Published13. December 2024, 7:19 pm
Movie theaterRichard Gere unrecognizable: “It’s scary to see yourself getting old”
The American actor, Edward Lewis who has not been forgotten in “Pretty Woman” (1990), plays a man at the end of his life in the latest film by paul Schrader, in theaters on Wednesday.
Richard Gere as we have never seen him: the American actor plays a man at the end of his life in “Oh, Canada”, a twilight film by Paul Schrader, which is released in theaters this Wednesday in French-speaking Switzerland.
The voice at the beginning leaves no doubt: we are witnessing the last moments of a man.Moving in a wheelchair, carrying a bag of urine, his eyes half closed by illness and pain, Richard Gere sweeps the fantasy of the 80s, dressed as Armani from “American Gigolo” (filmed by the same Schrader), as well as the sexy businessman from “pretty Woman” (1990).
“It was a bit scary to see myself getting older, to see myself as I will be in a few years. It’s very strange,” he said during the press conference in May at the Cannes Film Festival,where the film was in competition. “My father died a few months before Paul (Schrader) presented the project to me. It’s clear that he was living his last days, and the way his mind was confronted wiht many different realities, that’s what really resonated with me about this story,” explained the actor.
With Uma Thurman and Jacob Elordi
More than 40 years after their first collaboration, the embattled filmmaker and the now 75-year-old actor have reunited for this critically-acclaimed film, adapted from a novel by Russell Banks.
“Oh, Canada”, the title of a song by Neil Young, is the story of a famous documentary filmmaker, Leonard Fife, who gained fame by exposing scandals and his political commitment. Installed in Canada with his wife and former student who was Uma Thurman,he decides,knowing that he is condemned,to raise awareness of the past and the wounds he suffered.
Closely filmed by a team trying to find out everything about his mentor, Leonard opens up, gets lost, maybe made up…he thinks he remembers what it was like when he was young (played on the screen by Jacob Elordi, appearing in “Euphoria” and ”Priscilla”). In this memory puzzle, the past and the present collide, today’s Leonard replays the film of his life, he remembers the women he was with.
The chance to revisit his decisive decision to leave for Canada, to avoid conscription during the Vietnam War. Paul Schrader makes a final confession about his film. The man who was in the shadow of Martin Scorsese for a long time, as a screenwriter, had already brought the first novel by Russell Banks, “Affiction” (1997) to the screen.
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What themes of aging are explored in Richard Gere’s film “Oh, Canada”?
Interview: The Evolving World of Cinema and Aging with richard Gere
Setting: A cozy, artisanal coffee shop in downtown, where the ambiance is warm and inviting. The Time.news editor, Alex Collins, sits across from film expert and critic, Dr. Clara Jensen. The conversation picks up on the release of Gere’s latest film, “Oh, Canada.”
Alex Collins: Thanks for joining me today, Dr. Jensen. Richard Gere’s latest film, directed by Paul Schrader, has created quite a buzz. What’s your take on Gere’s role as a man nearing the end of his life?
Dr. Clara Jensen: it’s a genuinely fascinating portrayal. Gere captures the subtle nuances of aging and the introspection that comes with it.In “Oh, Canada,” he depicts a character who reflects on his life, and that resonated deeply with audiences. His transformation is striking—both physically and emotionally.
Alex Collins: Indeed, it truly seems that many fans are shocked to see him in such an unrecognizable state. He mentioned,“It’s scary to see yourself getting old.” How does that sentiment enhance the film’s themes?
Dr. Clara Jensen: That statement is poignant. It taps into a universal fear linked to aging—seeing our reflection change, and grappling with our own mortality. The film doesn’t shy away from this reality; instead, it embraces it. It opens a conversation about not just growing old,but the wisdom and regrets that accompany it.
Alex Collins: Speaking of conversations, given Gerald’s iconic status from “pretty Woman,” how do you think this shift in roles impacts his legacy?
Dr. Clara Jensen: It’s a natural evolution for actors, especially those like Gere who have had lengthy careers.Transitioning from romantic leads into more substantive, complex characters frequently enough marks a deeper kind of storytelling. Gere’s willingness to take on challenging roles showcases his range and commitment to his craft. It adds a new layer to his legacy—one that emphasizes depth over glamour.
Alex Collins: Audiences are frequently enough hesitant to embrace films that feature older characters. Do you think “Oh, Canada” will challenge those viewer biases?
Dr. Clara Jensen: Absolutely.Films like this have the power to redefine narratives around aging. They invite viewers to confront uncomfortable realities, sparking conversations not only about the film itself but also about our perceptions of older adults in society. If done well, it can pave the way for more stories that centre on aging protagonists.
Alex Collins: And Paul Schrader’s direction is known for it’s introspective style. How do you think his approach complements Gere’s performance?
Dr.Clara Jensen: Schrader has a distinct knack for exploring the complexity of the human condition. His films frequently enough delve into moral ambiguities and personal struggles. By pairing this thematic depth with Gere’s performance, they create a rich tapestry that is both haunting and relatable. This collaboration invites the audience to not only watch but to feel and reflect on their own lives.
Alex Collins: What do you hope viewers take away from this film?
Dr. Clara Jensen: I hope they walk away with a greater recognition for the narratives surrounding aging. “Oh, Canada” can serve as a reminder that each stage of life has its own stories and wisdom. It’s an opportunity for empathy,allowing viewers to connect with experiences that may not be their own but are equally valuable.
Alex Collins: thank you, Dr. Jensen. This has been enlightening. I’m looking forward to seeing how audiences respond to Gere’s powerful performance.
Dr. Clara Jensen: Thank you, Alex! I believe it’s going to spark some meaningful dialogues about aging and the richness of life at every stage.
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The interview wraps up with both feeling optimistic about the film’s impact, eager to see how it resonates with audiences and critics alike in the coming weeks.