Mexicans have shown to be proud of the tradition of Day of the Dead and proof of this are the artistic manifestations beyond the offerings, which the singers address the topic in their own way. Rosalía León y May Cornejo.
On this occasion, Rosalía León took the myth of the Monarch Butterflies that they are the dead visiting the world of the living, while the migration phenomenon goes off.
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“Unfortunately this migration is dying because we have greatly deteriorated the planet and suddenly in a globalized world we could think that the Day of the Dead He also does it,” said the singer-songwriter in an interview with this medium.
In this way, Monarchs the Butterflies, stands out for León as a song that is even necessary to leave a witness to these social and natural phenomena that in his words “they should never disappear“.
“I don’t think that will happen but I do think that it has already been mixed a lot with other things and sometimes there could be those who do not understand the division between one celebration and another such as the Halloween. As mexicans “We should feel proud of this tradition,” he said.
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On the other hand, the phenomenon of monarch butterflies traveling from Canada to Mexico and then to Guatemala, It is reflected symbolically with its interpreters, since León represents Mexico and Sara Curruchich and Mimi Fox represent the other nationalities.
EVOCATION TO LOVED ONES
There are also songs that are already iconic within the music that pertains to this season, such is the case of Calacaan original song by Amparo Ochoa that Majo Cornejo, the first Mexican singer in Cirque du Soleil, reinterprets.
“For me it is more than a song, it is an opportunity to honor the people who are no longer with us and who we remember with love,” Cornejo said.
In that sense, he said that he has always felt some connection with date and that evoking loved ones and feelings through music is special for her, since it is what she dedicates herself to.
Likewise, the Day of the Dead It is a large symbol that identifies the countrymen in the foreign and Majo commented on what it is like to be Mexican with her traditions in a show world class.
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“I was fortunate enough to work on the show dedicated to our country and I have had the opportunity to show a part of our identity as a culture to other countries and it is also worth noting that there are several Mexicans throughout the Cirque, that we have dignified our traditions.
“Every year we put up the Day of the Dead offering and our foreign colleagues are already more and more familiar with what we do, it has awakened their curiosity. So I think we’ve done a good job showing our tradition“, he said.
Calaca In this version it is accompanied by tubist Juan David Pavas Pavas and is focused a little more on regional Mexican music.
What you should know
- Majo Cornejo is the first Mexican singer in Cirque du Soleil and is part of the show titled Luziawhich focuses on the culture of Mexico
- For her part, Rosalía León has already sung to loved ones who are no longer here on several occasions and with different musicians.
Related
Interview between the Time.news Editor and Music Expert on the Day of the Dead Traditions in Contemporary Music
Editor: Welcome to Time.news, and thank you for joining us today! We are excited to delve into the beautiful celebration of the Day of the Dead and its artistic representation in contemporary music. We have with us a renowned expert in cultural music and tradition, Dr. Elena Rojas. Dr. Rojas, it’s a pleasure to have you!
Dr. Rojas: Thank you for having me! It’s a joy to discuss such a vibrant and meaningful celebration.
Editor: Let’s start by discussing the Day of the Dead. This year, we saw artists like Rosalía León and Majo Cornejo celebrating this tradition through their music. How do you see this artistic expression contributing to the preservation of cultural heritage?
Dr. Rojas: Absolutely! The Day of the Dead is a deeply ingrained cultural event in Mexico that honors loved ones who have passed away. When artists like Rosalía León incorporate themes of the Day of the Dead in their music, such as her song inspired by the Monarch Butterflies, it serves as both an homage to the tradition and a reminder of its significance. Music becomes a vessel for storytelling and remembrance, bridging the past with the present.
Editor: We saw in the article that Rosalía León intertwined the concept of migration with the symbolism of the Monarch Butterflies. Can you elaborate on what this represents within the context of the Day of the Dead?
Dr. Rojas: Certainly! The Monarch Butterfly migration is an extraordinary phenomenon where these butterflies travel thousands of miles from Canada to Mexico and Guatemala. In the context of the Day of the Dead, the butterflies symbolize the souls of the deceased returning to visit their families. Rosalía’s connection between migration and environmental degradation adds a poignant layer to the tradition, highlighting both ecological concerns and our essential ties to ancestral roots.
Editor: That’s a powerful connection. Majo Cornejo also touched on the importance of honoring those who have passed through her music. How does music play a role in the emotional experience of the Day of the Dead?
Dr. Rojas: Music is incredibly cathartic, and during the Day of the Dead, it becomes a way to evoke memories and emotions associated with lost loved ones. Majo Cornejo’s interpretation of “Calaca” serves as a tribute, allowing individuals to reflect on their personal experiences with grief and love. This expression helps keep the memory of those who have passed alive, fostering a sense of community and shared experience.
Editor: The article suggests that there may be some confusion between the Day of the Dead and celebrations like Halloween. How important is it for Mexicans to maintain the distinct identity of their cultural traditions?
Dr. Rojas: It is essential! While there are similarities in themes of death and remembrance, the Day of the Dead is fundamentally rooted in Mexican culture, with profound significance tied to honoring ancestors through elaborate altars, food, and music. Preserving its uniqueness enriches cultural identity and strengthens connections among those who celebrate it. It’s a source of pride for many Mexicans, as we saw with León’s emphasis on maintaining that cultural narrative.
Editor: what do you think the future holds for the intersection of traditional practices like the Day of the Dead and contemporary artistic expressions?
Dr. Rojas: I believe that as the world continues to globalize, we will see even more artists drawing on their cultural heritage to express their identity. This fusion of tradition and modernity can foster deeper understanding and appreciation for diverse cultures. As long as artists remain committed to authentically representing their roots, the Day of the Dead—and similar traditions—will thrive in the global cultural landscape.
Editor: Dr. Rojas, thank you for sharing your insights with us today. It’s been enlightening to discuss the role of music in celebrating and safeguarding cultural traditions, particularly the Day of the Dead.
Dr. Rojas: Thank you! It was a pleasure to share this conversation and celebrate such a vital tradition.
Editor: And to our readers, thank you for joining us. Let’s continue to honor and cherish our cultural practices through art and memory. Until next time!