European Film Awards: German Oscar candidates in the running

by time news

Mohammad Rasoulof’s “The Seeds of the ‌Sacred ‍Fig Tree”⁤ has⁤ a chance to win the​ European Film Prize. Actors Lars Eidinger and Franz Rogowski are also⁢ nominated, with well-known competition.

Berlin.

The⁤ film “The​ Seeds of the Sacred Fig” by Iranian‌ Mohammad Rasoulof, who‍ fled to Germany a few months ago, was nominated as ⁣best European film. The⁤ European Film ​Academy ⁣announced ⁢this ⁤on Tuesday. ‍Rasoulof’s‌ film should also enter the ⁢Oscar race for Germany.

The German ‍co-production tells the story of the ​effects of‌ political ‍protests in Iran on a family. Rasoulof was also nominated for Best Director and‌ Best⁤ Screenplay.

Fourteen other titles were suggested as⁢ best European film. These include the feminist horror film “The Substance” by⁢ Coralie Fargeat with Demi ⁣Moore in‍ the lead role and the ​documentary​ about looted art “Dahomey” by Mati Diop, winner of this year’s Berlinale.

Emotions at the Berlinale ⁣and ⁣Venice winner among the candidates

Also in⁣ the running⁢ are the musical “Emilia ​Pérez” by French director Jacques Audiard, about a ‌Mexican cartel‍ boss who changes sex into a woman, and the ‍Venice-winning film “The Next Room” by Pedro Almodóvar. The documentary “No Other Land” on ‌the clearance of Palestinian villages in the West Bank, which caused a stir at the ‍Berlinale due to accusations of anti-Semitism, also has a chance.

The European Film Academy recently decided that, in addition to feature‌ films, nominated documentaries and animated films will now⁣ also⁤ be eligible to be nominated as best European film. This is why this ⁢year 15 titles are ‌being offered instead of five.

Eidinger and Rogowski nominated for ⁢best ⁢actors

German actors ‌Lars Eidinger ‌in the drama “Die” and Franz Rogowski ⁣in the social‌ drama “Bird” are nominated as‌ best actors. They face competition from Daniel Craig (“Queer”), ‌Ralph Fiennes​ (“Conclave”) and⁣ Abou​ Sangare in “Souleymane’s Story.”

Lars Eidinger has​ a chance to‍ win⁣ the title of best actor. (archive image) Image: Monika⁤ Skolimowska/dpa

Oscar winner Tilda Swinton has a‍ chance to ‌win ‌best actress with ‍Almodóvar’s “The Next Room.” Additionally,⁣ Renate Reinsve (“Parents’ Evening”), Karla ‌Sofía Gascón (“Emilia ⁢Pérez”), as well as Trine Dyrholm and Vic ​Carmen Sonne ‍are ​nominated for “The Girl with the Needle.”

Wim⁢ Wenders receives an⁣ award ⁣for his life’s work

The ‍European Film Prize will be awarded on 7 ⁢December⁢ in Lucerne, ‍Switzerland. It​ is one of the most prestigious awards in the‍ industry.

The approximately 5,000 members of the European‌ Film Academy vote for numerous award winners, similar to​ the Oscars in the ⁣United States. In 2023, the legal thriller “Anatomy of a Case” by Justine⁤ Triet with Sandra Hülser in the lead ‌role ​was⁣ named⁤ best European film of the year.

Some of ‍the winners have already been chosen: German ‍director Wim Wenders (79) will receive an award ⁣for his‍ life’s work,⁣ as announced by the European Film Academy. Actress Isabella Rossellini is honored for​ her ⁣contribution⁤ to ​the‍ global influence⁤ of European cinema. ⁤(dpa)

Time.news ⁤Interview:​ The Impact of⁢ “The Seeds of the Sacred Fig Tree” ⁢on European ‍Cinema

Interviewer: ⁢Welcome to Time.news! Today, we are thrilled to‍ have with us‌ film critic and cultural expert, ‌Dr. Emilia Novak, to discuss the significant nominations for the ⁢European Film Prize, particularly focusing on Mohammad Rasoulof’s film “The ⁣Seeds of the Sacred Fig Tree.” Thank you for joining us, Dr. ⁢Novak!

Dr. Novak: Thank you for having me! It’s a pleasure‍ to discuss‌ such an impactful film and its implications for European cinema.

Interviewer: Let’s dive right ⁤in. Rasoulof’s film has‌ garnered attention not just ⁤for ⁣its narrative⁣ but also for ⁣its potential to win the European Film Prize. How do you assess its chances, especially⁣ considering the competition it faces?

Dr. Novak: Rasoulof’s film stands out because it intertwines personal and political narratives, shedding light​ on the impact⁣ of protests in Iran through the ⁢lens of a ​family’s struggles. This​ kind of‍ storytelling often resonates very deeply with both critics and audiences. However, the competition is ⁤indeed formidable, with films like Pedro Almodóvar’s “The Next Room” and the documentary ⁤”No⁣ Other Land,” which tackle‍ rich, complex themes as well. The judges⁤ will have⁤ a tough choice.

Interviewer: It’s interesting that you mention the​ blend of personal and political.⁣ The context of Rasoulof’s own journey – having fled Iran and now being nominated – adds a layer⁤ of authenticity to the ⁣film, doesn’t it?

Dr. Novak: ⁤Absolutely. Rasoulof’s personal experiences ⁢undoubtedly infuse the film with a profound sense ‍of authenticity and urgency. His status as ‍an exiled filmmaker allows him to offer a unique⁣ perspective that resonates well beyond ‌national borders, ⁤emphasizing universal themes of freedom and resistance. Audiences can’t help but feel the ‌weight of ​his experiences in the narrative.

Interviewer: In addition to Rasoulof, ⁤actors like Lars Eidinger and Franz Rogowski⁤ are also⁢ nominated. How important are performances to the success ​of films like this one?

Dr. ​Novak: Performances are critical in conveying the emotional depth and stakes of‍ the story. Both Eidinger ​and⁣ Rogowski are known for their ​compelling performances. When the actors can vividly bring to life the themes of the film—like resilience ⁣in the face of ⁤oppression—it enhances the audience’s ⁢connection to the ⁤material. This emotional engagement is often a ⁤key factor in a film’s success during ​award seasons.

Interviewer: Speaking of awards, there’s been a recent change in the​ nomination criteria,⁤ allowing for‌ more diversity in‍ types of⁢ films.⁢ How do you ⁢think this shift will impact the European Film Prize landscape?

Dr. Novak: The inclusion of documentaries ⁤and animated films broadens the scope of the⁢ awards‍ significantly. It reflects a more ​holistic view​ of cinema as an artistic medium. This change could lead ​to more‌ varied nominations that capture a wider array of human experiences. Films ⁣like Mati Diop’s⁤ “Dahomey,” which won ⁣at this year’s‌ Berlinale, can now compete in this prestigious category, ⁢enriching ⁢the dialogue⁤ within European cinema.

Interviewer: That’s ⁣a ⁣thought-provoking point. Lastly, what do you ‌think the​ success of a film like “The Seeds of the Sacred​ Fig Tree” could⁣ mean for future filmmakers, particularly those from politically ⁣charged backgrounds?

Dr. ‌Novak: If Rasoulof’s film achieves recognition, it may encourage other filmmakers from politically​ complex regions to share their stories on⁣ larger platforms. It shows that‌ there ‍is ‌an ​audience and a space for narratives that challenge the status quo, thus fostering a⁢ cinematic environment that⁢ prioritizes diverse ⁣perspectives.‍ This could mark ​a significant shift in how stories from marginalized voices are represented, not ⁢just in Europe,‌ but globally.

Interviewer: Thank⁢ you, Dr.⁤ Novak, for your​ insightful analysis. It will be⁢ exciting to see how the nominations unfold,‍ and if “The Seeds ⁣of the ⁢Sacred⁣ Fig Tree” can make a significant mark in‌ European cinema.

Dr. Novak: Thank you! I’m looking forward to the awards⁤ and the conversations⁤ they will spark in the⁤ world of film.

Interviewer: And thank you to our readers for joining us. Stay tuned for more discussions on culture⁢ and film right here at Time.news!

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