The 37th European Film Awards are underway in Lucerne, Switzerland. Variety will be bringing you the winners live here.
The European Revelation Award, given to a director for their first full-length feature film, whent to Halfdan Ullmann Tøndel’s “Armand.” The other nominees where “Hoard” by Luna Carmoon, “Kneecap” by Rich Peppiatt, “Santosh” by Sandhya Suri, “The New Year That Never Came” by Bogdan Mureșanu, and “Toxic” by Saulė Bliuvaitė.
Jacques Audiard won the European screenwriter prize for “Emilia Pérez,” ahead of Magnus Von Horn and Line Langebek for “The Girl With the Needle,” Pedro almodóvar for “The Room Next Door,” Mohammad Rasoulof for “The Seed of the Sacred Fig” and Coralie Fargeat for “The Substance.”
Best documentary was “No Other Land,” written and directed by Yuval Abraham, Rachel Szor, Basel Adra and Hamdan Ballal.Other contenders were Lina soualem’s “Bye bye Tiberias,” Mati Diop’s “Dahomey,” Alina Maksimenko’s “In Limbo,” and Johan grimonprez’s “Soundtrack to a Coup d’Etat.”
Gints Zilbalodis’ “Flow” won best animated feature film. The other nominees were “Living Large” by Kristina Dufková,“Savages” by Claude barras,“Sultana’s Dream” by Isabel Herguera,and “They Shot the Piano Player” by Fernando Trueba and Javier mariscal.
The European director award went to Jacques Audiard for “Emilia Pérez,” who beat Andrea Arnold for “Bird,” Pedro Almodóvar for “The Room Next Door,” Mohammad Rasoulof for “The Seed of the Sacred Fig” and Maura Delpero for “Vermiglio.”
The best film nominees include narrative features “Emilia Pérez,” “The Room Next Door,” “The Seed of the Sacred Fig,” “The Substance” and “Vermiglio,” and also documentaries “Bye Bye Tiberias,” “Dahomey,” “In Limbo,” “No Other Land” and “Soundtrack to a Coup d’Etat,” and animated films “Flow,” “Living Large,” “Savages,” “Sultana’s Dream” and “They Shot the Piano Player.”
The statuette for best European actress is being chased by Renate Reinsve in “Armand,” Karla Sofía Gascón in “Emilia Pérez,” Trine Dyrholm in “The girl With the Needle,” Vic Carmen Sonne in “The Girl With the Needle” and tilda Swinton in “The Room Next Door.”
The actor award is fought over by Franz Rogowski in “Bird,” Ralph Fiennes in “Conclave,” Lars Eidinger in “Dying,” Daniel Craig in “Queer” and Abou Sangare in “Souleymane’s Story.”
European Cinematography
Benjamin Kračun for “The Substance”
European Editing
Juliette Welfling for “Emilia Pérez”
European Production Design
Jagna Dobesz for “The Girl with the needle”
European Costume Design
Tanja Hausner for “The Devil’s bath”
European Make-Up & hair
Evalotte Oosterop for “When the Light Breaks”
European original Score
Frederikke Hoffmeier for “The Girl With the Needle”
European Sound
Marc-Olivier Brullé, Pierre Bariaud, Charlotte Butrak, samuel Aïchoun & Rodrigo Diaz for “Souleymane’s Story”
European Visual Effects
Bryan Jones, Pierre Procoudine-Gorsky, Chervin Shafaghi & Guillaume Le Gouez for “The Substance”
European Achievement in World Cinema Award
Isabella Rossellini
Lifetime Achievement Award
Wim Wenders
Eurimages International Co-Production Award
Labina Mitevska
What is the significance of the European Revelation Award at the European Film Awards?
Interviewer (Time.news Editor): Welcome to our special coverage of the 37th European Film Awards, taking place live from Lucerne, Switzerland. We’re thrilled to have with us film expert and critic, Dr. Emilia Roberts,to discuss the highlights and winners of this prestigious event. Dr. Roberts, thank you for joining us!
Dr. Emilia Roberts: Thank you for having me! It’s a pleasure to be here,especially during such an exciting time for European cinema.
Interviewer: Absolutely! The awards ceremony celebrated numerous incredible talents. Let’s start with the European Revelation Award. It went to Halfdan Ullmann Tøndel for his debut feature film,“Armand.” What can you tell us about this decision and its significance?
Dr. Emilia Roberts: Winning the European Revelation Award is indeed a great honour for Tøndel. It highlights not just his talent as a filmmaker but also represents the willingness of the awards to uplift emerging voices in cinema. “Armand” is a unique film that has resonated with audiences and critics alike, making it a deserving recipient. The fact that it was competing against a strong lineup, including works from directors like Luna Carmoon and Sandhya Suri, speaks volumes about its impact.
Interviewer: Speaking of strong contenders, Jacques Audiard won the European Screenwriter Prize for “Emilia Pérez.” What do you think set his script apart in such a competitive field?
Dr. Emilia Roberts: Jacques Audiard is a prolific writer and director known for his ability to weave complex narratives with rich character development.“Emilia Pérez” likely stood out due to its innovative storytelling and emotional depth.Competing against other notable nominees like Pedro Almodóvar and mohammad Rasoulof only underscores the strength of Audiard’s work. His scripts often explore human experiences in ways that resonate universally, contributing to his recognition at this year’s awards.
Interviewer: The Best Documentary award went to “No Other Land,” directed by Yuval Abraham, Rachel Szor, Basel Adra, and Hamdan Ballal.How does a documentary like this capture the attention of the European Film Academy, especially in a field filled with compelling narratives?
Dr. Emilia Roberts: Documentaries can sometimes fly under the radar at awards shows, but “No Other Land” likely captured the Academy’s attention through its poignant storytelling and relevance to current social issues. The combination of multiple directors often brings diverse perspectives to a project, which can enhance its emotional resonance and documentary strength. It’s crucial in today’s world that films engage with real experiences and create discourse—something that this documentary seems to have accomplished.
Interviewer: It’s fascinating how the awards can reflect not just artistry but also societal themes. Lastly, from a broader perspective, what does this year’s European Film awards tell us about the current landscape of European cinema?
Dr. Emilia Roberts: This year’s awards highlight the resilience and creativity of European filmmakers, especially in the context of recent global challenges. The variety of nominees showcases a booming interest in inventive storytelling, diverse voices, and pressing social narratives. Additionally, the recognition of newer filmmakers alongside established names suggests that the European film industry is not only valuing tradition but is also eager to embrace innovation. This is a thrilling time for cinema,and I can’t wait to see how these emerging voices shape the future of storytelling.
Interviewer: Thank you,Dr. Roberts, for sharing your insights today. It’s clear that the 37th European Film Awards is not only celebrating achievement but also paving the way for the future of film in Europe. We look forward to seeing how these narratives unfold in the coming years.
Dr. Emilia Roberts: Thank you for having me! It’s been a delight to discuss these important developments in cinema. Here’s to manny more great films ahead!