‘Writer’ is the guilt of the head constable who is fighting to free the young man studying for his PhD.
Head Constable Thankaraj (Samuthirakani) has been serving in the police force for 35 years. Most of these years Writer Has spent time at work. Impeccable who does not reach out to the perpetrators or the accused. His only dream is to work for a conscientious objector to form an association for the guards. Sues for it. So he faces many problems. Angered by the inspector, he is playing ball in the name of transfer. Violations of power take place in a different way where there has been a change. Thankaraj is in a dilemma and is waiting for a smooth environment without any problems while retiring. But Kai is moved by his superiors to take a different account of time.
Devakumaran (Harikrishnan Anbudurai), a young man studying for a PhD, thinks of sacrificing himself to the tyranny of power for a mistake he did not make. Thangaraj is shocked to see this and decides to give the young man a breath of liberation. He takes great risk to save the grassroots youth from the demanding face of power.
The screenplay answers questions such as what the problem is, what Devakumaran’s background is, why the police are planning to make a sacrifice, why Thangaraj is feeling guilty, and whether the police were able to form an association.
There are two types of films about the police, its system and police officers. Are coming out. One of the films that shows him as an adventure hero to the extent of a superhero. Another is the black pages of police officers who abuse power and harass ordinary people. The film belongs to the second category. Director Franklin Jacob has spoken out against the fact that, in general, all police officers are good people in the industry, regardless of their lives, without building the image that they are bad, bad, and will do anything for power. The good and bad of the police, like two sides of the same coin, is a testament to his honesty.
In the role of Thankaraj சமுத்திரக்கனி Has given selected performances. It is safe to say that he touched the pinnacle of acting. A mouth-watering verse in campaign films, an angry comedian and a majestic police officer, he impresses with the compact acting needed for the character in this film. The body language of the police over the age of fifty, that belly, and the generation gap that keeps them away from school ugly. His self-criticism that it was his second marriage in the past cannot be dismissed. Laughing instinctively as if nothing had happened after being insulted by the inspector, longing for the younger generation, and grumbling at the first wife with guilt சமுத்திரக்கனி Stands out in the mind in multidimensional acting. She has maturely expressed all the emotions of acting in all the facial expressions.
Subramania Siva, who has proved that he can act in ‘Vadachennai’ and ‘Asuran’, shines in emotional acting. He sows the dream of a generation in words. Kavita Bharathi has beautifully copied the majesty of a police officer as well as the mannerisms of a bum. His body language is eloquent.
GM Sunder in the role of lawyer has dropped the overall experience as an assault. Both Maheshwari and Lizzie Antony did not disappoint in acting. Dileep’s performance in ‘Vathikuchi’ has given hope. Gavin J. as D.C. Babu has done a good job of annoyingly negative.
‘Western Continuity Mountain’ Antony beats the comedy sixes in the course of the film’s run. Laughing at the cops, talking in unison and carving without the slightest fear is guaranteed. He is startled by that single scene where he talks about his son.
Iniya’s character is very important. It is commendable that he has received equestrian training for the weight of the story. Bose Venkat, Muthuraman, Lawyer Lemuel, who played the gem, are also on the lookout.
Harikrishnan’s roar could not be overcome so quickly. In the performance, he shows all the symptoms that belong to an innocent young man. He has done justice to the character to the point of longing to not be left alone. You can definitely see Hari in the upcoming films. Light opportunities will line up for him.
Pradeep Kaliraja’s cinematography captures the landscapes of Thiruverumbur, Thirukattupalli, Poondi and Chennai. He twists in two shots showing the stress of the cops. Govind Vasantha’s music beats feet, canal water, in whose hands the songs are going to fit the storyline. Also contribute to the density of the screenplay. The background music is a great strength to the film.
Manikandan Sivakumar’s Kathari has done the disciplinary work for the film. There is no such thing as unnecessary shots, shots.
“Every policeman who has no power is a slave … I am an old slave … you are the slave who has just arrived in Puducha … he is the only one” Stressful verses such as, “Walk with humanity” lift the image.
Films like ‘Investigation’ and ‘Jay Beam’ have blatantly portrayed the abuse of power. ‘Writer’ is another film against that kind of oppression. At the same time it deeply analyzes the problems on their side without putting the guards in a criminal cage. That is why the film gets extra importance. Franklin Jacob and Santosh Narayanan both applaud in the subtle screenplay of police station scenes, para dooty, narrating a crime, pairing cases, the agility to withdraw a complaint in a jewelry theft case, and how to reduce the number of crimes.
While there is no denying that there is a problem with Devakumaran’s character creation. Devakumaran Annan knows nothing. The annoyance is that the young man studying for his PhD will be ignorant without any understanding of how the police are approaching the subject and he is nowhere to be seen alert. In fact Ramkumar could not help but remember the incident. At the end of Samuthirakani, the cinematography is overflowing.
The director uncompromisingly recorded in the first film, exposing the extent to which caste is a source of abomination in the course of power. Franklin Jacob Stands tall. Tamil cinema welcomes him with open arms.
Let there be many films in Tamil cinema with the help of ‘Writers’ to save the sons of God from guilt and to save the next generations of Xaviers.
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