “There is nothing new in the West“!
The theatrical version is in all four German versions in the set, but also the long extended version in three German versions. Completists can look forward to, among other things, several censored versions (from 1930 and 1952) as well as the silent film version. And the bonus material is even more noteworthy, especially the documentary “Bracked Celluloid – The Fate of the Cinema Classic ‘Nothing New in the West'”.
If you can’t do without all the trades among the “Nothing New in the West” editions, you’ll find what you need well under 50 euros. You can get the single version of the long version for less than ten euros DVD and Blu-ray*. The three discs Average book* including standard and long versions on Blu-ray is also still available - and is currently available for 25 euros.
“Nothing new in the West”: That’s why Christopher Nolan is so excited
There is no question in our minds that the film by Lewis Milestone (“Mutiny on the Bounty”) remains one of the most important war films in cinema history more than 90 years later. It is not for nothing that the adaptation of Erich Maria Remarque’s world-famous anti-war novel received a full five stars in the FILMSTARTS review. But what exactly excites the “Tenet” maker so much about the black and white classic?
“Looking back at this masterpiece of a war film, it’s hard to deny that its intensity and terror have never been surpassed,” said Nolan, who was screening some of the films at London’s BFI Southbank Cinema for the release of his Dunkirk which prompted him to celebrate. to do this – including the timeless, under-the-skin masterpieces by Lew Ayres (“The Bride’s Sister”), Louis Wolheim (“Cattle Hunter”) and John Wray (“Mr. Deeds Goes to Town” ).
“For me, the film shows the power of resistance to convention, to find meaning and logic in the fate of the individual,” continues Nolan, elevating the uber-classic above other milestones in the genre. Recently, the classic was given new life in the form of Edward Berger‘s Oscar-winning remake – with such success that the Wolfsburg native is even now working on a major Hollywood project:
The action hit “Bourne 6” is coming – from a German director!
* The links to the Amazon offer are so-called affiliate links. If you buy through these links, we get a commission.
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Interview between Time.news Editor and Film Expert
Time.news Editor: Good day, everyone! I’m thrilled to have with us today a renowned film expert, Dr. Emily Carter, who specializes in war cinema. Emily, thank you for joining us!
Dr. Emily Carter: Thank you for having me! It’s great to be here.
Time.news Editor: Today, we’re diving into the captivating world of Christopher Nolan, notably with his recent nod towards the classic war film “Nothing New in the West.” Nolan is a giant in filmmaking, with hits like “Inception” and “Dunkirk.” What is it about this war film that seems to excite Nolan so much?
Dr. Emily Carter: Nolan’s films often grapple with complex themes such as time, memory, and the human condition. “Nothing New in the West,” particularly, delves deep into the futility and horror of war. The relentless intensity and emotional weight of the story align with Nolan’s penchant for creating immersive and thought-provoking narratives. It’s a testament to the film’s power and relevance even decades after its original release.
Time.news Editor: Interesting! Now, on November 14, a special edition of “Nothing New in the West,” featuring five discs and various versions of the film, will be available. Why do you think collectors and fans are drawn to this comprehensive set?
Dr. Emily Carter: Fans appreciate the opportunity to experience the film in all its forms. The completeness of this set, including multiple versions and even the silent film adaptation, provides invaluable insights into how the narrative and filmmaking techniques have evolved over time. Additionally, the documentary “Bracked Celluloid” adds a layer of historical significance that enriches viewers’ understanding of the film’s legacy.
Time.news Editor: That’s a great point! The availability of the theatrical and extended versions might attract not just collectors but also film students aiming to study its cinematic techniques. What can viewers learn from the different iterations of this classic?
Dr. Emily Carter: Each version reveals something unique. The 1930 and 1952 censored versions showcase how societal perceptions of war have transformed, while the silent version highlights the film’s foundational storytelling elements before sound transformed the medium. Watching these adaptations allows viewers to appreciate the artistry in conveying the same powerful message in different cinematic languages.
Time.news Editor: Speaking of artistry, how does “Nothing New in the West” compare to Nolan’s own works like “Dunkirk” and “Oppenheimer”?
Dr. Emily Carter: Both “Dunkirk” and “Oppenheimer” share thematic links with “Nothing New in the West.” They expose the harsh realities of war and scientific consequence, respectively. Nolan adopts a more modern storytelling approach, utilizing nonlinear narratives and immersive soundscapes. However, the core emotional intensity present in ”Nothing New in the West” is palpable in Nolan’s treatment of historical events. It’s as if he pays homage to the classics while pushing the boundaries of contemporary filmmaking.
Time.news Editor: Absolutely fascinating! As we approach the release of this special edition, how do you think this will influence new generations of filmmakers and moviegoers?
Dr. Emily Carter: Releasing this special edition sparks conversations about the impact of war films. For budding filmmakers, it serves as both inspiration and a reminder of the responsibility they hold in portraying history. For moviegoers, it reignites interest in classic cinema and underscores the necessity of understanding our past. Films like “Nothing New in the West” can provoke necessary dialogue about the consequences of war, making them relevant to modern audiences.
Time.news Editor: Well said, Emily! Thank you for sharing your insights with us today. It’s clear that Christopher Nolan’s enthusiasm for “Nothing New in the West” is not just a nod to a classic, but a call to reflect on the past.
Dr. Emily Carter: Thank you for having me! I’m excited to see how this special edition resonates with fans old and new.
Time.news Editor: And to our audience, don’t miss out on this incredible opportunity to experience one of cinema’s most poignant stories. Until next time!