This work by the Moroccan artist and writer is a poignant evocation of slavery and illegal immigration, two sides of the same coin, two eras separated by the illusion of time but united by the tragic destiny of those who fight for their freedom. It was created specifically by the Moroccan artist to be offered to Senegal.
The Mahi Binebine Foundation and the Fundamental Institute of Black Africa under the Cheikh Anta Diop University of Dakar, had signed a donation agreement for the work “In the same boat”.
In a statement to MAP, the president of the Foundation, Mahi Binebine stressed that the opening of this work, on the island of Gorée which testifies to an unprecedented human experience in the history of peoples, constitutes a tribute to Africa and an ode to our ability to overcome challenges, transform chains into opportunities, and sail together towards bright horizons.
“Gorée, with its houses with deceptive facades, its cobbled streets leading inexorably to the House of Slaves, is a mirror of the inhumanity that man can display,” said the Moroccan artist, noting that he is the last point of African land that millions of chained souls saw before being carried towards a horizon of no return, forced into ships impervious to their despair.
For his part, the curator of the Museum, Mamarame Seck, welcomed the reception of this artistic work by the painter Mahi Binebine, while thanking him for the time spent and his genius for the creation of this large-scale canvas.
Speaking on this occasion, the Moroccan ambassador to Senegal, Hassan Naciri, stressed that the work of Mahi Binebine testifies to the deep commitment of this artist to defend the values of freedom, dignity and humanity, recalling that this island of Gorée, marked by human tragedies and crossed by painful and dark chapters of history, fortunately embodies the hope and resilience of African peoples, attached to freedom and life.
The painting “In the same boat” is much more than a work of art, it is a symbol which represents as much the ships of the tragic era of slavery as the frail boats of those who, ” today, aspire to a better life, in search of freedom and dignity,” he said.
Highlighting the exemplary relations existing between Morocco and Senegal, Mr. Naciri indicated that this work by Binebine is a tribute to this new Africa, resilient and full of promise, which is standing up with pride to chart its future.
Binebine’s work, “a symbol of our common humanity, guides us towards a horizon where the links between our two countries continue to flourish in a strong Africa and turned towards a future of peace and prosperity”, he affirmed. .
Gorée Island has been a UNESCO World Heritage Site since 1978. Its museum was created during the colonial era in June 1954.
Time.news Interview
Editor: Welcome to Time.news. Today, we are delighted to speak with renowned artist and writer, Mahi Binebine, who has created a profound work titled “In the Same Boat.” Thank you for joining us, Mahi.
Mahi Binebine: Thank you for having me. It’s a pleasure to discuss this important work with you.
Editor: Your piece, “In the Same Boat,” addresses the interconnected themes of slavery and illegal immigration. Can you elaborate on the inspiration behind it?
Binebine: Certainly. This work serves as a poignant reminder of the ongoing struggles for freedom that echo through history. Slavery and illegal immigration may seem like events of different eras, but they are intertwined in their essence—both represent a desperate fight for liberation against inhumane circumstances.
Editor: You chose to present this work on the island of Gorée, a site with a harrowing history related to the transatlantic slave trade. Why was it essential for you to have the unveiling there?
Binebine: Gorée is a powerful symbol. It was the last point of African land that millions faced before being forcibly taken from their homes. The island’s cobbled streets and houses with deceptive facades starkly illustrate the inhumanity that humanity can display. Unveiling my work there felt like honoring those lost souls and acknowledging the continuous struggle for freedom experienced by so many—past and present.
Editor: In your statement to MAP, you mentioned transforming chains into opportunities. How do you envision this transformation taking place in contemporary society?
Binebine: Transformation begins with awareness and education. By bringing these themes to the forefront, we can inspire dialogue about migration, identity, and resilience. It’s vital for us to see the struggles of those who migrate, not just as hardships but as journeys toward self-determination. When societies come together to support these journeys, we can pave the way for new opportunities.
Editor: You collaborated with the Fundamental Institute of Black Africa and Cheikh Anta Diop University for this project. How does collaboration enhance the impact of your work?
Binebine: Collaboration expands the narrative. Partnering with institutions like the Fundamental Institute not only amplifies the message but also roots it in academic discourse. This educational angle provides a deeper understanding of the historical context and current implications of these issues, allowing us to engage a broader audience in meaningful conversation.
Editor: You mentioned the importance of facing inhumanity. How do you think art, in general, can be a vehicle for change in societies grappling with similar issues?
Binebine: Art has a unique ability to evoke emotions and stimulate empathy. It can serve as a catalyst for change by making complex and grim realities tangible. Through storytelling and visual representation, art invites people to confront uncomfortable truths, encouraging dialogue that can lead to social change.
Editor: Lastly, what message do you hope viewers take away from “In the Same Boat”?
Binebine: I hope viewers recognize the shared humanity that connects us all, regardless of the different challenges we face. My wish is for this work to inspire reflection and action—reminding us that while our journeys may differ, we are ultimately fighting for the same thing: freedom, dignity, and a future where we can sail together toward brighter horizons.
Editor: Thank you, Mahi Binebine, for sharing your insights and the inspiration behind your powerful work. We look forward to seeing how it resonates within the community and beyond.
Binebine: Thank you for having me and shining a light on these vital issues.