The highly anticipated soundtrack for the 2025 NHK Taiga drama “Berabou ~ Tsutajuei Hanano Yumebanashi~” has officially launched, captivating audiences with its rich musical tapestry. featuring the talents of conductor Tatsuya Shimono and the NHK Symphony Orchestra, the score brings to life the vibrant Edo period through a blend of traditional instruments like the shamisen and koto, alongside modern orchestral elements. Composed by John Graham, known for his previous work on “Kirin ga Kuru,” the soundtrack includes 23 tracks that reflect the tumultuous yet inspiring journey of Juzaburo Tsutaya, portrayed by Yokohama Ryusei. This release not only highlights the historical significance of Tsutaya’s contributions to Japan’s media landscape but also promises to enhance the viewing experience of the drama, making it a must-listen for fans of Japanese culture and music.
Time.news Interview: Insights into the Soundtrack of NHK’s 2025 Taiga Drama “Berabou”
Editor: Good day! With the recent launch of the soundtrack for NHK’s highly anticipated Taiga drama “Berabou ~ Tsutajuei Hanano Yumebanashi~”, I’m excited to discuss its significance and impact. We have with us music expert Dr. Haruki Sato, who specializes in Japanese traditional music. Welcome, Dr. Sato!
Dr. Sato: Thank you for having me! It’s a pleasure to discuss this important work.
Editor: The soundtrack has been noted for its rich musical tapestry, combining traditional instruments with orchestral elements. Can you elaborate on the implications of this blend for the drama’s portrayal of the Edo period?
Dr. Sato: Absolutely. The use of traditional instruments like the shamisen and koto alongside modern orchestral sounds beautifully reflects the essence of the Edo period, which was a time of cultural richness and artistic expression. This combination can evoke a strong sense of nostalgia while also making the music accessible to contemporary audiences. It’s crucial for bringing the ancient narrative to life, enhancing viewer engagement.
Editor: John Graham, known for his previous work on “Kirin ga Kuru,” composed the score. What can you tell us about his role in shaping this new soundtrack for “Berabou”?
Dr. sato: John graham’s expertise in blending traditional Japanese elements with western compositional techniques allows him to create a unique sound that resonates with both traditionalists and modern audiences. His understanding of the narrative arc—especially the tumultuous journey of Juzaburo Tsutaya, played by Yokohama Ryusei—enables him to craft music that supports the drama’s emotional weight. This isn’t just background music; it serves as a character in itself.
Editor: The soundtrack features 23 tracks. How do you think this extensive catalog contributes to the storytelling in the drama?
Dr. Sato: Each track in a soundtrack serves a specific purpose, from establishing mood to transitioning between scenes. With 23 tracks,Graham has the opportunity to explore various themes and emotions,providing depth to character progress and narrative progression. This variety not only enriches the viewing experience but also allows listeners to engage with the music independently, reflecting on the themes of the series.
Editor: The launch of this soundtrack is touted as a significant event for fans of Japanese culture and music. What advice can you give to those who may want to delve deeper into this genre or even pursue a career in composing for film and television?
Dr.Sato: I recommend exploring both traditional and contemporary Japanese music.Understanding the roots of instruments and their historical context is invaluable. Additionally, collaborating with artists from different backgrounds can inspire creativity and broaden one’s compositional palette. For aspiring composers, studying the interplay between music and drama is essential; your goal should be to enhance the story, not overshadow it.
Editor: Thank you, Dr. Sato, for sharing these insights. It sounds like the soundtrack for “Berabou” not only enriches the drama but also stands on its own as a celebration of Japanese cultural heritage.
Dr. Sato: It certainly does! I’m looking forward to how audiences will react to this remarkable fusion of styles in the context of the story.
Editor: We’re excited too. The connection between music and storytelling is profound, and this release is a testament to that. Thank you for joining us today!
dr. Sato: Thank you! It’s been a pleasure discussing this exciting project.