German actress Karin Baal dies at the age of 84

by time news

“She shaped a ⁤generation and will‍ never‌ be forgotten. ​”It ⁤is tearing⁤ a big hole – not only in our family,but in berlin and all of⁣ Germany,” said Therese Lohner and Thomas‍ Baal,children of the actress. She has appeared in‍ many films and⁣ series.For ⁢example in ⁤the ⁣productions “The Girl Rosemarie” (1958) about the murder of the prostitute Rosemarie Nitribitt,⁢ “The Juvenile Judge” (1960) and “the Young ⁣Sinner” (1960).

Her female character in “The Half-Strongs” is still⁢ captivating today. She played her sissy – “with an upsilon like Romy”, as one scene says – boldly and‍ confidently. There is ‌a great dance scene with Horst Buchholz as Freddy. They are black ⁢and white photos where women are‌ called “Miss”‌ and people⁢ order “Coca” in a cafe.

over the course of the film, the character of Baal showed that he was cunning and violent. ⁢When they​ attack ⁣a man, freddy decides to let him have his jewelry. “Why?” asks Sissy. “It’s his ⁤mother’s,” he cried. “What then!” says Sissy. she is the one who picks up the gun and ⁣shoots.A rarely seen ‍sight. Baal was chosen from hundreds of applicants for the role. She was still a teenager at the time and her name was Karin‌ Blauermel. For a long time, Baal could not ⁤get rid of the image of the⁢ femme fatale that had been⁣ built up among young people.

The “Stuttgarter Nachrichten” once called her “the ugly blonde ‌poison of the ‍German pea soup cinema”, and she was later picked ⁢up by the ​New German Film.She appeared in “Berlin Alexanderplatz”, “Lili Marleen” and “Lola” for Rainer Werner Fassbinder. She ​worked with Reinhard‌ Hauff, Margarethe von Trotta and Wim‍ Wenders.

Baal ​performed regularly in the theater and appeared in​ a television series. ⁤She was seen in “Liebling⁢ kreuzberg”, “The Black ‍Forest Clinic” and “Praxis Bülowbogen”. And in the films of Edgar Wallace. Baal also had repeated ⁤crises and low blows. Two marriages – including the one with ⁣austrian actor ⁣helmuth Lohner – failed, and her third husband died of cancer.His death sent her into depression and alcoholism. In 2000⁤ she married‌ the kurdish actor‍ Cevdet Celik, who ⁢was ⁤30 years her junior and was‍ under threat of deportation. The relationship fell apart.

In 2018 she ​was honored for her‌ life’s work with the inaugural George Götz ‌Award.The‌ Götz George Foundation honored Baal as “a great actress and​ an admirable woman.” It was said at the time that she opened up to her characters with a pleasing devotion and‍ thereby ⁤made even the finest nuances of her wide range of emotions visible.

This can also be seen in “the Half-Bloods”.⁤ The film ⁢is also an examination of the young people who grew up in Berlin after the war. “Most young people have nothing to do with what teenagers look ⁣like,” he says in the film’s ‍opening credits. “But the elite stand out, and that’s why people talk about them.” The film should also serve as ⁤a warning “to all young people who are at risk of going ⁢astray.” It is‌ still worth seeing today. Also⁤ as of Karin Baal.

In pictures in recent ​years, Baal has been ‍seen in a wheelchair. But even though she thought several times during her old age about moving to ‌Vienna to be ​with her daughter,‌ the actress lived in Berlin until the ‍end, as her daughter Therese Lohner said. “She liked Berlin⁣ too much and wanted to stay in her beloved Charlottenburg.”

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