2024-10-22 22:37:00
In the Hall of the South Wind we experience the premiere of the work of Piermario Salerno God never dieswithin the planning of FestSeville International Festival of Performing Arts.
Personal work in which Piermario offers a vision of the different passages of the <a href="http://www.time.news/the-nation-in-israelvisit-israel-milei-cried-at-the-wailing-wall-at-the-beginning-of-a-trip-with-high-political-contentby-elisabetta-pique/" title="THE NATION IN ISRAELVisit Israel. Milei cried at the Wailing Wall, at the beginning of a trip with high political contentBy Elisabetta Piqué”>Bible that talk about it birth of the people of Israel. Particularly moving is the passage in which it represents the struggle of David against Goliath. The holy book, the chosen people, the Jews, their mission, the history that Israel defends to defend its legitimacy in the face of the contemporary birth of the State of Israel.
Great acting job Piermario Salernobeing, one, a thousand and ten thousand characters, embodying David, Goliath or an army.
The montage raises two key questions, a reinterpretation of the biblical character of David, key to the modern Zionismand that Piermario poses as a homosexual and therefore questions us on how history would have changed with something like this. It is the question for me that brings us to the culmination of the work. David defends the genocide against Israelas a contradictory statement that brings us to Piermario’s cry against the war and genocide in Gaza.
Photo: Juan Antonio Gámez
The use of video is spectaculargenerates its own poetics and a very organic connection with the actor’s body, even with the shadows it projects on the audiovisual image. A master class on the use of video on stage.
THE music It is very simple, although very well used, and brings the viewer into a state of meditation as the text transports us into contemporary tragedy. Sometimes he reminded me of today’s master of tragedy, Wadji Mouawad. I make a similar reflection lighting design responsible for Sergio Santana. Very simple, the equipment of the room is like this, but very well done, using light to create atmospheres and cause the character’s shadows.
Photo: Juan Antonio Gámez
The profound work, linked to the current reality and which does not remain silent, takes a stand and mourns the war. Tomorrow, when we observe what is happening from afar, we will calmly see who defended the war, who remained silent, who was an accomplice and who defended peace, Piermario Salerno then he will be remembered as one of the latter.
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