NEWS – M-Art and Visual Culture

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2024-11-01 08:00:00

NEWS

books that‍ interest us:

NEWS – M-Art and Visual Culture

Katy Deepwell, ed., De-/anti-/post-colonial feminisms in contemporary art and textile craftsEditorial, KT press, 2023. 184 pages.

The result of a series of online ⁣seminars, this collection of essays and discussions addresses theoretical issues and practices among contemporary artists,⁣ from independent teaching initiatives, to experimental films,‌ to ‍avant-garde theater ⁤and ‌craft‍ practices in rural communities and areas of conflict.

Authors: Katy ⁢Deepwell, Francoise Verges, Madina Tlostanova, Dalida Maria Benfield, Sharlene Khan, Ayanna Dozier, Shanna Ketchum, Aarti Kawlra, Neelam Raina, Fatima Hussain, Michelle Williams Gamaker, and Leslie C. Sotomayor II.

Clement

An important part of European museums have⁤ forged their collections starting from colonial dynamics and looting.​ Born to control our appearance and the⁤ way we⁢ relate to the Other, ethnographic museums accumulate thousands of artifacts⁢ torn⁢ from their places of origin and of which ⁢the identity of their original creators has been ignored. Where are we now? How to continue? Without a doubt, it is time to go back ⁣to⁣ square one, acknowledge the ⁤history and ​work with ‌it.

In this passionate story, cultural historian and curator Clémentine Deliss mixes ​the autobiographical with rigorous ⁤(and sharp)​ theses⁣ that question hegemonic cultural⁤ discourses. The Metabolic Museum tells the⁢ story of what happens when you try to transform one of these institutions – ⁣the⁣ Weltkulturen Museum⁢ in Frankfurt,⁣ of which Deliss was director – into a living⁣ organism in which contemporary thinkers and artists can ‍translate, reinterpret and contribute new‌ meanings. to everything that‌ a museum holds.

Lucía Egaña Rojas and Giuliana Racco, edited by, CULTURE IS NOT ⁤A HIGHWAY, MUSEUMS COULD BE GARDENS.
Decision ‌making and distribution of resources in the field of artistic and cultural⁤ production. ​2024. 166 pages
This book explores institutional structures, particularly related to decision-making in‍ the field ‍of cultural and artistic ⁤production and resource distribution. We examine the different axes of discrimination based on origin, race, gender,⁤ sexual orientation and disability, and try to create tools and suggestions to contribute‍ to ⁢equitable access to resources for cultural and artistic production, as‌ well as to diversify⁢ the cultural programs created

Ann Temkins, ed., Inventing the modern. Untold stories of the women‍ who⁤ shaped the Museum of Modern ⁣ArtMoMA; 2024. 384 pages.

Founded in 1929,⁣ MoMA owes much of ⁣its ⁤early success to the women who shaped the institution’s future in its first decades. As founders, patrons, curators, and directors of various departments, this essay profiles Abby Aldrich⁣ Rockefeller, Lillie P.‌ Bliss, Mary Quinn Sullivan, Margaret Scolari Barr, Ernestine Fantl, Iris Barry, Elodie Courter, Sarah Newmeyer, Dorothy‌ Miller, Dorothy⁢ Dudley, ⁤Nancy Newhall, Elizabeth Mock, Olga ⁣Guggen

Daniele Belasco,‍ Women⁣ artists in mid-century America. A story in⁣ ten​ exhibitionsReaction Books, 2024. ‌320 pages.

The ⁤analysis ‍of ten exhibitions of female artists over⁤ two decades, from the 1950s to the 1970s in the United States, not only shows the complex panorama of highly relevant female artists, subject to ⁢multiple discriminations based ‌on sex, race, etc. that elevate the role⁣ of women in the face of ‌modernity and democracy before the‌ emergence of feminist art.

The analysis of the curatorial approaches and the reactions of critics and the public ‌completes ⁢the approach to these decades in a new light.

Eleanor Heartney, Helaine Posner, ⁢Nancy Princenthal and Sue Scott, Mothers​ of invention. The feminist roots of contemporary art. Lund‌ Humphries, 2024. 1992 pages,

Starting from a radical feminist perspective to rewrite the history ⁢of contemporary art, the ⁣four ‌authors explore the genealogies of performance, abstraction, craftsmanship and ecofeminism to⁢ reveal their debts to pioneering artists, demonstrating their impact on work of ⁣artists of any genre.

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VVAA, In the wake of Linda Nochlinin Xalaparta, 2024.

The book not only traces Nochlin’s career,​ but honors ⁤it in the best way possible: continuing his legacy ⁢of questioning and challenging the status quo,​ fostering an endless trail of questions and discoveries in the field of⁢ art history. Entertainingly, it offers a fresh ⁢and necessary perspective on art history. Through an interdisciplinary lens, explore how Linda Nochlin’s legacy has evolved and ⁣continues to​ influence contemporary​ research. It is a foundational work for those interested in innovative and⁤ critical approaches within art theory. This book brings together an exceptional selection of academics and practitioners whose careers bring a unique richness to their reflections ⁤on the figure of ⁢Linda Nochlin and her impact on contemporary thought. Coming from renowned‍ universities and museum institutions, the authors ⁣gathered here not⁢ only work in​ the field of gender studies as specialists in feminism and contemporary art, but also ⁢come‍ from disciplines as diverse‍ as music, literature,⁢ curatorial and artistic practice , which enriches the contributions⁣ of this volume. His​ experiences teaching these topics further ‌broaden the scope and ⁣depth of this work. Furthermore, the dedicated work of the curators, Carmen Gaitán Salinas, Esther Romero Sáez‌ and Vanesa ​Villarejo Hervás, was essential to coordinate this multidisciplinary collaboration and ensure the quality and cohesion of ‌the final result. All⁢ are emotionally and intellectually linked to the figure of Linda Nochlin, whose influence continues to resonate⁢ in ‍the⁢ contemporary context of ​history, art and feminism.

THOUGHT

Susan ⁣Sontag, Women’sDebate, 2024,171 pages.

Susan Sontag was one of the​ most formidable, original, and influential thinkers of the last century. “The most interesting ideas are heresies,” he argued. And indeed: his writings discard the trite and⁣ refuse to follow partisan lines.

Of Women offers seven essays and discussions on‌ a wide range of issues: ⁢the challenges and ‌humiliations women face as they age; the relationship between women’s ​liberation ‌and class struggle; beauty, which Sontag calls‍ “that too heavy potion of many well-known opposites”; feminism;‌ fascism; and cinema. Taken together, these analyses, contrary​ to easy⁢ categorization, show not only her relentless curiosity, historical accuracy, and political vigor, but Sontag’s inimitable mind ‌at work.

DISCLOSURE

Janetta Rebold⁣ Benton, History of Western ArtBlume, Col. Essentials of art, 2022.⁢ 176 pages.

Inclusive art stories‍ are starting⁤ to be published.

Art and architecture,‌ from the ⁢Great Pyramids and Hagia Sophia to the works of artists such as Raphael ⁤and Faith Riggold, shape, reflect and document the culture of the time and place in ⁣which they arise.

As a secondary theme, the book focuses on the ​constant evolution of
aesthetic⁢ tastes, like a pendulum that swings between naturalism, idealism and⁤ abstraction.

Marga Sanchez Romero, Prehistories ⁣of womenDestiny, 6th ‌ed.​ 2024. 288 pages.

It is now in its sixth edition. BOOK ‍THAT REVOLUTIONIZED OUR VIEW OF WOMEN​ IN ⁤PREHISTORY. It’s time to dispel the myths and discover the essential contributions of ​our most ancient ancestors.

What role did the first⁣ women have in prehistory? Were ‌they really the ones⁤ taking care of the offspring?‍ What was motherhood ‌and raising children really like? At what point ​did women begin ‌to lose power?

Annabelle Hirsch, Women’s things. A story ⁤in 100 objectsDebate, 2024. 416 pages.

ington typewriter, a pen that belonged to Greta Garbo, a Tupperware or Hannah Arendt pin explain⁣ the evolution ⁣of the female role (and power) ‌from prehistoric societies up to Today. Things From women it dismantles everything ‍we think‌ we know⁣ about our past​ to demonstrate that, in its most unknown and domestic facets, it was as complex and fascinating as ⁣the women who populated it.

Like Frida⁤ Kahlo and Yayoi Kusama, are explored in this concise⁢ introduction to the history of ⁣Western art. Benton emphasizes the contributions of underrepresented ⁣artists and movements, aiming ‌to provide a more comprehensive understanding of art’s evolution over the centuries.⁤ This volume ⁢serves​ as a foundational resource for students and enthusiasts alike,‍ offering insights into significant periods‍ and styles‌ while addressing ​the diversity and richness of artistic expression throughout Western⁢ history.

these upcoming publications in 2024 shed light on women’s contributions to art, culture, and thought, ‍highlighting‌ the importance of equity, representation, and historical acknowledgment in these fields.

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