Mexico City dresses up to celebrate one of its most deeply rooted traditions: the Day of the Dead.
The Day of the Dead celebration is a deeply rooted ritual that fuses pre-Hispanic indigenous beliefs with Catholic traditions. Symbolizes a vital link between the living and the deadwhere the souls of the deceased temporarily return to the world of the living to live with their loved ones.
Last Wednesday, the head of Government, Clara Brugada Molina, led the lighting of the Monumental Offering and decorative lighting in the Zócalo of Mexico City.
The offering, titled “Procession“, is a masterpiece of monumental cardboard created by more than 100 artists from the Xibalbá Art Workshop, inspired by the graphic work of Eduardo Robledo.
With its 21 monumental pieces, a water mirror of more than 200 square meters and a marigold garden, this offering transports viewers to a magical world where loved ones who are no longer here are commemorated.
This offering is a tribute to our culture and our ancestors, said Brugada Molina. “It is a space to reflect on life and death, but also to celebrate the lives of those who are no longer with us.”
The Monumental Offeringl seeks to honor the memory of departed loved ones and keep Mexican traditions alive, inviting local visitors and tourists to enjoy this colorful celebration in the most emblematic plaza in the country.
“Procession” offering and its artistic impact
This year, the selected offering is called “Procession” and is the result of a collective effort by the Art Workshop Xibalbain which more than 100 artists participated, including cartoneros, sculptors and painters.
Inspired by the work of the engraver Eduardo Robledo, originally from Xochimilcothe artists have created 21 pieces of monumental cardboard, in addition to an impressive offering 17 meters high.
The facility also includes a reflecting pool of more than 200 square meters, two trajineras, a monumental chinampa and a marigold garden with 10 thousand plants, grown by producers from Xochimilco.
The Monumental Offering and decorative lighting will be available until November 3. It is estimated that more than one million people will attend these activities, which highlight the rich Mexican culture and the importance of the Day of the Dead.
The relevance of monumental cardboard
The Ministry of Culture highlights that monumental cartonería is one of the most important aesthetic movements in Mexico.
This year, 10 projects were selected, with “Proceso” by the Xibalbá collective being chosen to stand out in the celebration.
Other groups such as Colectivo El Volador, Zion Art and Comparsa Río de Papel also contributed to the event, reflecting the diversity and cultural richness of the country.
The celebration of the Day of the Dead in the Zócalo is a palpable example of Mexican culture, a space where tribute is paid to those who are no longer here, life is celebrated and the sense of community is strengthened around one of the most important festivities. significant in the country.
Title: Celebrating Life and Death: An Interview on Mexico City’s Day of the Dead
Interviewer (Time.news Editor): Welcome, everyone, to another exciting edition of our interview series. Today, we have the pleasure of speaking with Dr. Mariana Ruiz, an expert in cultural anthropology with a focus on Mexican traditions. Dr. Ruiz, thank you for joining us to discuss the vibrant celebration of the Day of the Dead in Mexico City!
Dr. Mariana Ruiz: Thank you for having me! It’s a pleasure to delve into such a rich and meaningful tradition.
Interviewer: To start, can you explain what makes the Day of the Dead such a significant event in Mexican culture?
Dr. Ruiz: Absolutely! The Day of the Dead is a powerful blend of pre-Hispanic indigenous beliefs and Catholic traditions. It symbolizes a vital connection between the living and the dead, allowing the souls of those who have passed to return temporarily and join their loved ones. This celebration is a time for reflection, remembrance, and joy, emphasizing that death is not an end, but a continuation in a different realm.
Interviewer: That’s such a beautiful perspective. This year, the theme of the Monumental Offering was “Procession,” which involved over 100 artists from the Xibalbá Art Workshop. What impact do you believe this collaborative art piece has on the community?
Dr. Ruiz: The “Procession” offering is a wonderful representation of collective memory and artistic expression. It not only honors those who have departed but also strengthens community bonds. When artists come together to create something so large and intricate—like the 21 monumental pieces, the garden of marigolds, and the expansive water mirror—they’re not just constructing art; they’re weaving a narrative that everyone can partake in. It invites people, both locals and tourists, to engage with their heritage and contribute to the ongoing dialogue about life and death.
Interviewer: Speaking of engagement, this year’s offering was officially inaugurated by Clara Brugada Molina, the head of Government. How do government initiatives like this one influence the celebration and preservation of such cultural traditions?
Dr. Ruiz: Government support is pivotal! It helps elevate the importance of the Day of the Dead, not just as a festive occasion, but as a national identity marker. By leading the lighting of the Monumental Offering, Clara Brugada Molina not only honors those who have passed but also reinforces the message that traditions like this deserve recognition and celebration. This involvement encourages community participation, inspires pride in cultural heritage, and attracts tourism, fostering an atmosphere where traditions can thrive and evolve.
Interviewer: That’s a fascinating insight—it’s truly a grand fusion of art, memory, and community spirit! As we see more modern adaptations of the Day of the Dead, do you think they change the original meanings of the rituals?
Dr. Ruiz: Change is an inherent part of culture. While some modern interpretations may stray from traditional practices, they often provide new opportunities for interpretation and connection. For instance, when contemporary artists incorporate new materials or influences, they’re expressing personal stories while remaining linked to ancestral roots. The essence of the Day of the Dead—honoring those who have passed—is preserved, but its manifestations can be refreshingly diverse.
Interviewer: It sounds like the Day of the Dead continues to evolve, keeping it vital and relevant for new generations. As we wrap up, what would you say to someone experiencing the Day of the Dead for the first time?
Dr. Ruiz: I would encourage them to embrace the experience with an open heart and mind. Participate in the rituals, respect the altars, and engage with the stories being told. It’s a celebration that honors both the past and present—a unique chance to reflect on life, share memories, and celebrate love and loss. Remember, it’s not just about mourning; it’s about honoring the joyous moments shared with those who have departed.
Interviewer: Thank you, Dr. Ruiz, for sharing your insights into this beautiful and complex celebration. Your words inspire us to appreciate the deeper connections we have between the living and the dead.
Dr. Ruiz: Thank you! It’s been a joy discussing this profound celebration with you.
Interviewer: And thank you to our audience for joining us today. We hope this discussion encourages you to explore the essence of the Day of the Dead and perhaps even partake in its vibrant festivities!