“One Hundred Years of Solitude”: how the long-awaited adaptation of Gabriel García Márquez’s novel was realized for Netflix

by time news

Image source, Netflix

photo caption, Laura Sofía Grueso “Akima” plays Rebeca as a young woman.

  • Author, Writng
  • Author title, BBC ⁤News World
  • December ‍11, 2024

How is a ‍novel adapted ‌for television whose characters are almost the heritage‍ of ‌the country,⁢ the faces that ⁢each of ⁢their readers has given them for almost 60 years?

This challenge – once recognized by the author of the work himself,​ the Colombian writer Gabriel García Márquez -‍ was the main challenge⁢ facing the producers ⁢behind ​the television adaptation of the novel “One Hundred ⁢Years of Solitude”, one of the works of modern teachers. Spanish.

well⁤ this Wednesday, ⁤after several years of work,⁤ audiences – many of them readers of⁢ the novel ‍- will face this version produced by the giant of the Foundation streaming Netflix.

This TV version was⁢ an expensive ⁣production that included not only⁢ the creation of a physical version of the mythical ​town of⁤ Macondo – built ⁤in a corner of southern Colombia – but also⁣ a difficult process to create the best adaptation of a story. in the collective unconscious not only of Colombia but of readers throughout Latin america (the novel has sold almost a million copies on the ⁤continent alone).

That was the fear‍ of ‌García​ Marquez ⁤himself, who refused for more than 50 years‍ to give up‌ his rights ‌to the work for a​ simple reason: “I prefer that my readers continue to imagine my characters,” he said in an interview radio in 1991.

García Márquez’s precept seemed to apply exclusively to “One Hundred Years of Solitude” and the ‌Buendía saga, as many of‌ his works were made into films during the author’s ‌lifetime,​ such as “The Colonel Doesn’t Have anyone Write to Him “​​​​(1999), “Memories of my sad whores” ⁢(2011), ⁤”Love in the time of calamity” (2007)‍ and the‍ stories “In this town there ⁣are no ‌thieves” and “Widow of ‌the Port of Montiel”, among others.

Year of the lone Ciern ⁢production

Image source,netflix

photo caption,The⁣ actor Claudio‍ Cataño plays Colonel Aureliano Buendía‌ in ⁢the series.

“Our goal was to show⁣ a very real Colombian family, for whom magical things happen.And around⁤ that,to immerse viewers in

So starting this Wednesday you⁢ will be able to watch eight programs of one hour each⁣ (there will be a second​ season⁢ and ‍eight more episodes) ‍online,where Buendía’s passage will be on television for the ⁤first time.

Gabriel​ Garcia Marquez

photo caption, Gabriel García Márquez did not want ⁤his masterpiece to be adapted to film.

adaptation process

In April 2014 the ​world learned about the death of ⁤Gabriel García Marquez in mexico. ‌A new phase then began to find out what would happen to his legacy.

Then ‌in 2019, the big news broke: the ⁢two sons of the writer, Rodrigo ​and Gonzalo García Barcha, announced that the rights to his ⁣masterpiece, “One⁣ Hundred years of Solitude,” had been sold to⁣ Netflix for adaptation.

In 1987,‌ garcía​ Marquez indicated ⁢that, although he ‌did not consider it viable to ​adapt the ⁣novel‍ to film, he believed that a series of several⁤ chapters could be ⁣produced.

“The first thing ⁣that was clear to us in the adaptation process was that literature and television are two very different languages ​​and that trying to ‍do somthing ⁣better than what ‍was already ‌in the ⁤novel was arrogant, ” says Mora.

According to local media,netflix invested nearly ​US$50 million ⁤to launch the project,including building an⁣ entire ‌town to recreate⁢ Macondo.

In addition,the customs and traditions that were common in Colombia during the 19th century and the beginning of the 20th century were thoroughly investigated,in order to achieve a recreation as close as possible ⁢to the reality ⁤of what García ‌marquez tells in his book .

But the main ‌challenge continued to attract the ⁢directors and ​producers: the faces of the ⁢main characters. What did Colonel Aureliano Buendía look ⁢like?⁤ What did Úrsula Iguarán look like?

“It is indeed very difficult to compete with our own creativity. ‌With the Buendías that each ‍of​ them ⁣have in their heads. So what we ⁢did was ‍to undertake a very difficult job in casting​ and we went all over Colombia also looking for new⁤ talents.”Mora⁢ said.

After several months of​ searching, the⁣ main characters were ⁤in the hands of a combination of experienced actors ‍and new revelations.

Claudio Cataño,from Bogotá,was ⁢Colonel ⁢Aureliano‍ Buendía as an adult. Marleyda Soto Ríos, ⁢from Cali, was called as ‍Úrsula Iguarán, and Diego Vásquez, from Ibagué, is the patriarch José Arcadio Buendía, among others.

“I think that ⁢the bet ⁣we made, to respect the novel and be fair, gave‌ us the opportunity to find actors ‌who give‍ life, relevance and soul to ⁢those ⁤characters. and I think that is⁢ one ⁢of the great achievements of the series”, said Mora

The actress plays Ursula Iguaran

Image source, Netflix

photo caption, Actors were sought ‍all over Colombia to be part of the series.

The magical ⁣realism

But it is indeed ⁤not ‍only about adapting the saga of a Colombian (or Latin American) family, but also showing that the book is full ⁢of special events such as the levitation of the priest or the shower of ‌yellow flowers when José Arcadio Buendía dies.

After⁣ more than two years of production – which continues with the⁢ recording of​ the second season – Macondo and ‌the Buendías ‍came to life …and the‌ reactions⁣ were not long in⁤ coming.

Such as, one of García Márquez’s sons, Rodrigo – who⁢ is ⁢a‍ film director and ​executive producer of the series – revealed that ‌”Gabo would be‌ watching the series, without a doubt.”

“It’s ​a different experience​ and you have to try‍ to understand it for what it is, ‌without always comparing the book; for me​ they⁢ are ⁤little sibling projects that complement each other,”⁤ he ‌said during the premiere ⁢of the series‍ this Monday ⁣in Bogotá.

The ‌first eight chapters of the Netflix production have also been⁤ similarly praised by critics.

We will find the images that have​ been in the⁢ readers’ heads for​ more than half a century: the rain of yellow flowers that announces the death of José Arcadio and the thread of blood that goes through the town until it​ reaches Úrsula’s feet to⁢ tell him that ‍his son is dead beautiful,” wrote film critic Jack Seale in the ⁢British newspaper The Guardian.

“There are enough complex wonders‍ in this series to make macondo worth revisiting,” he says.

But others were less excited about the adaptation.

“Looking at the‍ series, ​if you haven’t read the ‍book, it blocks‌ the possibility of reading the book later in a deep, rich and complex way.⁢ It dilutes it, it reduces it, it settles it.So⁤ it’s not ‌true that it brings ‘.closer to the book.

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What are ⁢the key characteristics of magical realism in García Márquez’s⁢ writing?

S ⁣magical realism, a hallmark of García ‍Márquez’s writing. The challenge for the adaptation team⁢ was to capture the​ essence of this unique narrative style within a⁤ visual ⁤medium.

Magical realism blends the ordinary‍ with ⁣the⁣ exceptional, presenting surreal⁤ elements as part of everyday‍ life.This style requires careful craftsmanship to ensure audiences can seamlessly transition between ‍the realms of reality and fantasy. The producers ‍and directors acknowledged that successfully recreating ‌these surreal⁢ events ⁤would be crucial for the series to resonate with fans of the novel.

Mora remarked‌ on the importance ⁢of authenticity in depicting⁤ Colombia’s​ rich culture and history. Each scene was designed not just to tell a story but to evoke⁢ the⁤ atmosphere that permeated garcía Márquez’s work. From the vibrant landscapes to the intricate customs, the adaptation sought ‍to honor ​the author’s intent while⁢ engaging a new audience.

Moreover, the series also aimed to explore the themes present in the novel—love, solitude, and‍ the cyclical nature⁤ of time.‌ “We wanted ⁣to create ⁤a series that was not only visually stunning but also ⁤emotionally impactful,” ⁢added Mora. ‍”The goal is to maintain the integrity of the original while making it⁢ accessible for both long-time readers‌ and those unfamiliar with the story.”

With its blend of ⁣creative ⁤vision⁣ and⁤ respect for the source material,​ the adaptation of “One Hundred years of Solitude” is poised to be a landmark project that could introduce García Márquez’s timeless themes to a​ global ⁣audience, thereby extending his legacy far⁢ beyond the pages of⁤ his books. The excitement surrounding this ‌adaptation reflects the enduring impact of García Márquez’s storytelling and⁣ the timeless relevance of his narratives.

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