Hazel Brugger freezes in front of Angela Merkel: Where has the queen of repartee gone?

by time news

Angela Merkel and Hazel⁣ Brugger spoke for an hour ​about the memories of ​the former Chancellor.

picture:
YouTube screen

Former Chancellor Angela Merkel answers questions from Hazel Brugger.​ And then what is expected of hardly‌ anyone happens: the comedian is robbed of his repartee​ from⁤ the first second.

No ‍time? Blue News summary ​for you

  • Hazel Brugger ‍was able ‌to talk to former Chancellor ‍Angela ⁤Merkel⁢ for an hour about​ her memories.
  • Who wouldn’t say‌ yes to‌ a request like that? It’s ‌just stupid that the comedian stole his repartee from‍ the ⁢first second.
  • The brilliant Brugger is clearly‍ having a hard time with Merkel⁢ during the conversation. It seems almost as if she has allowed herself to be ⁢infected by their wood.

Hazel Brugger lives fast. She is just 30 years old​ and is already a mother ​of ⁢two, ⁤a home owner, a company boss, a successful podcaster and a ⁢regular guest on big ‍shows. But above ‌all ‍she has one thing: still awake.‍ The new solo show ‌of the ‌undisputed queen⁤ of ‌repartee.

This is the description of Brugger’s ⁢stage ⁣show “Still awake”, which⁣ the 30-year-old comedian is currently performing in front of almost always ⁤sold-out ⁢halls.

Despite‌ a ‌packed agenda, ⁢Brugger found an hour for Angela‍ Merkel. The Swiss-born German was allowed to interview Merkel. ⁤Who​ wouldn’t say yes to that? It’s just stupid that the comedian ⁤stole his ‍repartee from the first‌ second.

The comedian freezes in front⁤ of⁣ the former chancellor

But let’s start from the beginning: The former ‍chancellor ‌has published her memoirs. 736 pages in total. Because ⁤”you cannot leave the interpretation of your​ own history to ⁤others,” says Angela Merkel.

During the ​conversation with comedian Hazel⁣ Brugger, the chancellor’s memory immediately comes back as the “Merkel feeling”. You⁣ know her, after 16 years as Chancellor.

At the same time,‍ from the first second of the ⁤interview it is noticeable how the comedian freezes in⁤ front of the‌ former chancellor.⁤ It takes forever for Brugger to get out of this disturbed state and find her way back to‌ her loving cheek.

You need to know that the video⁣ is a ‌production of the publisher Kiepenheuer & Witsch, the⁣ publisher of Merkel’s memoirs. It’s advertising.

“The Merkel-Brugger interview is unpleasant”

Ar X comments on a user named Lene: “The Merkel-Brugger interview is extremely unpleasant have any of you ‌watched it and if so, what did you think?”

The “Tages-Anzeiger” even writes about fiasco. ‍And further: “Indeed, the Swiss woman ​seems almost transformed in Merkel’s conversation:⁣ you have never​ seen the exceptional 30-year-old comedian so serious and at ⁢the‌ same time insecure about punch lines.”

People who know her better‌ say that Angela ​Merkel ⁤is funny and very ‍entertaining in her private⁤ life. However, this was ‌rarely seen ‌in his public ‍role. Even ⁤during ⁢the⁣ conversation with Hazel Brugger there ⁢is hardly anything to laugh about.

Heavens, where has the queen of repartee gone?

The brilliant Brugger has⁤ a hard time with Merkel

The former chancellor expressly wanted the ⁤comedian to be his interviewer. It is clear that the Brugger is ‍great in‍ dealing with ⁣the brittle Merkel.‌ It seems almost as⁣ if she has infected her wood.

And that, though Hazel Brugger ‌refers to⁣ X He ‍has not held back on⁢ comments about Angela Merkel in⁢ the past:

The interview between the two women‍ is more ⁢shocking to some people:

“Anyone who is upset about Miosga and Habeck ‍has seen the interview with Merkel and Hazel‌ Brugger. He⁤ has⁣ a bit of Putin ⁤and Tucker Carlson,” ‍writes Sozlib ​user on X.

But it⁢ is‌ also a fact that there is no more criticism to‍ be found⁤ in the media than on ⁤the ​Internet. The ​vast majority do not want to know about Merkel’s contempt for Brugger.

Anyone who reads Hazel Brugger’s Instagram account will find almost ‌exclusively enthusiastic comments:

«Can you two start with ⁤a weekly talk ⁣format please? ⁤I love it!”

«In every way, Joe Rogan is the exact‍ opposite of Donald Trump.⁤ (For those who aren’t sure: That’s a suggestion.) »

“Omg​ Mama1 ⁤meets Mama2”

The word “mom” ‌did ​Merkel more good than harm

Well, Angela ‍Merkel has been⁢ stuck with ⁣the ‌M word joke⁤ for years. In ⁢reality, however, the ⁣former chancellor took advantage of it. The ⁢word “mom” did more good than harm to the CDU politician.

Because the elements of the mom‍ metaphor cover her weaknesses. Or so «Süddeutsche ‌Zeitung» writes:

“Merkel has ⁣let the disparaging “mom”⁢ label work for her, just as she has managed ⁤to turn many of her apparent weaknesses into strengths – her cork rhetoric ‍into authenticity, ‍the strange colors‌ of‌ her pants a ⁢distinctive ‍feature, her diamond shape his lack of physical ‌rest ‍into a single⁣ Trademark.”

And on top ⁢of that: ‌”Merkel has managed to ensure that even a short GIF of her shocked facial expression at ⁢a carnival session‌ calls for positive‌ recognition.”

Mum or not: Angela Merkel is ambitious and hungry.‌ Otherwise the woman would not have been this far and⁤ she would not‌ have been chancellor for 16 years.

Or as the main interviewer Decca Aitkenhead​ from ‍The Sunday ‍Times description of:

Angela‌ Merkel, for her part, is​ too ⁢broken to go to a stupid level, claims the “Tages-Anzeiger” now in its criticism of ‍the conversation between Angela Merkel and Hazel Brugger.

And this only proves that he completely misjudges the ‌life ​achievements​ of comedian Hazel Brugger.‍ “Switzerland’s baddest woman” has ‌never been “forever”, so she is ⁤definitely⁤ not ‌on ⁤stage. She ⁣is much⁣ more ‌the queen of repartee.

Being able to improvise something on demand that is not only funny but⁤ also has depth – it’s a great ​art. Hazel Brugger ​is really cool about it.

Why ‌do the ⁤comedian’s synapses shift so quickly and sometimes disappear into such remote regions of anarchy? I have often asked‍ myself that.

But I also asked myself why Hazel Brugger is here now Meet‍ & Greet ⁣act⁢ like a besieged ⁢fan with Angela Merkel: Jesus Christ, where has ​the repartee queen‌ gone?

More videos from⁣ the Department

Bötschi asks ⁢Daniel Rohr: “I want to die without an audience.”

Daniel Rohr is a jack of all trades. He is a theater director. He is an actor. He is a director. And he ⁣works as an usher. A conversation‍ about life on and off stage, love for his wife -‍ and‌ death.

31.10.2024

How ​does‌ Angela Merkel’s public persona affect her interactions with⁢ comedians like Hazel Brugger?

E is capable of engaging in ​serious conversation while also wielding humor. The​ tension in the interview ‍highlights the stark contrast between Merkel’s serious ‌public persona and Brugger’s typically playful comedic style.

Critics argue that​ the‌ interview fell flat ⁤due to Merkel’s reserved demeanor and Brugger’s evident discomfort⁢ in the situation. This dynamic has raised questions⁣ about ⁢how‌ public ‌figures manage their image and the type of interaction that can be expected when they step outside their normal ⁢roles. As much ​as ‍audiences may yearn for lighthearted banter, the weight of Merkel’s ⁤political⁣ legacy inevitably looms large, proving to be a difficult backdrop for comedic exchanges.

Ultimately, the interview ⁣serves ‌as a fascinating case study‍ in how humor ‍can both⁣ bridge and widen the gap between two differing ‍worlds—politics ‌and comedy. While some ​viewers found the conversation lacking, others‍ appreciated the rare glimpse into Merkel’s⁤ more⁢ complex character, suggesting that ⁣perhaps ‍even the most serious politicians have moments of vulnerability that can⁣ resonate​ deeply, albeit in unexpected ways.

the interview ‌between‍ Angela Merkel and Hazel Brugger ⁢may have sparked intense reactions, but it also highlights the challenges of blending⁢ humor with serious dialog. ⁣Both figures, in their own right, leave ⁢a ⁤notable mark on their fields; their interaction—imperfect as​ it may have seemed—offers ​valuable insights into how‌ we ‍engage with public personalities ‍in our ever-evolving cultural landscape.

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