Friday 15 November 2024 - Ticket Office
A supposedly successful start, but without too much enthusiasm, however Game Gladiator 2which raised 470 thousand euros and brought 60 thousand spectators to the cinema, remained on the podium The boy with the pink pants with 124 thousand euros and 1.7 million, he completes the podium Juror Number 2which opens with € 74,000 and 11 thousand spectators. It keeps up Parthenopewhich completes another 54 thousand euros and rises to 6.5 million, the fifth best gross of the season. Terrible 3 he receives another 44 thousand euros and rises to 3.1 million, Berlinguer – The great ambition He receives 40 thousand euros and rises to 2.6 million, still a great number for The Substance which is close to 40 thousand euros and rises to 1.9 million. Queued Red head he receives 38 thousand euros and rises to almost 1.2 million, Venom - The Last Dance it stops at 20 thousand euros and 6.9 million (slightly exceeded The Boy and the Fairy Tale in the annual solar ranking), Interstellar receives 17 thousand euros and rises to a total of 928 thousand.
He returns on the 18th Pulp Fictioncon naughty e Everest Quest Gamethey will be in theaters on the 19th Pissarro – Father of Impressionism e Dear Mother. On the 20th they reach the room Wanted e Souls Unboltedon the 21st there is a nice big group that includes The Beast, Naples – New York, Modi – Three days on the wings of madness, Group therapy, Le déluge – the last days of Marie Antoinette, Read Lolita in Tehran, Bad news, Stella is in love, Country against, Once there was an Italian beat. The 22nd comes Here’s Another Place – Really Holes23 Gli Smei and the Smufi & Bigio Randagio.
WORLD/USA
Venom – The Last Dance more than 400 million global dollars, but it will hardly be able to enter the top ten worldwide, given that tenth place, which is currently occupied by Beetlejuice Beetlejuice50 million is away. The film’s performance in China is still excellent, where it should close at around 95 million, just below the American payouts, currently around 120 million. Meanwhile, analysts estimate the gross of the first global weekend at 80-90 million dollars Game Gladiator 2not coming to America until next week. The title is released in more than sixty markets, including all the most important ones except China and the USA.
Relatively calm for local stocks in the various international markets, except for a few interesting exceptions. In France it is noticed Mr. Aznavourwritten and directed by Mehdi Idir and Grand Corps Malade, which crossed the $10 million mark in three weeks. In Germany good numbers for Old white man by Simon Verhoeven, which surpassed 4 million in two weeks. Among the smaller markets, it is worth mentioning NR. 24 by John Andreas Andersen, first in Norway for almost 2 million.
Italy Box Office Thursday 14 November 2024
1. Game Gladiator 2470.933 euros
2. The boy with the pink pantsEuro 124.341
3. Juror Number 2Euro 74.801
4. ParthenopeEuro: 54.249
5. Terrible 3Euro 44.609
6. Berlinguer – The great ambitionEuro: 40.433
7. The SubstanceEuro: 39.399
8. One RedEuro: 38.552
9. Venom - The Last DanceEuro: 20.064
10. InterstellarEuro 17.541
How do films with niche appeal perform compared to mainstream blockbusters?
Interview: The Box Office Buzz – A Conversation with Film Industry Expert Dr. Anna Belloni
Time.news Editor (TNE): Good afternoon, everyone! Today we’re diving into the recent trends in the film industry with Dr. Anna Belloni, a renowned film industry analyst and historian. Anna, it’s great to have you with us.
Dr. Anna Belloni (AB): Thank you for having me. It’s always exciting to discuss the ever-evolving world of cinema!
TNE: Let’s start with the box office numbers from last weekend. Game Gladiator 2 was a significant contender, pulling in €470,000 with 60,000 spectators. What’s your take on its performance?
AB: While that’s certainly an impressive opening, it seems to lack the enthusiasm we’ve seen with other blockbusters in the past. The €470,000 figure suggests it did well enough to be on the podium, but compared to other films this season, the excitement appears somewhat muted.
TNE: Indeed. What’s particularly interesting is how The Boy with the Pink Pants outperformed it, grossing €1.7 million total. Why do you think it has resonated so well with audiences?
AB: The Boy with the Pink Pants captures a unique narrative that resonates with a broad audience. Furthermore, it likely benefited from positive word-of-mouth marketing and possibly a well-structured release strategy. When a film connects emotionally, it can often lead to better longevity at the box office.
TNE: Moving down the podium, we have Juror Number 2, opening with €74,000. It seems intriguing for a film that’s clocking in at such a lower figure.
AB: Absolutely. It suggests a niche appeal, which can be quite effective for certain projects. It’s worth noting that films tailored to specific demographics can sometimes yield better audience engagement over time, even if their initial numbers aren’t as high.
TNE: With Parthenope reaching a total of €6.5 million, it has secured its place as the fifth highest grossing film of the season. How do you interpret its continuous success?
AB: Parthenope seems to have struck a chord not just at the box office, but culturally as well. Its themes or storytelling approach may have kept audiences engaged long after its initial release. When a film continues to perform well, it often signifies a deeper connection with audiences, potentially driven by its message or character relatability.
TNE: Shifting our focus to upcoming releases, how do you think the lineup, including titles like Pulp Fiction and Dear Mother, will impact the box office landscape in the upcoming weeks?
AB: Classics like Pulp Fiction often rekindle nostalgia, which can attract diverse audiences ranging from new viewers to long-time fans. Moreover, new titles like Dear Mother bring fresh content into the mix, creating varied options for theaters. This mix is essential for the health of the industry as it invites both traditional cinema-goers and new audiences.
TNE: Lastly, Venom: The Last Dance has surpassed the $400 million mark globally, but it seems unlikely to crack the top ten for worldwide earnings. What factors could influence its overall performance?
AB: Venom has a strong fanbase and performs incredibly well in markets like the U.S., but factors like competition from other blockbuster releases, audience fatigue with sequels, and critical reception can all play significant roles. It’s also about marketing – how well the film can sustain its momentum against upcoming releases makes a big difference.
TNE: Thank you, Anna! Your insights are invaluable as we navigate through the current trends in cinema. We look forward to hearing more from you as the season progresses!
AB: Thank you for having me! I’m excited to see how the landscape looks in the coming weeks.