Dyk: I have an old soul. Sometimes it seems to me that young people close themselves into hyper-correctness

by times news cr

He became famous as the frontman of the group Nightwork, but ‍in recent years he has been performing with the DYK project. At the end of November,⁤ Vojtěch Dyk will play with the band in ‌the largest Czech hall, Prague’s‍ O2 arena. However, he also looks beyond the borders. “You play with⁢ a band for a year and a⁢ half and you are ⁢able to make the biggest hall.⁣ The Czech Republic⁤ is very small, which ⁢leads to a stereotype,”⁢ he says. In⁤ the interview, he also talks about the truth, the ⁣relationship with technology and rap.

Even before the concert‍ planned for November 27, actor⁣ and singer Vojtěch Dyk released a new song with the DYK project. It’s called The Army of Love and it’s about the⁤ relationship between truth and lies ‍at a time when we’re inundated with ⁣a‍ lot of information and it can ⁢be hard ⁢to tell which ones are trustworthy. ⁢”They come⁤ and lie to our faces ​/ They​ lie ⁤from the places I already know,” ⁢he sings⁤ here. In the accompanying video clip, he⁣ appears⁤ as ‌a sneaky ‌presenter of TV news as well as its consumer.

He admits that he gets lost in what is true and what is not on​ a regular basis every day. “I try not to watch the news too much, but when I do, I have to share everything more ⁤than before. To tell myself that it’s‌ just some point‍ of view, to⁢ give‍ myself more time and go through the ​information thoroughly. In⁣ the song, I‌ try to suggest that the truth is ultimately best told by‍ intuition,” he believes.

At the same time, he feels that there is an effort in society to ⁣divide people and‌ attract⁤ them to their‍ side of opinion. “That scares‍ me a little, on the contrary, ‌I try⁤ to connect people with my art,” ​he says. “Even if the other person has a completely different opinion, we ⁣can respect him. The ⁤subtitle⁣ of the‌ upcoming concert also refers to this – ‍We are one ⁢tribe. It seems to me that we are increasingly⁤ crumbling into smaller and ⁤smaller factions that ‌do not ‍respect​ each other,” he continues. At the same​ time, he is convinced ⁢that the artist should express himself primarily through⁢ creation, so that he ⁤”does‌ not lose his secret”.

Distrust of⁢ the ‍world of information and technology leads the musician more to nature‍ and ‌himself.⁣ “A society that needs to create artificial intelligence and arm it with nuclear warheads ⁣causes me to‌ build a bubble ⁤in‍ which I don’t‍ deal‍ with these topics at all. I also go to nature more often, I just ⁣came back from the cottage today,” ⁢he says. “There⁣ are⁣ trees, friends, respect, love and music in my bubble. Paradoxically, it leads me to ‌have more confidence in myself,” he adds.

In addition to ⁣information, Dyk is also​ wary of the technologies that spread it. After all, even ‌at the beginning of the interview, which took place in the form of a video call, he mentions that he ⁢does not like​ this type of contact. “I always prefer a‌ live meeting, I get to know⁣ each other, shake hands. ⁤I don’t even know⁤ if you’re really talking to ⁢me, if you’re not part‍ of‌ an​ artificial intelligence,” he says in exaggeration. But the‌ period before the​ concert is hectic for him, so he sometimes chooses the option of remote contact.

In the same way, in his ⁣music, he⁢ does not resist technological gadgets, if⁣ it is for the good of the ⁤cause. In the O2 arena,​ for example, he will⁢ use 3D sound ‍technology for the ⁣first‍ time. “As a result, it will sound much ​more natural. If there is a 2D sound coming from two ‘banana’ boxes at a concert, the sound engineer only has a chance to⁣ increase or decrease it. 3D sound, ⁣however, sounds as if the musicians are playing acoustically, even though it’s very loud. As a⁣ result, it’s more ⁢natural,” he explains. For the first time‍ in the ‌Libeň⁢ hall, they will also​ perform with complete scenography, dancers and a visual show.

A small Czech pond

At the same time,​ the big concert motivates him⁢ to move on. “You play with a band for a year⁤ and⁤ a⁣ half and you are able to make the biggest hall.⁣ The next target ⁢could be Eden, in⁤ my‍ case more like Letná, because I’m a Spartan. ‌But it’s still a stereotype and⁢ I don’t‍ like it. The Czech Republic ​is very small. I can either⁢ create a Czech repertoire⁢ and

Convincing people with your talent is ​the most beautiful thing about music. Here, my face is already dull, so ​I only‍ have this opportunity abroad,” he adds.

That is why he called his group DYK so that ⁤the name could be used in several languages. ⁢So ‌far, he has managed to play in Berlin, for example. “And it was great.⁣ A ‌number of foreign projects performed there, including a gospel choir. I come from gospel music, I love‍ black‌ music, and they reacted well to it, ⁢applauded, ⁣danced. It was a signal to me ⁤that⁤ even I, as a Central European white I’m able ⁣to do it somewhat acceptably,” he ⁢says.

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At ⁣the same time, he ⁤mentions that⁢ with his repertoire inspired by African-American music, he sometimes has to convince Czech listeners ‍a little. “It’s difficult because we don’t have that rhythm in ‍us. On the other hand, I’ve never failed to convince people at⁤ a concert,” he says. He also observes how the ⁢centre⁣ of gravity of mainstream music is shifting. “Seventeen-year-old​ girls used to go ​to Nightwork, now they go to Calin and Viktor Sheen,”‌ he mentions, noting that rap used‍ to be separate from the mainstream,⁢ but now it’s part of ⁤the mainstream. Dyk himself prefers older rap, for example PSH.

After all, as he mentions, ⁢he ⁢is ⁢said to have an old soul. “On the other hand, I still⁤ feel like such an‍ immature child. I understand both twenty-year-olds and sixty-year-olds, but we must not come⁤ across‌ something that borders on my life experience,” he explains. “Sometimes​ I feel ⁢that younger people,‍ in ‌their twenties, push themselves into ‌a hyper-correct world. I don’t understand that at all,” he adds.

According to him, the success of ​the piece lies, among other things, in the ⁤fact that it speaks to the audience in a ​language that is close to them and to which they can connect. And he is not the only one who thinks like ⁤this on the Czech scene in ‌recent years. The band Monkey ⁢Business or a lot of young musicians from the alternative scene have ‌recently ⁤switched to Czech. “At least⁢ my⁢ audience can’t quite handle the lyrics in English. Maybe the energy of the given ​song or the ⁢whole concert breathes on ‌them, but only with ‍Czech can they really identify,” says Vojtěch Dyk.

It is said that he personally doesn’t care what language he sings ⁣in;⁢ it is simply ​a means ⁣of communication. It ⁢also doesn’t matter‍ to him whether⁢ he plays for a chamber audience or in a large hall. “I’m all about people connecting,⁤ whether ​it’s somewhere ‌in ‍a garage or ​in the O2‍ arena.⁢ Big stages are not for everyone, it’s a specific kind of‍ communication with the​ audience. But we’ll do everything to be as close to‍ the listeners’ hearts as possible ,” beckons to perform.

Video: Raking people. I don’t trust the psychopaths who lead⁣ us, says Dyk (June 12, 2023)

“It doesn’t do me any good to be on a⁣ smartphone for a long time,” actor and musician Vojtěch Dyk said in the Spotlight ⁢program ⁣last ​year. | Video: ⁤Jakub Zuzánek

What are Vojtěch​ Dyk’s views on the evolution ​of mainstream music genres like rap in Czech culture?

It appears that you’ve shared a passage from an article along with a series​ of repeated and malformed⁢ URLs.‍ The content of the passage discusses Vojtěch Dyk, a Czech ‌musician, and his thoughts‍ on the changing landscape of​ mainstream music, particularly how genres ‍like rap have become ‍more integrated into​ mainstream culture. Dyk‍ also reflects on‍ his connection to his audience and⁢ the challenges he ⁢faces in communicating his musical⁢ style ⁣influenced by ⁤African-American music ​to‌ Czech listeners.

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