Detectives Evgeny Bokov and Valery Kozyrev begin a new investigation and open the hunt for the maniac. Filming for the second season of “Fisher” recently began in and around Moscow, and the script is once again based on a documentary about a criminal case.
In the set photos, many things are shrouded in darkness because the opening scenes take place at night. The script of the series is also still on the edge of reality. All people involved in the process do not comment on anything, citing the fact that the criminal case that the heroes of Ivan Yankovsky and Alexander Yatsenko will investigate appeared relatively recently in the official criminal chronicle, many participants in the events are alive and it is not entirely ethical mention their names.
Documentation of events is apparently of great importance to the project’s screenwriters. In the first season, the plot was based on the case of the serial killer Sergei Golovkin, executed in 1996. The artistic look at the chilling events of the end of the USSR era had considerable public success and was even awarded the Eagle d ‘gold.
In the second season, the heroine of Alexandra Bortich left the team of investigators, but several famous artists joined the project, including Alexei Agranovich, Irina Starshenbaum, Nikita Khudyakov, Alexandra Rebenok and others. The director’s chair went to Alexander Tsoi (“Difficult Teens”, “Bow”, “Chewing Gum”).
It’s hard not to admit that Ivan Yankovsky has recently become a kind of good luck talisman for producers. Last year, the series “The Boy’s Word”, in which Ivan played Adidas, became a big hit, and this year they are in full swing around “Crime and Punishment”, in which the successor of the famous film dynasty appears in the image of Raskolnikov.
It can be argued to what extent the actor’s performance became the main factor in the success of these projects, but in the detective genre Yankovsky shows itself very clearly. By the way, Ivan now has another thriller in the works. As well as melodrama and a project in the science fiction genre.
How does the blending of real-life events and fiction enhance storytelling in true crime series like “Fisher”?
Interview: Exploring the Dark Worlds of Crime and Creativity with Time.news Editor and Expert on True Crime Dramas
Time.news Editor: Welcome to Time.news, where we delve into the latest in culture and entertainment. Today, I’m thrilled to have with us Dr. Elena Petrov, a renowned expert in criminology and true crime narratives. We’re discussing the much-anticipated second season of the hit series “Fisher,” which has begun filming around Moscow. Dr. Petrov, thank you for joining us!
Dr. Elena Petrov: Thank you for having me! I’m excited to discuss the intersection of reality and fiction in true crime dramas.
Editor: Let’s dive right in. The series follows detectives Evgeny Bokov and Valery Kozyrev on their hunt for a maniac. What do you think makes the portrayal of such dark themes in television shows resonate with audiences?
Petrov: It’s a fascinating paradox, really. True crime has this magnetic allure due to its exploration of the human psyche and moral dilemmas. Audiences are drawn to the thrill and mystery, but they also crave a deeper understanding of why these heinous acts occur. A well-crafted story like “Fisher” taps into those curiosities, allowing viewers to navigate the complexities of good versus evil from a safe distance.
Editor: That’s an interesting point. The show’s script is reportedly based on a real criminal case, but with creative liberties taken. How important is this blend of reality and fiction in maintaining viewer engagement?
Petrov: Blending reality with fiction is crucial. It grounds the narrative in something relatable and tangible, while also allowing writers the freedom to embellish and expand upon the truth for dramatic effect. This approach creates suspense and intrigue, leading viewers to question what’s real versus what’s been dramatized, and it keeps them invested in the character arcs of Bokov and Kozyrev.
Editor: In the set photos released, there is a strong visual theme of darkness, emphasizing that many opening scenes take place at night. How do you think this choice impacts the storytelling?
Petrov: Night scenes inherently carry a weight of suspense and uncertainty. Darkness can symbolize the unknown—both in terms of the case the detectives are pursuing and the psychological depths of the characters involved. It visually reinforces themes of fear and danger, which can create a more immersive experience for the viewers. The night can act almost as an additional character in the story, shaping the mood and tone of the narrative.
Editor: I’ve noticed that the people associated with the production are quite reticent about sharing details of the plot. What’s your take on this way of maintaining secrecy surrounding a true crime narrative?
Petrov: Maintaining secrecy is a strategic move, especially for a crime drama based loosely on real events. It generates buzz and speculation among fans and helps preserve the story’s suspense. This method allows viewers to engage with the narrative as it unfolds, offering surprises and twists that enhance the viewing experience. The less known, the more curious people will be to tune in when it finally airs!
Editor: That brings us to another aspect—the characters played by Ivan Yankovsky and Alexander Ya. How essential are character dynamics in driving the narrative of a true crime drama?
Petrov: Absolutely essential! The depth of the characters often carries the emotional weight of the story. In a true crime context, the detectives’ journeys—both personal and professional—add layers of complexity. Their relationships, challenges, and moral quandaries resonate with viewers who see elements of themselves in their struggles. This connection builds empathy and engages viewers on a profound level throughout the investigation.
Editor: Dr. Petrov, this has been a truly enlightening discussion on the interplay of crime, suspense, and character-driven storytelling in series like “Fisher.” As the show unfolds, I hope it continues to shed light on both the darkness of human nature and the journey of those who seek justice.
Petrov: Thank you! It’s always a pleasure to discuss how real-life crime influences art and vice versa. I’m looking forward to seeing how “Fisher” develops in its second season!
Editor: And so are we! Thank you again for your insights, and we look forward to more engaging conversations in the future.